“... in a more complex and satisfying way than journalism ever could. A copyright note records that William Boyd’s 13 stories originally appeared in sites as diverse as the London Magazine, Mayfair (a down-market, English Playboy), Punch and on Radio 4’s Morning Story. Teasingly, the acknowledgment doesn’t tell us which story belongs where. But it is safe ...”

“... and the show opened with a huge nuclear explosion, following which, in the words of the producer William Donaldson, the audience was treated to a whole evening’s worth of ‘terrible gloomy stuff – the punchline of every sketch was people dying.’ Nonetheless, it was undoubtedly a strong influence on Peter Cook (one of the original cast members) and the ...”

“... of Architecture came out in 1849. By the time he met Ruskin seven years later, he was a friend of William Morris and the junior Pre-Raphaelites and destined for a career bound up though never identifiable with their circle. From the beginning there is a wary sobriety about Webb, at variance with the antics and impulsiveness of Morris and Rossetti. Some of ...”

“... been understood by those who use and abuse them. In his introduction to The Naked Lunch (1959), William Burroughs tickertapes: ‘Junk is the ideal product … the ultimate merchandise. No sales talk necessary. The client will crawl through a sewer and beg to buy … The junk merchant does not sell his product to the consumer, he sells the consumer to his ...”

“... absence of metaphor from these poems, therefore, what we are offered instead tends to be a brand of sophistical discourse. What is one to make of a sentence like this? For mile and moment are no larger than Each other is. Apart from advertising the poet’s familiarity with the concepts of space and time, what does this self-cancelling statement ...”

“... of an emergent conservative movement.In particular, the Eisenhower letter provided an opening for William F. Buckley, the founder-editor of the National Review, to establish some distance between the honest-to-goodness hard right and deluded fantasists like Welch. Although Welch gave financial support to the National Review in 1955, he received little in ...”

“... Peters, Minister of Religion’ in 1983, getting seven questions right on his chosen subject (William Temple, former archbishop of Canterbury) and nine wrong. He claimed, falsely, to have written a book called Know Yourself. Simon Winchester blurbs Sisman’s book as an ‘utterly mad and wholly delightful story of chicanery and fantasy … which involves ...”

“... scar. How can the celebrity outsider maintain a sense of his identity, or painterly authority, when he is his own subject-matter and his audience sees that subject-matter as ‘other’, less than ‘us’? Basquiat’s solutions to this dilemma are often brilliant. In the triptych Zydeco (1984), for example, a cinematographer in profile looks through the lens of his movie camera ...”

“... she is able to sustain our interest in their dramas, pleasures, quarrels and sorrows long after ‘William’ (as Barker always calls him – even, irritatingly, ‘our William’) has ceased to write wonderful poetry. In fact, she manages to make an intriguing sub-narrative out of his wife’s and his sister’s ...”

“... A hundred and fifty years ago William Thackeray observed – after a trawl through London bookstalls – that middle-class litterateurs like himself knew (and cared) less about working-class literature than about Lapland. In a much quoted essay twenty years later, Wilkie Collins, after a similar expedition, coined the phrase ‘the Unknown Public ...”

“... from the mildly Swiftian to the ecstatic. On Hitler: He had no culture; so he invented his own brand. He had no mind, no intellect; he was practically illiterate; so with his secretary’s assistance he wrote a book to say that he despised education, and forced everybody to buy and read it ... He had no sense of accuracy or of history; so he decreed that ...”

“... William Faulkner​ ’s story ‘Go Down, Moses’ begins with a lengthy description of a man. But it’s hard to get a handle on him. If the drapes, pleats and price of his suit are all ‘too much’, his face is ‘black, smooth, impenetrable’. The story elaborates on these details but also draws attention to the fact that they fail to interest his interlocutor, a ‘spectacled white man sitting with a broad census-taker’s portfolio ...”

“... Rhode Island, where I studied American Literature; before we set off, in March 1965, in our brand new Chevrolet Bel Air, on the long, leisurely journey westward that would eventually take us to San Francisco. I had finished The British Museum is falling down and had it accepted. This is easily the shortest period of time in which I have ever succeeded ...”

“... century developed metaphor from colour, shape, texture; these days, we need only the name of a brand. (Not that branding, or low wages, or the politics of the global rag trade, can be said to figure much: ‘I seemed to be sleepwalking through the Gap global invasion,’ Picardie confesses, picking lackadaisically at a couple of dull facts from the ...”

“... the fairy tale. Aslam has a reputation for lush, ornate writing – it is supposed to go with his brand of ‘magic realism’ – which makes him appear to fit into a familiar and successful tradition, in which style and aesthetics comply with, and display, national characteristics, where ‘national’ is primarily defined by being non-Western. Butterflies ...”