“... Carel van Mander in 1603, the earliest account of Caravaggio’s art that is known to us, we may deduce that Caravaggio was the first European artist who ostentatiously disdained invention and the ideal. He adhered instead to an artistic purpose that can only be called realist with a defiance which anticipated the attitudes of those 19th-century painters ...”

“... The dispute is conducted in the languages of theology, jurisprudence, humanism and philosophy, and may be said to have been held together by a concept of ‘the political’ sufficiently coherent and idiosyncratically Latin and Western to raise the question whether ‘political thought’ can be held to exist in the culture of other civilisations without ...”

“... capital to be raised by a candidate who exploited the resentment engendered by defeat. (He may have had in mind the efficacy of the ‘who lost China?’ fantasy of the Fifties, but I don’t think that the ‘stab in the back’ psychosis of his German boyhood can have been far from his mind either.) At all events, the year 1968 found him advising the ...”

“... decades that took a retrospective grip on the popular imagination were the 1890s and the 1920s. It may not be a coincidence that both have been characterised as fun-loving eras that chucked out staid manners and stale customs, whose social revolutionaries were libertines (Mae West) and gangsters (James Cagney). Perhaps more than any other agency, it was ...”

“... that this is not an issue which I am strongly minded to open up at this stage,’ and ends with ‘may I reiterate’ thanks to me for chairing the 1991-93 Royal Commission on Criminal Justice (which is, I suppose, all the nicer since in fact it’s the first thanks I’ve had from him). He tells me to go and talk to John Wakeham, which I do. Wakeham is as ...”

“... is missing, but anxious that people should not suspect that it is his integrity. The career of Richard Crossman refuted these stereotypes rather in the manner that Samuel Johnson, by stubbing his foot against a rock, claimed to refute Berkeley: what was lost as a formal exercise was pure gain as an object lesson. For Crossman remained incorrigibly attached ...”

“... begins: ‘They were a hangdog-looking pair as they rode into Liphook on that sunny morning in May. One was short and weedy, with bony shanks and a hungry countenance, the other was a little taller and a deal bulkier, but bloated of face and generally flabby. They were dressed in a soiled and tawdry imitation of their betters, and each looked every inch ...”

“... to die young, preferably of consumption. Their women, if their tastes lie in this direction, may be called to matrimony and motherhood: but they are seldom given to authorship, and they are not encouraged to own independent musical personalities. These preconditions leave a clear field for the imagination of Hollywood scriptwriters or the industry of ...”

“... on this day or that, or awaiting the birth of the Shiloh to the 65-year-old Joanna Southcott. It may be that some variety of myth concerning the End is necessary to everybody, but there can be no doubt that the forms of it that have prevailed in our culture were established by the Bible – by Daniel, Revelation, and the ‘little apocalypse’ of Mark and ...”

“... in living standards – ‘Now there appears to be but one order of people, a middle Class as they may be called’ (Tuesday, 14 September) – while deploring the general lack of decorum. Madame Récamier comes in for censure on the low cut of her dress. There are also revealing accounts of major artistic and political personalities, including a description ...”

“... and highly perceptive, it’s the first book for a long time that I’ve wanted to put beside Richard Usborne’s Clubland Heroes. The Nine Literary Studies of Dorothy Sayers are, in fact, less literary than biographical and bibliographical. They detect mysteries about things like publication date or the pseudonymous works of her husband. There are a lot ...”

“... in the desert south of Las Vegas. (‘Boulder, not Hoover,’ I hear him growling.) The geographer Richard Walker and I had been teaching a seminar at Berkeley on ‘consumer society’ and we were ending term with a field trip to Vegas, and wanted Davis to meet us there. He was doubtful, for reasons easily guessed; he only began to soften when he heard that ...”

“... in the story and causal in the plot, but this seems to be too elementary to get us far, and we may begin to see why Shklovsky, Tomashevsky and other Russian Formalists thought they needed the distinction between fabula and siuzhet. The difference is clear enough (too clear) if we think of real-life stories and plots. The fabula is what happens sequentially ...”

“... though never entirely of their number, was the poet, philosopher, novelist and spiritualist May Sinclair, the inauspicious subject of May Sinclair: A Modern Victorian, a serene, elegant biography by Suzanne Raitt. ‘Inauspicious’ because Sinclair, living in interesting times, contrived to spend most of her days in ...”