At Tate Modern
Brian Dillon: Klein/Moriyama, 22 November 2012
“... and still capture a good deal besides. And it’s the besides that is often the point: there may be a central or off-central subject in a Klein photograph, but at least half the drama unfolds at the edges, where nobody is quite sure if they are in the frame or why. Another example, taken on Mayday in Moscow in 1961, is better known because it appears in ... ”