At the RA

Jeremy Harding: Richard Diebenkorn, 7 May 2015

... in the American non-objective field’. Yet Diebenkorn, who expressed a deep admiration for Robert Motherwell and de Kooning, was clearly cautious about going the whole hog. Disintegrating Pig takes us through the motions of abstract painting but it’s more a rehearsal of abstraction than the thing itself and it’s difficult not to see the ...

Short Cuts

Christopher Tayler: King Charles the Martyr, 21 February 2019

... verse, and, according to a website about Afghan hounds, once owned the cave in which Robert the Bruce hid out. I’d just confirmed that A.J.A. Symons’s The Quest for Corvo was packed with neo-Jacobites when my acquaintance popped up online with further information about the annual Mass. ‘I should add, it’s this Wednesday,’ he ...

At the Duveen Galleries

Brian Dillon: ‘The Asset Strippers’, 18 July 2019

... at the New Arts Laboratory in 1970 and of the sci-fi inflected essays of the land artist Robert Smithson, who in 1967 described post-industrial New Jersey as ‘a place where the machines are idle, and the sun has turned to glass’. In The Asset Strippers, the machines are lying idle but there’s a cunning relay between the ruins of the recent past ...

At the Courtauld

Nicholas Penny: Hanging Paintings, 27 January 2022

... When​ the Courtauld Institute of Art moved in 1989 from a house designed by Robert Adam in Portman Square to a wing of Somerset House, William Chambers’s masterpiece, it seemed a very satisfactory solution, especially because it provided an opportunity for the Courtauld Gallery to join the institute in its new premises ...

At the National Portrait Gallery

Peter Campbell: The Portraits of Angus McBean, 3 August 2006

... inclinations. He found a partner, David Ball – also an assistant and a model. In the 1980s Robert Mapplethorpe was one of those much taken with McBean’s photographs of him. He died in 1990, on his 86th birthday. He had come out of retirement from time to time to work for smart magazines, but on the evidence of this exhibition colour did not suit his ...

At Tate Britain

Rosemary Hill: ‘Ruin Lust’, 3 April 2014

... protest or comment. One of the most famous, the Gothic Temple at Stowe, was built as a critique of Robert Walpole’s regime. While the exhibition makes reference to these buildings, it writes them off as ‘fakes’. In fact their polemical potential was long-lived and in the last century the greatest exponent of the rhetorical ruin was Ian Hamilton ...

On Richard Hamilton

Hal Foster, 6 October 2011

... problematic glare of celebrity, Swingeing London 67 (1968), his lurid painting of Mick Jagger and Robert Fraser (an art dealer of the time) manacled together in a police van after a drug bust. We tend to see Pop artists as utterly seduced by images of personages and products, complicit with the amnesia that consumerism needs to produce. Yet sometimes, against ...

In Split

Rosemary Hill: Diocletian’s Palace, 26 September 2013

... hats and very bad prints of Rod Stewart. The visitor whose expectations have been formed by Robert Adam’s Ruins of the Palace of the Emperor Diocletian at Spalatro of 1764, may feel momentarily taken aback, but in essence nothing has changed for the palace is not in the city, the city is in the palace and it has been there, growing and adapting, for ...

Short Cuts

Chase Madar: Human Rights Window Dressing, 2 July 2015

... affiliated with the Centre for American Progress, who has called for military intervention to oust Robert Mugabe. It’s not just Americans: Michael Ignatieff ardently supported the invasion of Iraq in the name of humanitarian values. The inescapable Bernard-Henri Lévy was at the fore in demanding Nato go to war against Gaddafi. (Lévy has ‘moved on’ to ...

At Inverleith House

Hal Foster: Richard Hamilton, 14 August 2008

... The first stop is a scandal in Swinging London. In February 1967 police arrested Mick Jagger and Robert Fraser (a prominent art dealer) for drug possession. Based on a press photograph of Jagger and Fraser in a police van, Swingeing London 67 (1968-69) is blurred, its colours lurid. The two celebrities, who otherwise thrive on our gaze, here attempt to ...

