At the Grand Palais
Jeremy Harding: Seydou Keïta , 30 June 2016
“... after the colonial era. Yet Keïta’s work is remarkable for its lack of intrusiveness. Subjects may be on their mettle, in complicated ways, but they aren’t up for examination, or sitting for an ethnographic inventory. The customers led the way. They were paying for a record, in a single, dignified image, of what they imagined themselves or their ... ”