Governing without a Majority 
byDavid Butler.
Collins, 156 pp., £4.95, May 1983, 9780002170710
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Multi-Party Politics and the Constitution 
byVernon Bogdanor.
Cambridge, 207 pp., £18.50, May 1983, 0 521 25524 4
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Decade of Dealignment 
byBo Särlvik, Ivor Crewe, Neil Day and Robert MacDermid.
Cambridge, 393 pp., £27.50, June 1983, 0 521 22674 0
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“... would now comprise around 160 Alliance, 180 Labour and 280 Conservative MPs – and the new books by David Butler and Vernon Bogdanor would have vanished beneath a stampede of eager buyers. As things are, though the distorted election results have robbed them of some of their topicality, they will be very widely and ...”

Damp Souls

Tom Vanderbilt, 3 October 1996

Snow Falling on Cedars 
byDavid Guterson.
Bloomsbury, 316 pp., £5.99, September 1996, 0 7475 2266 9
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The Country Ahead of Us, the Country Behind 
byDavid Guterson.
Bloomsbury, 181 pp., £5.99, January 1996, 0 7475 2561 7
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“... In the United States, bestselling works of what is now called literary fiction tend to be aggressively regional – think of Jane Smiley’s Iowa, Jane Hamilton’s Midwest or E. Annie Proulx’s Newfoundland. They are literary postcards, nostalgic, often mawkish renderings of some quaint locale. Fulsomely praised as ‘generous’, ‘lyrical’, ‘redemptive’ and ‘luminous’, less Dirty Realism than stonewashed romanticism, they usually extol smalltown America, preferably the sort of place that’s pastoral and virtuous but in which one could still find a level of sophistication and a multiplicity of endearing eccentrics ...”

Not His Type

Frank Kermode, 5 September 1996

About Modern Art: Critical Essays 1948-96 
byDavid Sylvester.
Chatto, 448 pp., £25, June 1996, 0 7011 6268 6
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“... In a preliminary chapter called ‘Curriculum Vitae’ David Sylvester explains that he became interested in art when, at 17, he was fascinated by a black and white reproduction of a Matisse. He at once began to paint in oils, but soon discovered that he lacked talent and began to write about art instead, devoting himself thenceforth to the black and white of the page ...”

Spaced Out

Terry Eagleton, 24 April 1997

Justice, Nature and the Geography of Difference 
byDavid Harvey.
Blackwell, 496 pp., £50, December 1996, 1 55786 680 5
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“... a sterile one. Space was static, empty, what you had between your ears or needed to eradicate by bridging; time – or perhaps history – was fluid, burgeoning, open-ended. For a Modernist writer like Bertolt Brecht change in itself is a good, just as for Samuel Johnson change was in itself an evil. Bad things were reified products; good things were ...”

What happened to Good Friday?

Garret FitzGerald, 2 September 1999

“... one time the security forces had believed they could defeat the Provisional IRA, but the methods by which they sought to do so proved counter-productive. A police force drawn, for whatever reasons, from one side of the community only, and inevitably identifying with that side, could not command sufficient support, or even acceptance, on the other side to ...”

Missing Mother

Graham Robb: Romanticism, 19 October 2000

Romanticism and Its Discontents 
byAnita Brookner.
Viking, 208 pp., £25, September 2000, 0 670 89212 2
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“... Mme de Staël associated it with the misty, melancholy North and declared Romanticism to be primarily an effect of climate. Victor Hugo and his followers allied it to the vanished monarchy, then to the departed Napoleon, and finally to ‘liberalism in art’. Stendhal and Baudelaire produced more durable definitions ...”

Down with Cosmopolitanism

Gillian Darley, 18 May 2000

Stylistic Cold Wars: Betjeman v. Pevsner 
byTimothy Mowl.
Murray, 182 pp., £14.99, March 2000, 9780719559099
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“... visit to England, in 1930, was to research a new topic: Englishness in art. For all its claims to be polemical, from the typographically ingenious dust-jacket inwards, Stylistic Cold Wars is little more than an architectural spat, based on the profound difference of temperament and experience between a giggly English prep school master turned poet and an ...”

The Geneva Bubble

Ilan Pappe: The prehistory of the latest proposals, 8 January 2004

“... most generous Israelis have ever made them. It’s a familiar scene. The various memoirs produced by the major players in the Oslo Accord suggest that much the same sort of thing was said there, while leaks from the Camp David summit in 2000 describe similar exchanges between Clinton, Barak and Arafat. In fact, the Israeli ...”

Multiple Kingdoms

Linda Colley: The origins of the British Empire, 19 July 2001

The Ideological Origins of the British Empire 
byDavid Armitage.
Cambridge, 239 pp., £35, September 2000, 0 521 59081 7
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“... worth reading (and if a modern, scholarly edition of his classic isn’t in production, it should be) is that in these islands the narrow vision he castigated has proved to be an enduring one. ‘British History’ is still generally understood and carried out here as though it were concerned only with domestic ...”

At the Queen’s Gallery

Inigo Thomas: David Hockney , 2 March 2017

“... the centre of attention. But it is a curious phenomenon even so: hundreds of people transfixed by the presence of an artist whose appearance is as distinct and as recognisable as his work. Self-portrait by Annibale Carracci (c.1575) Portrait of the Artist, an exhibition at the Queen’s Gallery (until 17 ...”

Principal Ornament

Jose Harris, 3 December 1992

G.M. Trevelyan: A life in History 
byDavid Cannadine.
HarperCollins, 288 pp., £18, September 1992, 0 00 215872 8
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“... Until this week I had read no work written by G.M. Trevelyan since my schooldays. No Cambridge supervisor that I can recall ever recommended any of his books, and I have certainly never prescribed them to my own students. Like most people, I knew – or thought I knew – that he had defined social history as ‘history with the politics left out’, and that he was one of the chief stuffed carcasses in the mausoleum of Whig history ...”

At the Movies

Michael Wood: ‘A Dangerous Method’, 8 March 2012

A Dangerous Method 
directed byDavid Cronenberg.
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“... too, but also excited. But then the patient is Jung’s, a disturbed woman not at all underplayed by Keira Knightley. The movie – David Cronenberg’s A Dangerous Method, with a screenplay by Christopher Hampton – opens with a view of her struggling against her captors in a ...”

At the Movies

Michael Wood: ‘Prometheus’, 5 July 2012

Prometheus 
directed byRidley Scott.
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“... Frankenstein’s real achievement was to create life – out of bits and pieces of dead bodies to be sure. In Scott’s movie a creature who looks not like Victor but an athletic version of his creature drinks a small carton of what appears to be chilli sauce, and bursts apart, spreading his DNA all over the ...”

Short Cuts

Adam Shatz: Morsi’s Overthrow, 8 August 2013

“... Square was emblazoned with the words: ‘This is not a coup’. He didn’t say what else it might be, but soon enough others did. A second revolution, a ‘people’s coup’, a ‘re-colution’: terms coined to describe how the events felt to them, or perhaps to bridge the discomfiting gap between experience and reality. It’s not the first time a coup in ...”

After Browne

Iain Pears, 17 March 2011

“... Attempts to alter the government’s policy on tuition fees have failed. Dreamed up by Labour, then embraced by the new Coalition government, the proposed reforms triggered large student demonstrations, but these had no impact on any constituency of real influence either in the universities or in politics ...”