The Castaway

Jeremy Harding: Algeria’s Camus, 4 December 2014

Algerian Chronicles 
by Albert Camus, edited by Alice Kaplan, translated by Arthur Goldhammer.
Harvard, 224 pp., £11.95, November 2014, 978 0 674 41675 8
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Camus brûlant 
by Benjamin Stora and Jean-Baptiste Péretié.
Stock, 109 pp., €12.50, September 2013, 978 2 234 07482 8
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Meursault, contre-enquête 
by Kamel Daoud.
Actes Sud, 155 pp., €19, May 2014, 978 2 330 03372 9
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... they condoned – how thoroughly he’d known Algeria and how strongly he’d objected to the white man’s dealings with the ‘natives’. Algerian Chronicles was in production at Gallimard when La Question, Henri Alleg’s devastating book about the use of torture in Algeria, appeared out of the blue from Les Editions de Minuit. Minuit’s credentials ...

Diary

Alan Bennett: What I did in 2011, 5 January 2012

... en route home I generally stop and have some tea at Bettys in Ilkley where I also buy an organic white loaf. Today the assistant tells me that the café (and presumably the four or five other branches in the Bettys chain) no longer does organic produce as they’ve changed their flour miller. ‘However,’ she assures me, ‘the flour is locally ...

Munir’s Victory

Owen Bennett-Jones, 10 September 2026

... as it is in Pakistan. During the Obama administration, Vanity Fair was prevailed on to agree to White House officials vetoing Obama’s quotes – including accurate ones – retrospectively. But for all the similarities, there is an obvious difference: spin doctors in Washington and other Western capitals aren’t armed.It isn’t only the media: the ...

Russia’s Managed Democracy

Perry Anderson: Why Putin?, 25 January 2007

... Eventually they were let in to view the corpse of the murdered woman, her forehead wrapped in the white ribbon of the Orthodox rite, her body, slight enough anyway, diminished by the flower-encrusted bier. Around the edges of the mortuary chamber, garlands from the media that attacked her while she was alive stood thick alongside wreaths from her children and ...

Diary

Alan Bennett: Bennett’s Dissection, 1 January 2009

... I found the sight of district nurses in their navy blue raincoats both reassuring and appropriate. White coats have gone too now, with doctors indistinguishable from patients except that the doctors are in shirt-sleeves. I like white coats. But then I’m a butcher’s son. White coats ...

Bohemian in Vitebsk

J. Hoberman: Red Chagall, 9 April 2009

Chagall: Love and Exile 
by Jackie Wullschlager.
Allen Lane, 582 pp., £30, October 2008, 978 0 7139 9652 4
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... did Chagall really belong ‘among the very great artists of our time’, as the museum curator Peter Selz thought, or was he, as Arthur Danto puts it, ‘overproductive, repetitive and shallow’? Naive, or a self-consciously calculating opportunist? The canny ‘manager of his own fairyland’ (Jean Cassou), or a painter who carefully cultivated his image ...

Lucky Lad

Geoffrey Wheatcroft: Harold Evans, 17 December 2009

My Paper Chase: True Stories of Vanished Times – An Autobiography 
by Harold Evans.
Little, Brown, 515 pp., £25, September 2009, 978 1 4087 0203 1
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... there earlier this year while waging ‘a defensive war’. It was a mark of Peter Hain’s extreme unpopularity in the Labour Party – he came fifth for the deputy leadership in an unimpressive field of six – that he had to find someone across the Atlantic to defend him over his undeclared donations, as Evans did last year. More ...

Who was the enemy?

Bernard Porter: Gallipoli, 21 May 2015

Gallipoli 
by Alan Moorehead.
Aurum, 384 pp., £25, April 2015, 978 1 78131 406 7
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Gallipoli: A Soldier’s Story 
by Arthur Beecroft.
Robert Hale, 176 pp., £12.99, March 2015, 978 0 7198 1654 3
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Gallipoli 1915 
by Joseph Murray.
Silvertail, 210 pp., £12.99, April 2015, 978 1 909269 11 8
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Gallipoli: The Dardanelles Disaster in Soldiers’ Words and Photographs 
by Richard van Emden and Stephen Chambers.
Bloomsbury, 344 pp., £25, March 2015, 978 1 4088 5615 4
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... Brigade is another – that the British seem almost to revel in, even to gain strength from. As Peter Cook said in Beyond the Fringe, ‘we need a futile gesture at this stage. It will raise the whole tone of the war.’ The general verdict today is that it could never have worked. The strategy was foolish and hopeless. One major of the Gurkhas thought that ...

