“... a sentimental and claustrophobic soap opera based on a bogus reading of locality. The compacted black-hole set has been devised to swallow segments of authentic geography, the pubs and squares of Hackney. And to compress all that multi-tongued buzz into a single rectangular block where everyone shouts or whispers threats into a mobile ...”

“... didn’t really know or even like but who just happened to be marooned in Oxford out of term.One black mark against Larkin is that he no more cares for the work of Flannery O’Connor than Amis did: ‘The day didn’t get off to a very good start by my reading some stories by “Flannery O’Connor” in the bath … horribly depressing American South ...”

“... de Acosta (1893-1968) was a serious lady ghoul. So lamia-like her sartorial mode – she favoured black silk cloaks and trousers, tricorn hats, blood-red lipstick and cadaverish white face-powder – Tallulah Bankhead was not the only acquaintance to nickname her ‘Countess Dracula’. Yet such was de Acosta’s sinister allure she managed to bed just about ...”

“... pen-work and thick outline done in a gloopy mixture of ink and gum. (‘Outlines cannot be got too black,’ he jotted in his sketchbook in a characteristic spirit of self-exhortation.) The picture is finished off with a varnish that has aged into a rich yellowy-brown: the total effect is sometimes said to resemble an etching, which is true enough, though it ...”

“... in a few paragraphs. She works, as she acknowledges, in the shadow of the extraordinary labours of Michael Millgate, whose revised biography of 2004 is the standard scholarly account. Millgate is invaluable, the definitive authority; but as he himself might admit, his very scrupulousness tends to slow down his narrative, gnarling it in necessary footnotes and ...”

“... newly independent regimes in Mozambique and Angola were fêted in South Africa’s townships. ‘Black South Africans had found it hard to believe that white power could ever be overthrown,’ R.W. Johnson writes in How Long Will South Africa Survive? ‘Now this disbelief vanished overnight.’1 The 1976 Soweto uprising, a turning point in the South African ...”

“... my) memory. The house-ends facing the Corner have giant murals in powerful, Guernica-style black and white. One shows a body lying lifeless on the pavement below. Another depicts Bernadette Devlin MP, as she then was, throwing down stones to build a barricade. Another has a British soldier breaking into a house with a sledgehammer; while on the ...”

“... of this estate, a hundred acres of manzanita thickets, with open stretches of ponderosa pine, black oak, cedar, madrone, Douglas fir, bunchgrass – and one of the most seductive houses in America, self-conceived and self-constructed. The land was purchased in 1966, after Snyder returned to California following periods as a Zen Buddhist monk in Kyoto, in ...”

“... Bacon took her to a ‘bad street’, what she saw was a place ‘just crammed with people, mostly black people, walking on the sidewalks and sitting on the stoops and leaning out of the windows’. In the ‘good one’, by contrast, there was just a lone boy kicking a tyre into a gutter. ‘Ed, nobody’s here,’ she said to Bacon, according to Robert ...”

“... while others are more realist, their portrayals of relationships and family life punctuated with black humour. Together they show that from an early stage Kristóf was concerned with the themes that run through her novels: exile, loss, childhood, separation, death. They also reveal a writer experimenting with a new style. In interviews in the 1990s and ...”

“... of news pages and bad for advertisers, yet he would work only for the Magazine and its Art Editor, Michael Rand. Wyndham believed, on the contrary, that people liked reading about diverting, strange, glamorous subjects – and that glamour should not be taken seriously. He was also writing pieces in his own highly original style – pieces that were often ...”

“... in many novelists today, particularly younger ones, who recognise the current literary value of a black world view but themselves possess cheerful, even sunny temperaments. They turn out The Good Companions in reverse, well aware that their escapist world will seem as convincing to today’s readers as Priestley’s did to subscribers in the Thirties. The ...”

“... His determination to see nature as benign has been called a flaw by his most intelligent critic, Michael Cohen, in The Pathless Way. As we climbed together on a route called Great White Book in the Tuolumne domes east of Yosemite, he told me how Muir was disconcerted by the writhen and stunted junipers rooting in crevices of the granite because they were ...”

“... demonstrations. As for his parents, ‘I would disappoint their hopes of a profession and be a black sheep. I carefully oiled and greased my rifle, wrapped it in oily rags, and made my brothers promise to take care of it. Then I left home in March of 1918.’ At 20, he joined the brotherhood of freedom-fighters, who now became his closest family. ...”

“... Milton Keynes is a direct descendant of Bloomsbury seems about as plausible as trying to show that Michael Foot speaks with the authentic voice of the Levellers. More fundamentally, the central argument of this book, that London’s homely architecture is the product and expression of Londoners’ homely virtues, is chronologically unsound. Most of the ...”