“... phrase was latched onto by Flann O’Brien, in his satiric denunciations of Irish falsity or self-dramatisation wherever it cropped up, whether with Gaelic Leaguers or island autobiographers. Between Synge of the exorbitant syntax and Flann O’Brien’s adept mimicry of Gaelic inflation (‘Ambrose was an odd pig and I do not think that his like will be ...”

“... movie star. In the first part of the novel, Orton establishes a comic voice for Susan as the self-styled ingénue in a world of cheap bedsits, desperate gay alcoholics and sexual decadence. Some of the details of Susan’s daily life are borrowed from Dorothy Parker’s Diary of a New York Lady, written in the Forties and subtitled ‘During Days of ...”

“... shall recuperate the Malvinas, les Malouines, into renewed restiveness and the wasps of doubt, of self-doubt, of resolution, of intelligences swarm? ‘a culture of regressive repetitions ... ’ Brave men and a gallant ship, her namesake also sank in World War Two by bomber aircraft. Carried aboard were large mediaeval nails from the bombed cathedral, formed ...”

“... suspicious of books produced by the tape-recorder, for they offer endless scope for deception and self-deception. It is perfectly possible for such a book to be saying nothing whatever for long stretches, and no one, not even the compiler, will have noticed. Or it can be saying something important which, again, the compiler never intended and is not aware ...”

“... He is convinced that their descent into the meaningless reflects that of England, ‘confused, self-hating England’, where the plague of depression is ‘spreading like a virulent, dimly understood virus’. Consequently, he attends closely to the condition of the country in his mother’s youth and his own. He nominates 1956, the year of his own ...”

“... but do not form a coherent picture. Paolo, as we have seen, gives his factory away; Pietro is the self-hating painter we have looked at; Odetta becomes catatonic and is carted away to hospital; Lucia starts picking up and sleeping with young men who look a little like the visitor; and, most interestingly, Emilia returns to her native village and speaks to no ...”

“... would take as a compliment, a sign that he was living up to his sense of his properly disreputable self. At the end of the film, as Belmondo lies dying on the street – the law has caught up with him, Seberg has given him away – he says: ‘C’est vraiment dégueulasse.’ He means disgusting in the sense of shitty, a raw deal, a mess, but what is he ...”

“... internet in general, promise to fill in the gaps between society’s three cardinal points: the self (individual, spectator, voter), the masses (population, audience, electorate) and power (party, spectacle, government). The promise is partly kept. Individuals can and do form flash commonwealths of mutual interest. For me, it was merely reassuring to ...”

“... In both cases the faces seem to look inward – painfully (in the case of Kollwitz) or in stolid self-defence (in the case of Evans). Kollwitz insists that you feel; Evans presents faces which don’t offer the connections with a painterly tradition of facial expression that more formal or overtly poetic photographs would. Although less obviously so than ...”

“... Powell’s claims for the act of writing it. They are pitched with characteristic fervour and self-confidence: There are a few other men who know from their own experience as much about the film business as I do, but, as far as I know, most of them can’t, or won’t, put it down. It needs to be written ... I didn’t intend to write another ...”

“... habit of mind.) ... In order to hide, it was carefully explained, one had to have a concept of self. Not only that, one had to have the concept of self given by the ability to speak academic language, or at least a standard human language – a concept of self that depends on the ...”

“... it could well have served as a collective title for the historiography of the post-war period. The self-confidence and sense of achievement which sustained this reformist vision disappeared during the Seventies. Rising crime rates suggested the ineffectiveness of police and prisons; critics of the treatment approach pointed to the invasive and discriminatory ...”

“... editors conclude, ‘the balance in the top 200 is an almost equal one between establishment and self-made money: 102 Old Rich play 98 New Rich.’ But it is well to remember that the Old Rich team, as one would expect, has a more stable composition, being recruited through heredity, historically consolidated, above all, in land. Just over a quarter of the ...”

“... irrelevant. It merely takes us back to the Nabokovian premise that fiction is not an exercise in self-disclosure, but in imagining yourself to be other than what you are. Moreover, is a Life necessary where the artist himself has left behind a masterpiece of autobiography? Anyone who has read Speak, Memory comes to Nabokov’s fiction with an absolutely ...”

“... private over the public as such critics do may be interpreted as a feminist gesture. But it’s a self-limiting challenge, for their language often chooses to exclude the wider community, operating in terms of jokes and quarrels shared within a closely-knit intellectual family. The repressive fathers are simply shut out, excluded by language. Feminist ...”