Just about Anything You Want

Ben Jackson: Guerrilla Open Access, 6 October 2016

The Boy Who Could Change the World: The Writings of Aaron Swartz 
by Aaron Swartz.
Verso, 368 pp., £15.99, February 2016, 978 1 78478 496 6
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... well down his list of priorities. ‘I don’t care about copyright law,’ he told his friend Peter Eckersley in 2010. ‘Healthcare, financial reform – those are the issues that I work on, not something obscure like copyright law.’ He had a change of heart about freedom of information more generally: he’d started to notice that the government and ...

Educating the Utopians

Jonathan Parry: Parliament’s Hour, 18 April 2019

The Oxford Handbook of Modern British Political History, 1800-2000 
edited by David Brown, Robert Crowcroft and Gordon Pentland.
Oxford, 626 pp., £95, April 2018, 978 0 19 871489 7
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... the nation. The Victorian invention of the lobby correspondent, a role filled by men like William White or Henry Lucy, brought parliamentary debates alive for the newspaper reader. The correspondents usually did this by dwelling on the MPs’ individuality: their mannerisms, their dress, their hobby-horses. This humanised the institution and undermined ...

Diary

Dani Garavelli: Salmond v. Sturgeon, 1 April 2021

... caution and sometimes undermining her. In the wake of his trial, his camp – mostly middle-aged white men impatient for a second referendum – have pitted themselves against Sturgeon and her backers, whom they dismiss as ‘the wokerati’.The committee appointed by the Scottish Parliament to inquire into the Scottish government’s mishandling of its ...

The Caviar Club

Azadeh Moaveni: Rebel with a Hermès Scarf, 9 September 2021

The Empress and I: How an Ancient Empire Rejected and Rediscovered Modern Art 
by Donna Stein.
Skira, 277 pp., £38, March, 978 88 572 4434 1
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Epic Iran 
V&A, until 12 September 2021Show More
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... sponsored domestic opera and ballet companies, as well as theatre groups in Europe. Ted Hughes and Peter Brook wrote an experimental play, Orghast at Persepolis, merging the myth of Prometheus with Aeschylus’ The Persians, which was staged at Persepolis as part of the Shiraz Arts Festival. Subsidised in part by the Iranian government, actors from twelve ...

Merely an Empire

David Thomson: Eighteen Hours in Vietnam, 21 September 2017

The Vietnam War 
directed by Ken Burns and Lynn Novick.
PBS, ten episodes
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... drugs out of his list of rivulets because, I’d guess, he was above them. In close-up he has a white-bearded hawk of a face, with the clear eyes of a fighter pilot. He made me think of James Salter and his code of taciturn manliness.But then you meet another witness who explains the big gap between ordering the death of your enemy from 15,000 feet and ...

Astral Projection

Alison Light: The Case of the Croydon Poltergeist, 17 December 2020

The Haunting of Alma Fielding: A True Ghost Story 
by Kate Summerscale.
Bloomsbury, 345 pp., £18.99, October, 978 1 4088 9545 0
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... even festive. By way of a prank, it seems, the ghost leaves a kettle lid perched like a beret on a white china cat (the domestic clutter on mantelpieces and sideboards is ideal territory for a poltergeist). Evans sends out for cakes and buys new glasses for the spirit to destroy. Fodor is an amiable presence, cracking jokes as he makes copious ...

No more pretty face

Philip Horne, 8 March 1990

Emotion Pictures: Reflections on the Cinema 
by Wim Wenders, translated by Sean Whiteside and Michael Hofmann.
Faber, 148 pp., £12.99, November 1989, 0 571 15271 6
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Scorsese on Scorsese 
by Martin Scorsese, edited by David Thompson and Ian Christie.
Faber, 178 pp., £12.99, November 1989, 9780571141036
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... phone calls to the writer, Sam Shepard. For Wings of Desire Wenders had his old collaborator Peter Handke write nine ‘texts’, including a poem about childhood: but otherwise the film had no script. As Wenders told an interviewer, ‘I said to myself, “The idea came so spontaneously, we must go on like that. We must remain spontaneous.” Everyone ...