At the Royal Academy
Charles Hope: Giovanni Battista Moroni , 8 January 2015
“... given that most portraits were of the rich and powerful, and flattery was one of the major currencies of social intercourse. Today we are inclined to admire portraits for their supposed honesty and insight, but we are more indulgent with paintings from the past. No one would suppose that portraits by Van Dyck or Reynolds are other than ... ”