“... such material is incorporated is winning. It is a poem on first name terms with tradition: ‘Will Blake’, ‘Kit Smart’, ‘Bert Brecht’, ‘Alun’ (Lewis), ‘Gerard’ (Hopkins) – and my favourite, ‘old Malc’, the composer Malcolm Arnold. (Did anyone call him that in his own lifetime?) Sometimes you have a clue: ‘Who say “cordiality ...”

“... collaborators (which Camus supported) and the execution of fascist sympathisers such as the writer Robert Brasillach (which he opposed). With the start of the Cold War, the always precarious alliance between the communist and non-communist left was beginning to crumble. Camus was fretting, too, about his native Algeria, ‘pacified’ by the army after a ...”

“... while still an undergraduate at Columbia, where Mark Van Doren was his teacher and mentor; and Robert Penn Warren was the editor (at Southern Review) whom he first sought to impress. But if the New Critical aesthetic disciplined Berryman it also inhibited him. It gave him a good technical training, but its insistence on what he later called ‘Eliot’s ...”

“... the first. The South Bank Show was also reviewed in the Spectator by Richard Ingrams, as follows:[Robert] Redford was followed onto the show by young Martin Amis, a rather scruffy looking man without a tie. I was baffled as to why his new novel should be given about half an hour of publicity when there are so many other things worthy of attention ... Amis ...”

“... summer, we have the heat index, first proposed in 1979 by the Australian environmental scientist Robert Steadman in an article in the Journal of Applied Meteorology entitled ‘The Assessment of Sultriness Part I: A Temperature-Humidity Index Based on Human Physiology and Clothing Science’. Steadman’s index depends on two variables – temperature and ...”

“... of which every thinking man is solicitous’. Priestley’s enemies were equally eloquent. William Blake, whose own spirituality entitled him to dismiss this kind of enlightenment as stupid and blind, reckoned Priestley’s much-advertised knowledge ‘not worth a button’. In Philadelphia, William Cobbett, under the pseudonym Peter Porcupine, launched biting ...”

“... Well, I could never write a verse, ­– could you?Let’s to the Prado and make the most of time.Robert Browning, ‘How It Strikes a Contemporary’The world has an established place for poems about paintings – sometimes you wonder if there was ever a poet who didn’t write one – but, oddly, the poem-painting relationship doesn’t seem to be reversible ...”

“... only by the previous Penguin of 1962, The New Poetry, selected and introduced by A. Alvarez. Blake Morrison and Andrew Motion are well aware that there is something comically factitious about the stance that has to be adopted by each new spokesman on the poetry scene – ‘we are not,’ they say, ‘the first anthologists this century to have made such ...”

“... the rushed observations of Andrew Marr. An academic industry has flourished. Now both Weight and Robert Colls have written requiems for the old Britishness which are also ruminations on a new, more democratic England. Britannia, for so long a proud Amazon, armoured and helmeted, repulsing European foes and civilising barbarians is, these days, according to ...”

“... edition of her Original Stories (for children), with an introduction by E.V. Lucas and five of the Blake plates reproduced. The other modern edition I acquired was called The Love Letters of Mary Wollstonecraft, and had a biographical preface by Roger Ingpen. It was a reprint of Mary’s letters to her lover Gilbert Imlay, first published by Godwin among her ...”

“... example to enthusiastic religious groups, or to wayward individuals, served certain purposes. That Robert Burton’s Anatomy of Melancholy was, as Johnson thought, magisterial, and unread. Above all, that madness was proximate to Reason, indeed twinned to the idea of ‘Reason’, and that madness was the secret history of the Enlightenment, its exhausted ...”

“... yawning fissures left by Sassoon and Owen and Graves. But from the Laureate none was forthcoming. Robert Bridges was too aggressively uncommitted, and perhaps too honest a poet, to do the right thing. (When he went to the Palace in 1913 to receive the office he snapped at Lord Stamfordham, who was in attendance, ‘I don’t want any of your Stars and ...”

“... Wiedmann oddly says all this will sound strange to western ears, though it was gospel to Blake and D.H. Lawrence and a lot of other people. Somebody should find out why is was so fashionable in those days – for it was also important to the ideologues of the Third Reich. And this is what angers Wiedmann, who hates Expressionist art, not only because ...”

“... also a committed Christian. The Canadian Northrop Frye, previously known chiefly as a critic of Blake, burst on the literary world in a big way in 1957, with the publication of his remarkably original and ambitious study, Anatomy of Criticism. With previous North American criticism, we had moved within a modest discourse of tensions, ironies and ...”

“... Not least the question of what the phrase ‘true friendship’ might mean both in its allusion to Blake – ‘Opposition is true friendship’ – and as a statement about the collaboration, or otherwise, between poets, and between poets and critics. The opposition alluded to by the title is sometimes Ricks’s real theme, though understandably it is the ...”