At the Royal Academy
Peter Campbell: Degas, 6 October 2011
“... figures take up only half the picture surface. In the Ballet Scene from Meyerbeer’s Opera ‘Robert le Diable’ the figures on stage are unfocused, ghostly white-sheeted nuns. They are broadly painted and form a pale band across the canvas; moonlight drifts through the round arches of the set; the strongest highlights are a splash of white seen through ... ”