“... a luxury: Grace was stronger than there was any call for a cricketer to be, ready to go off when young to run hurdle races between innings, and still up to bowling 75 overs in the match at the age of 50 (he was captain, and didn’t think of taking himself off). To which enviable share of vitality he added a mastery of cricket’s as yet unfinished ...”

“... most of his close friends (he was very well connected) had crossed the Channel: Geoffrey Winthrop Young, George Trevelyan, Geoffrey Keynes, Robert Graves (a former pupil) and Rupert Brooke (a contemporary at Magdalene). Another friend, Lytton Strachey, was renowned for his obsession with Mallory’s good looks (he credited him ‘with the face of a ...”

“... school is only a kind of upper servant, who has more work than the menial ones … A governess to young ladies is equally disagreeable.Rather than strive any longer to tolerate the intolerable, she became a writer for whom the economic insecurity and social standing of women were always matters of vehement concern. As a professional female writer determined ...”

“... Weschke is looking down at his hands or the tablecloth, a woman lies slumped in an armchair and a young man holds his head in an attitude of total weariness. At the other side of the table, the poet W.S. Graham is holding forth. He sits bolt upright, stabbing the air with the fingers of one hand; it looks as though an electric shock is passing through his ...”

“... itself, or on its musical realisation, or even on the performers, but on what Ruth Berghaus or David Alden or Andrei Serban is saying about it. Or rather what images they are inflicting upon it – for the production of opera is primarily a matter of what something is made to look like. Singers rarely have any authentic acting ability and the wiser ...”

“... In the Thirties and early Forties the English poet David Gascoyne was much enamoured of the Continental, Late Romantic image of writing and of the writer as a visionary misfit. By the end of the Thirties, his place in the great Euro-Visionary Song Contest was almost secured. He confessed his ambition in his Journals in 1938: Want to write an essay on ‘The Apotheosis of Lautréamont ...”

“... the vapid tax-and-spend policies they had drifted into. Their new spokesmen – Vincent Cable, David Laws and Mark Oaten – are the first prominent Liberals since Jo Grimond who could seriously claim to be heirs of the Grand Old Man. Political commentators point out that parties make such shifts because otherwise they have little hope of getting ...”

“... the award in absentia, the absence of the other being the chief pleasure for each. This is where David Fincher’s new film, Mank, briefly in American cinemas last November and now available on Netflix, discreetly ends.The film was written by Fincher’s father, Jack, who died in 2003. Fincher had been planning to make it right after The Game (1997), one of ...”

“... The song​  we hear at the beginning of David Leitch’s film Bullet Train is the Bee Gees’ ‘Stayin’ Alive’. It’s a good song and all too relevant, but by the time the movie’s plot gets rolling it sounds more like a fragile wish than any sort of programme. ‘Fate is a name for my bad luck,’ a leading character says ...”

“... can read them later. There is also a flashback to a time when Zeena and her partner (Ian Keith; David Strathairn) were in vaudeville. Their act involved working a complicated code, where one of them would apparently be repeating questions from the audience but was actually signalling facts about the questioners. In the city, a different kind of trick is ...”

“... Arthur Kingfisher, impotent despite the administrations of his Korean mistress until redeemed by young, naive Celtic virgin Persse, our hero, who goes to the MLA and asks the right question. There are twins, a true and a false Florimell (although one is called Angelica), who in extreme youth had been abandoned in a KLM toilet. They have birthmarks like ...”

“... The vast David Hockney show at the Royal Academy (until 9 April) is deliberately overwhelming. What it most looks like is an overblown, hyped-up, hyperreal parody of the Royal Academy Summer Exhibition, that super-English annual gathering of the amateur art establishment, to which the buying public with large pocketbooks flock from the Home Counties and beyond ...”

“... made a Royal Academician in 2005 but he has remained a quiet man of British art in comparison with David Hockney or R.B. Kitaj, his contemporaries at the Royal College of Art in the early 1960s. ‘Swan i’ (1964) The exhibition shows how decisively he transcends the well-worn term ‘postwar British artist’: Bowling is diasporic, resisting easy ...”

“... rock stars. The memoir the movie is based on, which has the same title, carries an epigraph from David Bowie: ‘Planet Earth is blue and there’s nothing I can do.’Well, perhaps this is not so comforting. A title card has told us the year – 1971 – and if we remember that a military dictatorship had been in power in the country since 1964, aided by ...”

“... from, and in a sense complementary to, American Sublime, another celebration of wilderness, which David Craig wrote about in the last issue of the LRB.Fulton has made many walks of many kinds in many places over the last thirty years. But because a walk must exist in the present, and take place elsewhere, all he has to offer in the gallery are wall ...”