“... assured I shall never demand it again, from any apprehension that hereafter the friendliness in it may be at variance with whatever feeling I please to entertain thirty years hence. Accordingly I set down with no sort of misgiving that I am, Dear Lady Olliffe, Yours very truly Robert Browning. This jeu d’esprit – which testifies nonetheless, in ...”

“... in me is dark Illumine, what is low raise and support; That to the height of this great argument I may assert eternal providence, And justify the ways of God to men. This invocation mirrors the opening of The Second Defence, where he describes how he ‘accepted, of those very deliverers of the country, and by general consent, the part spontaneously assigned ...”

“... In the evenings, after dinner in hall, groups would take shape informally in the quad. There was Richard Cobb’s lot, making for the buttery and another round of worldly banter. There was this or that sodality, taking a cigarette break or killing time before revision. There was my own cohort, usually divided between the opposing tasks of selling the ...”

“... covertly in his Memoirs (1991), there’s a feeling that Larkin’s poems, splendid though they may be, are in need of corrective piss-taking and don’t carry the weight that ‘any novel does’. After his death, in 1995, Amis took less of a battering than Larkin had. Martin Amis’s Experience (2000) softened the prevailing image of him as the meanest ...”

“... but transformed them. Above all, it turned social markers into political ones. That is Richard Wrigley’s contention in his fascinating study of the changing meaning of appearances from 1789 to the Napoleonic period. Right from the start, as the Revolutionaries tried to create an entirely new society, the vestimentary symbols of the Old Regime ...”

“... past their limits as artists or actors or technicians, and made them propel their material, Richard Condon’s cheaply paranoid fantasy, past its limits.’ And part of the answer is to do with the power of that fantasy, the way in which The Manchurian Candidate links into the enduring pattern of paranoid politics in America. Despite its talk of ...”

“... leader ‘to arrest all’ who had known about an assassination plot, ‘as well as all those who may have taken part’. A semi-autobiographical work, Men and the City, evoked the grim world of his rural upbringing in Tikrit, calling it ‘worse than the life of dogs’.Still, he made it to high school and then law school in Baghdad, before being recruited ...”

“... all be going to hell. That’ll answer them. Herbert has influenced poets from Henry Vaughan and Richard Crashaw to Dylan Thomas and Geoffrey Hill. And not only poets; reading Herbert has made converts, even in modern times. While reciting ‘Love (III)’, the famous last poem in The Temple, Simone Weil felt that ‘Christ himself descended and took ...”

“... be obliged to impose familiar patterns on the material, working according to inherited ideas which may well have eluded critical inspection. Only thus can he discern some sort of coherence in works that seem strange largely because they appear to have none. Historians are professionally prejudiced in favour of order; they cannot simply record chaos; sequences ...”

“... was born in 1900, and died in 1983. There can be argument over the exact date of its death. Some may maintain that it did not die until about 1990, others that electorally it died in 1980 or even earlier. There will be similar controversy over the role of Michael Foot: did he lead it to its death or did he just accompany it? Was he one of the physicians who ...”

“... of atom bombs, magazine ads and cheesy bondage photos. Goodman’s poster for the Doom Show, which may have been the best thing in it, is at the Grey Art Gallery, spray-painted on a crumpled, fire-damaged edition of a daily newspaper. Lurie, a Latvian Jew and concentration camp survivor, made what he described as ‘no! art’. It has scarcely lost its power ...”

“... there is Oliver, his best friend but in many ways his opposite: louche, sexy, camp, cultured – Richard E. Grant to Stuart’s Paul McGann. Oliver teaches at an iffy language school off the Edgware Road. He is into opera, food, wine, the imperatives of good taste. He uses the word ‘crepuscular’ a lot, and speaks in a froth of polyglot ...”

“... of Archigram ideas in several buildings that have been made by [Norman] Foster and his friend Richard Rogers … it raises all those classic issues about origin, innovation and the ownership of ideas.’ Indeed. But then so too do the off-the-peg Victorian-medieval churches that constellate England.Archigram’s flaw was its timing. Founders seldom ...”

“... The dispute is conducted in the languages of theology, jurisprudence, humanism and philosophy, and may be said to have been held together by a concept of ‘the political’ sufficiently coherent and idiosyncratically Latin and Western to raise the question whether ‘political thought’ can be held to exist in the culture of other civilisations without ...”

“... Carel van Mander in 1603, the earliest account of Caravaggio’s art that is known to us, we may deduce that Caravaggio was the first European artist who ostentatiously disdained invention and the ideal. He adhered instead to an artistic purpose that can only be called realist with a defiance which anticipated the attitudes of those 19th-century painters ...”