Why didn’t you tell me?

Andrew Cockburn: Meddling in Iraq, 4 July 2024

The Achilles Trap: Saddam Hussein, the United States and the Middle East, 1979-2003 
by Steve Coll.
Allen Lane, 556 pp., £30, February 2024, 978 0 241 68665 2
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... leader ‘to arrest all’ who had known about an assassination plot, ‘as well as all those who may have taken part’. A semi-autobiographical work, Men and the City, evoked the grim world of his rural upbringing in Tikrit, calling it ‘worse than the life of dogs’.Still, he made it to high school and then law school in Baghdad, before being recruited ...

That was another planet

Frank Kermode, 8 February 1990

Vineland 
by Thomas Pynchon.
Secker, 385 pp., £14.95, February 1990, 0 436 39866 4
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... as if subjecting the world to continual enquiry on this important issue. The sign ‘V’ may somehow hold together the dispersed elements of V, or it may not. The trajectory and the history of the V2 rockets in the seven-hundred-page fantasia of Gravity’s Rainbow promote, as ...

Write to me

Danny Karlin, 11 January 1990

The Brownings’ Correspondence. Vol. VII: March-October 1843 
edited by Philip Kelley and Ronald Hudson.
Athlone, 429 pp., £60, December 1989, 0 485 30027 3
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... assured I shall never demand it again, from any apprehension that hereafter the friendliness in it may be at variance with whatever feeling I please to entertain thirty years hence. Accordingly I set down with no sort of misgiving that I am, Dear Lady Olliffe, Yours very truly Robert Browning. This jeu d’esprit – which testifies nonetheless, in ...

By All Possible Art

Tobias Gregory: George Herbert, 18 December 2014

Music at Midnight: The Life and Poetry of George Herbert 
by John Drury.
Penguin, 396 pp., £9.99, April 2014, 978 0 14 104340 1
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... all be going to hell. That’ll answer them. Herbert has influenced poets from Henry Vaughan and Richard Crashaw to Dylan Thomas and Geoffrey Hill. And not only poets; reading Herbert has made converts, even in modern times. While reciting ‘Love (III)’, the famous last poem in The Temple, Simone Weil felt that ‘Christ himself descended and took ...

Yesterday

Frank Kermode, 27 July 1989

The Pleasures of Peace: Art and Imagination in Post-War Britain 
by Bryan Appleyard.
Faber, 367 pp., £12.99, June 1989, 0 571 13722 9
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... be obliged to impose familiar patterns on the material, working according to inherited ideas which may well have eluded critical inspection. Only thus can he discern some sort of coherence in works that seem strange largely because they appear to have none. Historians are professionally prejudiced in favour of order; they cannot simply record chaos; sequences ...

Second Last Leader

Ian Gilmour, 7 June 1984

Another Heart and Other Pulses: The Alternative to the Thatcher Society 
by Michael Foot.
Collins, 220 pp., £8.95, June 1984, 0 00 217256 9
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... was born in 1900, and died in 1983. There can be argument over the exact date of its death. Some may maintain that it did not die until about 1990, others that electorally it died in 1980 or even earlier. There will be similar controversy over the role of Michael Foot: did he lead it to its death or did he just accompany it? Was he one of the physicians who ...

What I heard about Iraq in 2005

Eliot Weinberger: Iraq, 5 January 2006

... that they’re growing. I think that they’re desperate.’ I heard about hope. I heard General Richard Myers, chairman of the Joint Chiefs of Staff, say: ‘I came away more positive than I’ve ever been. I think we’re getting some momentum built up.’ I heard about happiness. I heard Lieutenant General James Mattis say that ‘it’s a lot of fun to ...

Oliver’s Riffs

Charles Nicholl, 25 July 1991

Talking It Over 
by Julian Barnes.
Cape, 288 pp., £13.99, July 1991, 0 224 03157 0
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... there is Oliver, his best friend but in many ways his opposite: louche, sexy, camp, cultured – Richard E. Grant to Stuart’s Paul McGann. Oliver teaches at an iffy language school off the Edgware Road. He is into opera, food, wine, the imperatives of good taste. He uses the word ‘crepuscular’ a lot, and speaks in a froth of polyglot ...