Short Cuts

Jeremy Harding: Shot At Dawn, 30 November 2006

... of the ordeal determined by the weather and the tightness of the bindings. In Goodbye to All That, Robert Graves remembers seeing his faithful servant, Private Fahy, spreadeagled on a wheel. ‘Tottie’, as he was known, got ‘28 days of it’ for drunkenness. Downey had been clobbered with the full ‘84 days’ on 25 November, a few weeks before he was ...

Lethal Specks

Hugh Pennington: Polonium, 14 December 2006

... used in polonium manufacture in the 1940s have not changed in their fundamentals. In 1943, Robert Oppenheimer assigned its production to Charles Thomas, central research director of the Monsanto chemical company. He set up a laboratory in the indoor tennis court of his mother-in-law’s large and remote estate in Dayton, Ohio. The polonium was made by ...

Short Cuts

Thomas Jones: Malcolm Gladwell, 4 December 2008

... to the force. This is known as Hooke’s law, after the 17th-century British physicist Robert Hooke, who said it in Latin: ‘Ut tensio, sic vis.’ Take the weight off, and the spring will bounce back to its original coiled state. But there comes a point at which the load is too heavy. The spring will suddenly collapse, and won’t return to its ...

At the Hayward

Peter Campbell: Paul Klee, 21 March 2002

... and thought a lot about the nature of art and how it might be taught, and in his catalogue essay Robert Kudielka turns to the writings for explanations. In hers, Bridget Riley tells how they have informed her own thinking about abstract painting. Yet despite its aphoristic power (the expression ‘taking a line for a walk’ suggests so much about drawing ...

Excellence

Patrick Wright, 21 May 1987

Creating excellence: Managing corporate culture, strategy and change in the New Age 
by Craig Hickman and Michael Silva.
Allen and Unwin, 305 pp., £12.50, April 1985, 0 04 658252 5
Show More
Intrapreneuring: Why you don’t have to leave the corporation to become an entrepreneur 
by Gifford Pinchot.
Harper and Row, 368 pp., £15.95, August 1985, 0 06 015305 9
Show More
The IBM Way: Insights into the World’s Most Successful Marketing Organisation 
by Buck Rodgers.
Harper and Row, 224 pp., £12.95, April 1986, 0 06 015522 1
Show More
Innovation: The Attacker’s Advantage 
by Richard Foster.
Macmillan, 316 pp., £14.95, September 1986, 0 333 43511 7
Show More
Ford 
by Robert Lacey.
Heinemann, 778 pp., £15, July 1986, 0 434 40192 7
Show More
Company of Adventurers: The Story of the Hudson’s Bay Company 
by Peter Newman.
Viking, 413 pp., £14.95, March 1986, 0 670 80379 0
Show More
Augustine’s Laws 
by Norman Augustine.
Viking, 380 pp., £12.95, July 1986, 9780670809424
Show More
Peak Performers: The New Heroes in Business 
by Charles Garfield.
Hutchinson, 333 pp., £12.95, October 1986, 0 09 167391 7
Show More
Going for it: How to Succeed as an Entrepreneur 
by Victor Kiam.
Collins, 223 pp., £9.95, May 1986, 0 00 217603 3
Show More
Take a chance to be first: The Secrets of Entrepreneurial Success 
by Warren Avis.
Macmillan, 222 pp., £9.95, October 1986, 0 02 504410 9
Show More
The Winning Streak 
by Walter Goldsmith and David Clutterbuck.
Weidenfeld/Penguin, 224 pp., £9.95, September 1984, 0 297 78469 2
Show More
The Roots of Excellence 
by Ronnie Lessem.
Fontana, 318 pp., £3.95, December 1985, 0 00 636874 3
Show More
The New Management of Local Government 
by John Stewart.
Allen and Unwin, 208 pp., £20, October 1986, 0 00 435232 7
Show More
Show More
... books of the Eighties have been American, and ‘excellence’ is their creed. Thomas Peters and Robert Waterman Junior’s In Search of Excellence1 appeared in 1982 and it quickly established itself as the best-selling management book ever. Here was an unambiguous riposte to the Japanese economic miracle, that Pearl Harbour of the Carter era. Excellence ...