Bourgeois Nightmares
Gilberto Perez: Michael Haneke, 6 December 2012
“... In the film’s opening scene and twice more afterwards, the images made by his camera and by the anonymous videomaker’s are one and the same; every time Haneke returns to a stationary view of the house from the street we feel as if we are spying through a surveillance camera. Spying on what? The view from the street is perfectly public: it sees nothing ... ”