“... in debt, had a near-death experience. In 2005, Alain Senderens, of the three-star Paris restaurant Lucas Carton, handed back his Michelin stars, following the example set in London by Nico Ladenis and bad-boy star-chef Marco Pierre White. The burden was too much, and the economics didn’t compute. Convinced that Michelin requires a soigné ambience, Senderens ...”

“... Alvarez, he addresses the cult of Sylvia Plath, and his sense of having colluded in it. Writing to Lucas Myers (14 February 1987), he says that Plath managed to present her ‘diabolical streak’ as the voice of her suffering and martyrdom:And protecting Aurelia, I colluded – and promoted the cult which interpreted my continued silence in the blazing ...”

“... rather Buñuelesque) by Duff C. and Lady W. being so middle-aged and ultra respectable. John Julius Norwich puts his father’s sexual success down to his ability to write bad sonnets to his lady-friends but one wonders if it was a more basic attraction. The moustache is hardly a plus, the photograph on the book jacket making him look like a 1940s ...”

“... laying waste to peasants’ homes or to whole villages in Flemish works by Gillis Mostaert, Lucas van Valckenborch and others before 1600, or by Sebastiaen Vrancx and Roelandt Savery after that, all of whom made a speciality of the theme. Later Dutch painters created more realistic landscapes for it, with fewer figures used for a more focused drama in ...”

“... the communal kitchen is ill-fated Ruth, with her plait down her back. In the car the mystic madman Lucas Simmonds is eternally interfering with Marcus. And Stephanie, suffering from ‘an excess of exact imagination’, exerting her whole will to bring her family together, is wrestling with the slithering Christmas turkey in its dish.It is in part a response ...”

“... were awaited with interest. Since it opened to the public in 1985, the Saatchi collection in St John’s Wood has become a focus of what’s called the contemporary art debate. With every purchase, names are made and names are called. But Saatchi’s taste, his collecting policy, is eclectic and elusive. So much art, of so many kinds, has passed into and ...”