Prussian Blues
Fredric Jameson, 17 October 1996
“... and produced as ‘conceits’ by the ingenuity of the author, in order, in some deeper self-indulgence, to admire them and celebrate their unexpectedness as ‘realities’. Thus an external referent – the contingency of the inspiration (or Einfall) – is drawn inside the work and made to seem organic and inevitable. We have already seen Grass ... ”