“... Babies and old people have so much in common. They have similar hair and teeth for a start, and they don’t like food too hot. You can’t leave them out in the sun for long; they don’t remember big numbers; they sometimes need help into their chair; they often get sick in the car. They also have a common skill, which is to turn themselves into the image of the thing they love ...”

“... Mr Turner is my favourite Edwardian. He sits in a chair under the window. He doesn’t waste a lot of words. And when he laughs he rocks a little. The sky is busy and blue over Richmond. Every few minutes a plane goes by. They seem to enter the window-frame just about head height; each one passes through the ears of E.S. Turner, and on from there to some Spain or America ...”

“... The abduction and murder of James Bulger, a two-year-old boy from Liverpool, has caused unprecedented grief and anger. Hours before the two ten-year-old boys accused of the crime arrived at South Sefton Magistrates’ Court, a large, baying crowd had formed outside. As a pair of blue vans drew up, the crowd surged forward, bawling and screaming. A number of men tried to reach the vehicles, to get at the youths inside, and scuffles spilled onto the road ...”

“... For scholars​ of heartbreak and trepidation, the Dolly Parton songbook is a core text. No other singer would say ‘please’ when begging Jolene not to take her man. In Country Music, Ken Burns’s recent documentary series, Parton insists a great song is like an heirloom or a keepsake, essentially a piece of storytelling. A well-written song can dramatise a wonderful character or bring back a singular voice, and in these senses, among others, the siren of East Tennessee is better than most poets ...”

“... Since the beginning of time – or of poetry – people have imagined the Moon is watching them. When I was a child I thought the Moon was a chum. Every boy had a torch and at night I shone mine from the bedroom window, refusing to be upstaged by the big torch in the sky. I remember asking my mother if the Moon could come on holiday with us, and she laughed, exactly the same laugh as my father gave out when I said I wanted to be a film star ...”

“... In​ the 1990s, when literary parties were more fun, or I was more fun, I used occasionally to see Stephen Spender: there he was, the establishment on quivering legs, queer as a chocolate orange but safely married. (When I spoke to him, I discovered he could flirt with his eyes shut.) Frank Kermode, a great friend to this paper but never knowingly unmalicious, remarked that ‘Stephen never knew where he was going but he always knew the quickest way to get there ...”

“... People who are serious about the business of not taking themselves seriously can have enormous fun as writers. The world of posh writing is full of minor writers getting away with murder, as in this passage from Julian Fellowes’s recent novel Snobs: They lived in a large flat in Elm Park Gardens, which was almost at the wrong end of Chelsea and not quite to Mrs Lavery’s taste ...”

“... Until recently, the art of modern biography was too little influenced by the man who invented it, James Boswell, and, even today, many of those who set out to write the lives of authors seem to be led by a suspicion that everything of interest about the subject might already have been said by the subject himself. The literary biographer is haunted by Nabokov’s stylishly defensive comment that the only biography of a writer that matters is the biography of his style ...”

“... People have been asking for books to help them since the invention of printing. Before printing, actually, in the days of scrolls and tablets: what is the Bible if not a self-help manual? William Caxton got in on the act early enough with The Game and Play of Chess Moralised (1474), a book which aimed to make people better than they used to be, not by bringing their souls nearer to God, but by bringing their pawns closer to the king, which many readers accepted would do for the time being ...”

“... Joanne Catherall and Phil Oakey of the Human League performing in 1982. Iwas​ in Skegness the weekend Britain left the EU. It was raining, and a cold, hard breeze was blowing in from the North Sea. At Butlin’s, in a huge tent filled with burger bars and dayglo cocktails, the Brexiteers were dancing to 1980s pop music and getting excited. A number of drunk men were dressed as St George, wearing England flags and Crusader helmets ...”

“... deceit. ‘I don’t know how I can demonstrate my remorse,’ Glass is reported to have said to Andrew Sullivan, the editor who hired him. Sullivan pointed out, not in so many words, that taking a giant book advance and allowing a film to be made from the story of your misdemeanours might not be the subtlest demonstration of remorse. Next came Jayson Blair ...”

“... enable me to discharge it without improper interference. I look forward to that day.’ 11. Dara O’Hagan was Mrs Nelson’s best friend. She lives in a housing estate near the Shore Road at the top of Lurgan. She is a councillor: the Sinn Fein member for Upper Bann. Her house has the clean and orderly look of many such houses: carpets for comfort, vertical ...”

“... In the mid-Eighties, my family felt everything would be fine if I could just get something with a shirt and tie. My three elder brothers wore nailbags, overalls and aprons – the respective black robes of time-served apprenticeship – but even that world was going by the time it got to be my turn, and it was hoped that I might be found fit for the crisp shirt and tie of the clerical elect ...”

“... My mother’s​ right hand ended in a cloth. She cleaned the local school from six a.m. and again in the evening, doing a chip shop in between. I got to know all the women. They were presided over by a series of delinquent janitors. (One of them was running guns for Ulster. Another stole video equipment. The older one was a kiddie-fiddler etc.) I used to go after school to help my mum with the mopping and use the library ...”

“... Modern​ Hollywood isn’t really Hollywood – it’s Calabasas. With everyone now the David O. Selznick of his own social picture, gossip replaced with tweets, and fan magazines with selfies, the grandeur of old Hollywood can seem mythical. Like proper myths, its stories are almost exclusively about metamorphosis, self-destruction and things going wrong, but they are at least stories as opposed to advertisements ...”