“... poetry: novels, plays, stories, philosophy, aesthetics, politics and criticism.’ Of his hero Donne, he writes in The School of Donne (1961), that ‘the continual impression his poems make is of the mind in action, its resources insisted upon, even in the teeth of technique.’ This is poetry as unarmed combat. There ...”

“... our way through Ronsard, Tennyson, Edward Lear, Wendy Cope, Baudelaire, Verlaine, Yeats, Herbert, Donne, Larkin, Housman (who, I discover, admitted to his French translator that he had never spent much time in Shropshire), John Clare, A.A. Milne, Shelley, Blake, Eliot (Macavity, not Prufrock) and – thanks to Seamus Heaney ...”

“... and his own diagnosis of Larkin’s virtues. Long ago, the Poet Laureate referred to him as ‘the John Clare of the building estates’, a decidedly quaint though no doubt a heartfelt compliment, in line with Eric Homberger’s later summing-up of Larkin as ‘the saddest heart in the post-war supermarket’, or the more magisterial pronouncement that his ...”

“... it derives somewhat from Yeats and from Eliot, and in this country friends of mine, Allen Tate and John Crowe Ransom. And a rather strange position was built up. There were great arguments that poetry was a form of knowledge, at least as valid as scientific knowledge, and in certain ways more so, because it didn’t abstract from experience. We claimed any ...”

“... a powerful physical response. In a recent essay on Francis Bacon in the New York Review of Books, John Richardson recalls that Bacon aimed his images of his friend George Dyer ‘at the nervous system’, and adds that a ‘woman admirer’ told him they did indeed induce ‘a visceral shudder’. That the shudder should be described as a violent physical ...”

“... Five. By the early 1950s, I was tearing at speed through the middlebrow bestsellers of the time: John Creasey, Nevil Shute, the wartime adventures of British officers who’d escaped, or tried to escape, from German POW camps, like The Wooden Horse and The Colditz Story, along with a stream of books about fishing. The nearest I came to reading ...”

“... theme as well as Larkin’s) than they have usually admitted. Dynamic love poetry, Donne’s or Browning’s, celebrates the loved one in its own satisfactions, from outside or from afar – Donne even tells her not to worry about him, or ‘forethink me any ill’ – but what poetry has seemed to miss ...”

“... John Wilmot, Earl of Rochester, one of the original ‘amorous sons of Wadham’, perhaps took part in writing an obscene farce called Sodom. Dr Walker drily observes that ‘to assert this twenty years ago would have damaged Rochester’s reputation as much as to deny it today.’ We are certainly more able than many of our predecessors to accept that this poetry was of some importance for its age ...”

“... The Rebel Angels, William Golding’s The Paper Men, Peter Brooks’s Reading for the Plot, and John Updike’s Hugging the Shore. There are also essays on Ring Lardner, on D.H. Lawrence, and on Structuralism, which Lodge as late as 1980 regarded as ‘the most significant intellectual movement of our time’. Such a collection is bound to be of uneven ...”

“... John Skelton should be one of the great figures of English poetry. He is widely regarded as the most significant poet in the 130 years between the death of Chaucer and the flourishing of Thomas Wyatt; but it has to be said that the competition for the top ranking south of the Scottish border is not very fierce, and until the 1930s such a judgment would have struck most people as bizarre ...”

“... Dante, Michelangelo and Shakespeare did, as well as more recent experimenters such as Hopkins, John Berryman or the sub-Prynnean Tony Lopez. Donne and Hopkins used sonnets as vehicles for religious anguish because it’s so easy to suggest that they’re buckling under pressure, that the spirit will not run true to the ...”

“... political science and formal decision theory. He quotes in an unforced and relevant way from Donne, Stendhal, Emily Dickinson and Groucho Marx, to name a few; about the last he remarks that his famous dictum, ‘I would not dream of belonging to a club which would have me as a member,’ is a reversal of the Master-Slave paradox, and that it was indeed ...”

“... I discovered that All Souls has gargoyles with moss growing on their tongues. The former warden John Davis tells a story about the historian David Cox, who, as an undergraduate, climbed onto the Codrington Library and stole the weather vane from the Christopher Wren sundial. When he was elected a fellow, he climbed back up and replaced it. Nobody, as far as ...”

“... us how the effect is achieved; but the truth of the information is what really matters, as when Donne tells us: ’Tis the year’s midnight and it is the day’s, Lucy’s, who scarce seven hours herself unmasks. Where the theorists are concerned, truth of this sort is now out in literature, and has been replaced by the concept of literature itself, or ...”

“... of an allusive dedication (but to whom?) or an introductory quotation from my favourite poem by John Donne, rehearsing the terms of restrained self-promotion in which to couch the perfect blurb. I was relieved to find that reflections of this nature still achieved a satisfactory standard of consecutive coherence as far as they went, but depressed to ...”