Truth

Hans Keller, 21 February 1980

Testimony: The Memoirs of Dmitri Shostakovich 
edited by Solomon Volkov, translated by Antonina Bouis.
Hamish Hamilton, 238 pp., £7.95, October 1980, 0 241 10321 5
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“... forgotten – such public utterances of the composer’s as his notorious Pravda article of 31 May 1964, in which 12-tone and serial music were devaluated in terms which no Stalin, no Zhdanov could have improved upon: the tone-row ‘was one or the great evils of 20th-century art’. And come to look for it, there is not a word about dodecaphony in the ...”

Whipping the wicked

Peter Clarke, 17 April 1980

The Optimists: Themes and Personalities in Victorian Liberalism 
by Ian Bradley.
Faber, 301 pp., £12.50, January 1980, 0 571 11495 4
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“... which he finds in Victorian Liberalism will obviously not be to everyone’s taste. Some may find the Gladstonian view of politics too optimistic altogether. But it gets a good airing here, and one which shows the subject to be full of interest and ...”

Diary

Ian Hamilton: A Hoax within a Hoax, 15 November 1984

“... afterwards that she becomes Lessing enough to blame people for thinking Somers is not her: Some may think this is a detached way to write about Doris Lessing, as if I were not she, it is the name I am detached about. After all, it is the third name I’ve had: the first, Tayler, being my father’s; the second, Wisdom (now try that one on for size!), my ...”

Theroux and Through

Julian Barnes, 21 June 1984

The Kingdom by the Sea: A Journey Around the Coast of Great Britain 
by Paul Theroux.
Hamish Hamilton, 303 pp., £9.95, October 1983, 0 241 11086 6
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Doctor Slaughter 
by Paul Theroux.
Hamish Hamilton, 137 pp., £6.95, June 1984, 0 241 11255 9
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“... Did they perhaps fake their enthusiasm? Or was the world simply fresher then? Today’s travellers may claim a greater truthfulness by reporting their blisters and their ennui: though interestingly they also deploy a wider variety of fiction-based techniques to convey that truth (this used to be called ‘making it up’). And as they press themselves upon us ...”

McClintock

Nicholas Wade, 20 September 1984

A Feeling for the Organism: The Life and Work of Barbara McClintock 
by Evelyn Fox Keller.
Freeman, 235 pp., £13.95, July 1984, 0 7167 1433 7
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A Slot Machine, A Broken Test Tube 
by S.E. Luria.
Harper and Row, 229 pp., £12.50, May 1984, 0 06 015260 5
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“... for such judgments, are strangely reluctant to trespass into modern times. Remarkable as it may seem, the only broad-sweep history of molecular biology is by a journalist, Horace Judson. His Eighth Day of Creation (1979) gives a vivid sense of molecular biology as a community of researchers, each feeding ideas into a common pool and drawing sustenance ...”

Boom

Arthur Marwick, 18 October 1984

War and Society in Europe 1870-1970 
by Brian Bond.
Leicester University Press/Fontana, 256 pp., £12, December 1983, 0 7185 1227 8
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Wars and Welfare: Britain 1914-1945 
by Max Beloff.
Arnold, 281 pp., £18.95, April 1984, 0 7131 6163 9
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The Causes of Wars, and Other Essays 
by Michael Howard.
Counterpoint, 291 pp., £3.95, April 1984, 0 04 940073 8
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“... of war. Bond recognises that there are social consequences, but goes into little detail. This may be a drawback for some ‘War and Society’ syllabuses, where the issue is still very much on the agenda. Feminist and socialist historians, recently, have been very active in denying any great significance to war in, say, bringing about any alleged ...”

Oozy

Diana Rose, 20 September 1984

A Nice Girl like Me: A Story of the Seventies 
by Rosie Boycott.
Chatto, 250 pp., £8.95, April 1984, 0 7011 2665 5
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“... is an ‘Oxford graduate’. Rosie works for Frendz magazine for just under a year and in May 1972 she and Marsha Rowe co-edit the first issue of Spare Rib. Rosie is now 21 and still impressed by names. She is ‘staggered when Germaine Greer arrives uninvited to her party’. ‘Uninvited’, she hastens to add, because she had been ‘too nervous to ...”