Sightbites

Jonathan Meades: Archigram’s Ghost, 21 May 2020

Archigram: The Book 
edited by Dennis Crompton.
Circa, 300 pp., £95, November 2018, 978 1 911422 04 4
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... of Archigram ideas in several buildings that have been made by [Norman] Foster and his friend Richard Rogers … it raises all those classic issues about origin, innovation and the ownership of ideas.’ Indeed. But then so too do the off-the-peg Victorian-medieval churches that constellate England.Archigram’s flaw was its timing. Founders seldom ...

At the Grey Art Gallery

J. Hoberman: Inventing Downtown , 30 March 2017

... of atom bombs, magazine ads and cheesy bondage photos. Goodman’s poster for the Doom Show, which may have been the best thing in it, is at the Grey Art Gallery, spray-painted on a crumpled, fire-damaged edition of a daily newspaper. Lurie, a Latvian Jew and concentration camp survivor, made what he described as ‘no! art’. It has scarcely lost its power ...

A Likely Story

Frank Kermode, 25 January 1996

Howard Hodgkin: Paintings 
by Michael Auping, John Elderfield and Susan Sontag, edited by Marla Price.
Thames and Hudson, 216 pp., £28, October 1995, 0 500 09256 7
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Howard Hodgkin 
by Andrew Graham-Dixon.
Thames and Hudson, 192 pp., £24.95, October 1994, 0 500 27769 9
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... Baudelaire on Callot, Donald Hall on Munch, Hollander on Monet and dozens more, including Richard Wilbur’s exquisitely meditative imitation of a Baroque wall fountain, a poem that sounds more like the work of art it imitates than any other I know.* The painting of Howard Hodgkin is a first-rate example of the vivid muteness that resists critical ...

Boys wearing wings

Nicholas Penny, 15 March 1984

Caravaggio 
by Howard Hibbard.
Thames and Hudson, 404 pp., £22.50, May 1983, 0 500 09161 7
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Circa 1600: A Revolution of Style in Italian Painting 
by S.J. Freedberg.
Harvard, 125 pp., £21.25, January 1983, 0 674 13156 8
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Domenichino 
by Richard Spear.
Yale, 382 pp., £75, November 1982, 0 300 02359 6
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... Carel van Mander in 1603, the earliest account of Caravaggio’s art that is known to us, we may deduce that Caravaggio was the first European artist who ostentatiously disdained invention and the ideal. He adhered instead to an artistic purpose that can only be called realist with a defiance which anticipated the attitudes of those 19th-century painters ...

What do we mean by it?

J.G.A. Pocock, 7 January 1993

The Cambridge History of Political Thought: 1450-1700 
edited by J.H. Burns and Mark Goldie.
Cambridge, 798 pp., £60, August 1991, 0 521 24716 0
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... The dispute is conducted in the languages of theology, jurisprudence, humanism and philosophy, and may be said to have been held together by a concept of ‘the political’ sufficiently coherent and idiosyncratically Latin and Western to raise the question whether ‘political thought’ can be held to exist in the culture of other civilisations without ...

Touch of Evil

Christopher Hitchens, 22 October 1992

Kissinger: A Biography 
by Walter Isaacson.
Faber, 893 pp., £25, September 1992, 0 571 16858 2
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... capital to be raised by a candidate who exploited the resentment engendered by defeat. (He may have had in mind the efficacy of the ‘who lost China?’ fantasy of the Fifties, but I don’t think that the ‘stab in the back’ psychosis of his German boyhood can have been far from his mind either.) At all events, the year 1968 found him advising the ...

Downhill from Here

Ian Jack: The 1970s, 27 August 2009

When the Lights Went Out: Britain in the Seventies 
by Andy Beckett.
Faber, 576 pp., £20, May 2009, 978 0 571 22136 3
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... decades that took a retrospective grip on the popular imagination were the 1890s and the 1920s. It may not be a coincidence that both have been characterised as fun-loving eras that chucked out staid manners and stale customs, whose social revolutionaries were libertines (Mae West) and gangsters (James Cagney). Perhaps more than any other agency, it was ...