Laying out the Moods

Sherry Turkle: The Seduction Theory, 19 March 1998

Rewriting the Soul: Multiple Personality and the Sciences of Memory 
by Ian Hacking.
Princeton, 346 pp., £12.95, May 1998, 9780691059082
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“... fighting about the nature of MPD has become a new way of fighting about psychoanalysis. We may be at the end of the Freudian century, but psychoanalytic concepts such as the dynamic unconscious have a powerful cultural presence. Is fighting over the nature of MPD – whether it is real or ‘constructed’ – one of the ways we are sorting out our ...”

Wagner’s Fluids

Susan Sontag, 10 December 1987

“... greatest work with an extraordinary delicacy in the depiction of emotion. It is this delicacy that may finally convince us that we are in the presence of that rarest of achievements in art, the re-invention of sublimity. Bruno Walter once said to Thomas Mann, as they were walking home after Walter had conducted a performance of Tristan and Isolde: ‘That ...”

Wild Hearts

Peter Wollen, 6 April 1995

Virginia Woolf 
by James King.
Hamish Hamilton, 699 pp., £25, September 1994, 0 241 13063 8
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“... who had abolished the corset and introduced trousers for women) and Diaghilev were close. In May 1912, Fry held an exhibition of British Modernists – Vanessa Bell, Frederick and Jessie Etchells, himself, Duncan Grant, Wyndham Lewis, Helen Saunders and some others – at the Galerie Barbazanges in Paris, which was located on the ground floor of ...”

The Presidents’ Man

R.W. Johnson, 25 May 1995

Foccart Parle: Entretiens avec Philippe Gaillard 
Fayard/Jeune Afrique, 501 pp., frs 150, May 1995, 2 213 59419 8Show More
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“... that Léon Delbecque was sent to Algiers, there to become the main mover behind the 13 May army coup. Not only that: Foccart stage-managed Operation Resurrection – the planned paratroop landing on Paris – as a way of coercing Fourth Republic politicians to vote de Gaulle back into power. Foccart was, in fact, the perfect homme de main. When ...”

Off-Beat

Iain Sinclair, 6 June 1996

“... There may be only two writers, currently at work in America, who can bring themselves, unblushing, to use the phrase ‘drinky poo’. Two Wodehousian renegades. One drops the words, like a pair of maraschino cherries, into his sunburst fiction. The other, a poet, whose work is his life, is happy to go either way: rhyme them or float them, with a winning question mark, at the conclusion of an in-your-face Greenwich Village monologue ...”

Flournoy’s Complaint

Terry Castle, 23 May 1996

From India to the Planet Mars: A Case of Multiple Personality with Imaginary Languages 
by Théodore Flournoy, edited by Sonu Shamdasani.
Princeton, 335 pp., £33.50, February 1996, 0 691 03407 9
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“... he projects his own unresolved conflicts about sex and the psyche. Thus we learn that Flournoy may have ‘failed to comprehend’ his own emotional transference onto Smith, or the manifold ways that he perhaps exploited her in his ambitious quest for knowledge. He sought to ‘taxonomise’ the ‘museum of all possible phenomena’ he found in ...”

Poor Darling

Jean McNicol, 21 March 1996

Vera Brittain: A Life 
by Paul Berry and Mark Bostridge.
Chatto, 581 pp., £25, October 1995, 0 7011 2679 5
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Vera Brittain: A Feminist Life 
by Deborah Gorham.
Blackwell, 330 pp., £20, February 1996, 0 631 14715 2
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“... She had believed that university would be an escape from provincial life. ‘Oxford I trust may lead to something,’ she had written in her diary, ‘but Buxton never will.’ It was a place where she hoped to do as men did, ‘no longer the angel set up on a pedestal, and shut out of everything, and no longer the toy, the sort of soft cushion or ...”

Tantrums

C.K. Stead, 22 February 1996

Letters of Claire Clairmont, Charles Clairmont and Fanny Imlay Godwin 
edited by Marion Kingston Stocking.
Johns Hopkins, 704 pp., £45, May 1995, 0 8018 4633 1
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“... that is very well and so far there is nothing new: all the world has heard as much and people may believe or not as they think good.’ Is this casualness based on confidence that Mary knows the rumour to be false, or knows it to be true? Either seems possible. Physical lovers or not, what becomes clear, I think, is a sort of submarine constancy in ...”

