Before Foucault

Roy Porter, 25 January 1990

The Normal and the Pathological 
by Georges Canguilhem, translated by Carolyn Fawcett and Robert Cohen.
Zone, 327 pp., £21.95, June 1989, 0 942299 58 2
Show More
Show More
... When is a disease not a disease? No quibbling academic riddle this, but a problem increasingly pressing upon medical practice and ethics alike. So many questions crowd in. Is it valid to talk of a person being ill without a disease, or having a disease without being sick? When and how do we draw dividing-lines between conditions, disabilities and abnormalities, on the one hand, and diseases, on the other? This can be a crucial issue when it comes to final authority in deciding the fate of severely-malformed babies ...

Re-Livings

George Steiner, 5 June 1980

Instaurations: Essays in and out of Literature Pindar to Pound 
by D.S. Carne-Ross.
California, 275 pp., £10.50, December 1979, 0 520 03619 0
Show More
Show More
... the pulse of continuity in European literatures from Caxton and Boccaccio to Rilke, Valéry and Robert Lowell. For Carne-Ross, the continuities and echo-densities which relate Pindar to Ezra Pound, which make Leopardi stylise a scene in the exact light of Horace, which provide Ariosto and Gongora with stylistically diverse but equally dynamic relations to ...

Coldstream

Lawrence Gowing, 19 March 1987

... savoured of art or taste was excluded. In the studio which Coldstream shared with Graham Bell in Robert Street off the Hampstead Road ‘art’ had become a dirty word, though the depth of bitterness was reserved for the word ‘artistic’. Coldstream’s time at the GPO Film Unit was coming to an end, but his association with John Grierson had a lasting ...

Short Cuts

Francis FitzGibbon: Raab’s British Rights, 7 October 2021

... the probation service, at a cost of about half a billion pounds. Raab’s immediate predecessor, Robert Buckland, sacked in the reshuffle of 15 September, was one of the last cabinet ministers who voted Remain in the EU referendum, so did well to survive as long as he did. He was a proper criminal barrister, practising for almost twenty years before becoming ...

At the RA

Jeremy Harding: Richard Diebenkorn, 7 May 2015

... in the American non-objective field’. Yet Diebenkorn, who expressed a deep admiration for Robert Motherwell and de Kooning, was clearly cautious about going the whole hog. Disintegrating Pig takes us through the motions of abstract painting but it’s more a rehearsal of abstraction than the thing itself and it’s difficult not to see the ...

Short Cuts

Christopher Tayler: King Charles the Martyr, 21 February 2019

... verse, and, according to a website about Afghan hounds, once owned the cave in which Robert the Bruce hid out. I’d just confirmed that A.J.A. Symons’s The Quest for Corvo was packed with neo-Jacobites when my acquaintance popped up online with further information about the annual Mass. ‘I should add, it’s this Wednesday,’ he ...

At the Duveen Galleries

Brian Dillon: ‘The Asset Strippers’, 18 July 2019

... at the New Arts Laboratory in 1970 and of the sci-fi inflected essays of the land artist Robert Smithson, who in 1967 described post-industrial New Jersey as ‘a place where the machines are idle, and the sun has turned to glass’. In The Asset Strippers, the machines are lying idle but there’s a cunning relay between the ruins of the recent past ...

At the Courtauld

Nicholas Penny: Hanging Paintings, 27 January 2022

... When​ the Courtauld Institute of Art moved in 1989 from a house designed by Robert Adam in Portman Square to a wing of Somerset House, William Chambers’s masterpiece, it seemed a very satisfactory solution, especially because it provided an opportunity for the Courtauld Gallery to join the institute in its new premises ...

At the National Portrait Gallery

Peter Campbell: The Portraits of Angus McBean, 3 August 2006

... inclinations. He found a partner, David Ball – also an assistant and a model. In the 1980s Robert Mapplethorpe was one of those much taken with McBean’s photographs of him. He died in 1990, on his 86th birthday. He had come out of retirement from time to time to work for smart magazines, but on the evidence of this exhibition colour did not suit his ...

At Tate Britain

Rosemary Hill: ‘Ruin Lust’, 3 April 2014

... protest or comment. One of the most famous, the Gothic Temple at Stowe, was built as a critique of Robert Walpole’s regime. While the exhibition makes reference to these buildings, it writes them off as ‘fakes’. In fact their polemical potential was long-lived and in the last century the greatest exponent of the rhetorical ruin was Ian Hamilton ...

On Richard Hamilton

Hal Foster, 6 October 2011

... problematic glare of celebrity, Swingeing London 67 (1968), his lurid painting of Mick Jagger and Robert Fraser (an art dealer of the time) manacled together in a police van after a drug bust. We tend to see Pop artists as utterly seduced by images of personages and products, complicit with the amnesia that consumerism needs to produce. Yet sometimes, against ...

In Split

Rosemary Hill: Diocletian’s Palace, 26 September 2013

... hats and very bad prints of Rod Stewart. The visitor whose expectations have been formed by Robert Adam’s Ruins of the Palace of the Emperor Diocletian at Spalatro of 1764, may feel momentarily taken aback, but in essence nothing has changed for the palace is not in the city, the city is in the palace and it has been there, growing and adapting, for ...

Short Cuts

Chase Madar: Human Rights Window Dressing, 2 July 2015

... affiliated with the Centre for American Progress, who has called for military intervention to oust Robert Mugabe. It’s not just Americans: Michael Ignatieff ardently supported the invasion of Iraq in the name of humanitarian values. The inescapable Bernard-Henri Lévy was at the fore in demanding Nato go to war against Gaddafi. (Lévy has ‘moved on’ to ...

At Inverleith House

Hal Foster: Richard Hamilton, 14 August 2008

... The first stop is a scandal in Swinging London. In February 1967 police arrested Mick Jagger and Robert Fraser (a prominent art dealer) for drug possession. Based on a press photograph of Jagger and Fraser in a police van, Swingeing London 67 (1968-69) is blurred, its colours lurid. The two celebrities, who otherwise thrive on our gaze, here attempt to ...

Short Cuts

Jeremy Harding: Shot At Dawn, 30 November 2006

... of the ordeal determined by the weather and the tightness of the bindings. In Goodbye to All That, Robert Graves remembers seeing his faithful servant, Private Fahy, spreadeagled on a wheel. ‘Tottie’, as he was known, got ‘28 days of it’ for drunkenness. Downey had been clobbered with the full ‘84 days’ on 25 November, a few weeks before he was ...