Party Man

David Marquand, 1 July 1982

Tony Crosland 
by Susan Crosland.
Cape, 448 pp., £10.95, June 1982, 9780224017879
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“... fell off the pedestal on which we had placed him. It was our fault for putting him there. Whatever may have been true of the Crosland of the Fifties, the Crosland of the Seventies was no longer emotionally a Croslandite. The swashbuckling ex-paratrooper had settled down, politically as well as in his private life. We persisted in seeing him as our mentor, but ...”

Football Mad

Martin Amis, 3 December 1981

The Soccer Tribe 
by Desmond Morris.
Cape, 320 pp., £12.50, September 1981, 9780224019354
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“... manager that drives them mad. It’s going on television that really does it. Perhaps, then, we may modestly envision a quieter role for the England manager of the future: more cloistered, more thoughtful, more bookish. Under no circumstances, however, should the Boss be left alone with Desmond Morris’s new work: he would almost certainly go mad, or else ...”

Kenya’s Dissident

Victoria Brittain, 3 June 1982

Devil on the Cross 
by Ngugi wa Thiongo.
Heinemann, 224 pp., £7.50, June 1982, 0 435 90200 8
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Detained: A Writer’s Prison Diary 
by Ngugi wa Thiongo.
Heinemann, 232 pp., £7.50, June 1981, 9780435906504
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Writers in Politics 
by Ngugi wa Thiongo.
Heinemann, 320 pp., £6.95, June 1981, 0 435 91752 8
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Ake: The Years of Childhood 
by Wole Soyinka.
Rex Collings, 230 pp., £7.50, August 1981, 0 86036 155 1
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“... a teacher and become a student at the feet of the Kenyan peasants and workers.’ In Europe this may read like posturing, but when Ngugi says it, it seems a natural and modest description of his politics. Petals of Blood, published three years ago, prepared the way for his detention by President Kenyatta: it is an ambitious novel which portrays post-colonial ...”

Flattery

Peter Burke, 16 September 1982

Le Roi-Machine: Spectacle et Politique au Temps de Louis XIV 
by Jean-Marie Apostolidès.
Les Editions de Minuit, 164 pp., £4.50
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Le Portrait du Roi 
by Louis Marin.
Les Editions de Minuit, 300 pp., £5.60
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“... the selling of Louis XIV. Neither Apostolidès nor Marin says anything as crude as this, and they may not intend the implication, but the concepts themselves encourage us to think in these terms. Is this misleading or is it illuminating? A cynical interpretation of Pellisson would not be unreasonable. A Protestant turned Catholic, a client of the financier ...”

Lunch

Jon Halliday, 2 June 1983

In the Service of the Peacock Throne: The Diaries of the Shah’s Last Ambassador to London 
by Parviz Radji.
Hamish Hamilton, 343 pp., £12.50, April 1983, 0 241 10960 4
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“... at any rate? The misinformation would seem to have been on Radji’s part. Two years later, in May 1978, when Radji is acknowledging (to himself) that torture had continued long after he had denied its existence, he is concerned with trying to discredit those who had been tortured. Even when cabling Tehran during the final collapse in November 1978, ‘to ...”

World Policeman

Colin Legum, 20 November 1986

With the Contras: A Reporter in the Wilds of Nicaragua 
by Christopher Dickey.
Faber, 327 pp., £12.50, September 1986, 9780571146048
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Jonas Savimbi: A Key to Africa 
by Fred Bridgland.
Mainstream, 513 pp., £14.95, October 1986, 0 906391 99 7
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“... likely to concede a victory to Reagan’s ‘new globalist’ policy. The poor suffering Angolans may therefore have to wait until there is a new incumbent in the White House and the pendulum of American foreign policy once again begins to swing away from the idea of America as the world’s ...”

Shakers

Denis Donoghue, 6 November 1986

Write on: Occasional Essays ’65-’85 
by David Lodge.
Secker, 211 pp., £12.95, September 1986, 0 436 25665 7
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“... story of actual crime, but a work of literary fiction.’ Dismissing the work, he says that ‘we may be interested by the spectacle of life imitating bad art, but not by bad art (i.e. over-familiar, exhausted conventions) proposing to imitate life.’ But his review of the matter confounds virtually every critical issue raised by ...”

Dancer and the Dance

Susan Sontag, 5 February 1987

“... duo with Judith Jamison, choreographed by Alvin Ailey) to Robbins, Tharp and Karole Armitage. He may, on occasion, have been abused or misused by his choreographers. But ultimately it is not possible to abuse him. Even when the role is not right, he is always more than the role. He is, almost literally, a transcendent dancer. Which is what dance strives to ...”