Working Underground

Joe Kenyon, 27 November 1997

“... shift, you weren’t fresh as a daisy. Indeed, there were times when it really got rough: the roof may have been fractured and unsafe, the cutter may not have done his job well, the borer might have drilled the holes at the wrong angle and the wrong depth, or too far apart, or the shotfirer mightn’t have stemmed the shots ...”

Return to Nowhere

Charles Glass: Yasser Arafat, 18 March 1999

Arafat: From Defender to Dictato 
by Said Aburish.
Bloomsbury, 352 pp., £20, September 1998, 0 7475 3629 5
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“... of the United States. Saddam Hussein should have been there. (Hampered by travel restrictions, he may have sent flowers.) All the other godfathers had seen the King as expendable at one time or another. The Saudis subverted his regime and stole his family title, Custodian of the Holy Places of Mecca and Medina. Netanyahu’s people proposed overthrowing him ...”

The Man without Predicates

Michael Wood: Goethe, 20 July 2000

Goethe: The Poet and the Age. Volume II: Revolution and Reunciation, 1790-1803 
by Nicholas Boyle.
Oxford, 964 pp., £30, February 2000, 0 19 815869 6
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Faust: The First Part of the Tragedy 
by Johann Wolfgang von Goethe, translated by John Williams.
Wordsworth, 226 pp., £2.99, November 1999, 1 84022 115 1
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“... excellent explanation at least for part of the difficulty. The trouble with the simple lyric poems may just be their extraordinary simplicity, and faced with the renowned ‘Über alien Gipfeln/Ist Ruh,’ Boyle just throws up his hands: ‘There is little sensible that literary criticism can say about something so delicate and so matchless.’ I’m sure this ...”

Now for the Hills

Stephanie Burt: Les Murray, 16 March 2000

Collected Poems 
by Les Murray.
Carcanet, 476 pp., £12.95, May 1988, 1 85754 369 6
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Fredy Neptune 
by Les Murray.
Carcanet, 256 pp., £19.95, May 1999, 1 85754 433 1
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Conscious and Verbal 
by Les Murray.
Carcanet, 89 pp., £6.95, October 1999, 1 85754 453 6
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“... the Northern Hemisphere would benefit greatly from a thin Selected; but even his slackest failures may be the sorts of thing a poet has to risk to become as original a writer as he now is. He also writes strongly felt verse-essays, expository or polemical: their titles name their genre and topic (‘Second Essay on Interest: The Emu’). These poems often rely ...”

Lemon and Pink

David Trotter: The Sorrows of Young Ford, 1 June 2000

Return to Yesterday 
by Ford Madox Ford, edited by Bill Hutchings.
Carcanet, 330 pp., £14.95, August 1999, 1 85754 397 1
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War Prose 
by Ford Madox Ford, edited by Max Saunders.
Carcanet, 276 pp., £14.95, August 1999, 1 85754 396 3
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“... about booming and book wars. ‘So,’ Ford remarks, ‘if one can keep oneself out of it, one may present a picture of a sort of world and time.’ He never did keep himself out of the picture, of course, and never meant to. The autobiography in Return to Yesterday often amounts to little more than local colour. Ford ...”

Palaces on Monday

J. Arch Getty: Soviet Russia, 2 March 2000

Everyday Stalinism. Ordinary Life in Extraordinary Times: Soviet Russia in the 1930s 
by Sheila Fitzpatrick.
Oxford, 280 pp., £25, January 1999, 0 19 505000 2
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“... If we wait, we cannot build. If we break the law, we can. We decided to break the law. The regime may have boasted about the virtues of collectivised agriculture, but we have known for a long time that it was really the private plots that fed the country. Thanks to Fitzpatrick, we now know that ‘leaks’ in the urban economy ...”

Bound to be in the wrong

Jonathan Rée: Camus and Sartre, 20 January 2005

Camus and Sartre: The Story of a Friendship and the Quarrel that Ended It 
by Ronald Aronson.
Chicago, 291 pp., £23, February 2005, 0 226 02796 1
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“... the Liberation’ and that was useful too, although, as Aronson points out, not quite true. He may have contributed a few ‘stories about dogs run over in the street’ but he was never a ‘member’ of Combat or any other clandestine organisation. He conceded that he was more ‘a writer who resisted’ than a ‘resister who wrote’, but as Aronson ...”