“... Great writers usually do, nonetheless. ‘Fame wants to find safety,’ as Canetti has put it. Thomas Mann was notorious for his self-importance and his suspicion of anyone whom he felt might be detecting signs of weakness in him; Thomas Hardy spent his last days writing venomously bad verses against fellow authors whom ...”

“... distance from Keynes himself, modern day economists of a reformist disposition, such as Thomas Piketty and Joseph Stiglitz, nonetheless reprise the sensibility typical of Keynesianism. Keynes​ was the paradigm, but was he the first Keynesian? Mann’s answer is bold. If Keynesianism is a constructive liberal response to revolution, a response that ...”

“... They think of themselves as continuing the struggle against mystificatory nonsense that Thomas Huxley waged against Bishop Wilberforce, Russell against Bergson, and Carnap against Heidegger. These philosophers still award a special ontological status (‘fundamental reality’) to the elementary particles discovered by the physicists. They believe ...”

“... in any case to engage in a Jacobean cultural practice which had its own oppositional ‘grain’. Hobbes himself warned that ‘they that live under a Monarch conceive an opinion that the Subjects in a Popular Commonwealth enjoy Liberty; but that in a Monarchy they are all Slaves.’ But this fails to account for the clout of the plebeian’s case, its ...”

“... Romantics. He read Cicero and Virgil, Gibbon and Congreve, Goethe and Nestroy, Machiavelli and Hobbes, Gerard Manley Hopkins and Thomas Hardy, Mikhail Sholokhov and T.E. Lawrence, Baudelaire and Rimbaud, F.R. and Q.D. Leavis, Elizabeth Bowen and Virginia Woolf – this is just a small sampling. Basically, he read his way ...”

“... this is freedom as power, action unimpeded, in particular, by other people. Some thinkers, such as Hobbes and, some of the time, John Stuart Mill, think that this is the conception of freedom, and that it contains all that one knows or needs to know about its value. But this is to identify the seed and the plant, or the rhythm and the dance; it does not get us ...”

“... don’t see why not.’ So while​ this is certainly a ‘literature of power’, in the terms of Thomas De Quincey, it is also ‘a literature of knowledge’. You either will or won’t recognise the references to Brueghel’s painting Dulle Griet, say, or Holbein’s Dance of Death, or Brecht’s 1940 radio play The Trial of Lucullus, or John Arthos’s ...”