“... men and women of exceptional courage and dignity who fought a forlorn battle in the marshes of White Russia behind the German line, and that it was a struggle for survival, for enough to eat, for warmth and shelter, for escaping the ‘hunters of men’, the Germans. In Heimat we understand what it meant to belong to an old German rural ...”

“... she encountered that she feared their matches would never strike on her box. My dear old friend Peter Bull, much-missed these days, once had me watching him in Waiting for Godot. I left at half-time under the impression that he didn’t speak in Act Two. ‘What made you think that?’ he demanded when next we met. ‘I thought that was what you ...”

“... of the son’s avant-gardism. Having gone for a prevailing, historically appropriate black-and-white, Reitz himself is avant-garde enough to fleck the film with colour as a heightening for critical moments. In the context of the film at large, however, these dabs and flecks could be thought an alien feature – caviare to the general, Stockhausen to the ...”

“... in World War Two, his distinguishing physical feature is a ‘dissident’ thatch of prematurely white hair. A brilliant rhetorician and provocateur of student action, Marquis is a maverick politically, having left the Party in 1956. The founder of Thought and Action, he has lost control of the journal to a younger clique of more fashionable ...”

“... from her chariot, stripped naked, dragged to the church, and inhumanly butchered by the hands of Peter the reader, and a troop of savage and merciless fanatics: her flesh was scraped from her bones with sharp oyster shells, and her quivering limbs were delivered to the flames.’ This is Gibbon’s description of the murder of the mathematician and ...”

“... or we take in a semi-pastoral scene titled English Landscape, and then notice a weird array of white globes in the background identified as ‘American Surveillance Base near Harrogate, Yorkshire’. Paglen admits that the photographs, a streaky blur in the first case and a near mirage in the second, are ‘useless as evidence’, but his aim is ...”

“... them; in 1918, Britain used mustard gas against Germany and dropped gas bombs in support of the White forces against the Red Army the following year. In 1925 the Geneva Protocol was signed prohibiting the use of chemical weapons in war, but without banning production and stockpiling. By then, the Soviet chemical weapons programme was in full swing: the ...”

“... involved, among other things, a little larceny and a little prostitution, and hanging out with Peter Rachman in London. The narrator also knows Rachman, and indeed visits a number of his properties with him. We see a memorable series of snapshots of broken-down flats and houses, the battered London equivalent of the shabby Paris immeubles Modiano so ...”

“... the ground was Bride Caskey, and Claffey was on top of her. He saw that Claffey’s buttocks were white, and meagre in form though energetic in action, and that the woman’s eyes were closed and that she was bleeding from her mouth. Her kerchief was pulled off her head and laid beside her, lifting in the wind; the merest inch was trapped beneath the boot of ...”

“... Blanchard Jerrold asserted in 1883, alongside ‘The Association for the Total Suppression of White Hats! The Anti-Flower-in-the-Button-Hole League! The Society for the Abolition of Green-Tea Drinking! The Association for the Restriction of Glove Fastenings to One Button! The Local Option Snuff Confederation!’ – and Durbach is forced to admit that ...”

“... it caused Oliver St John Gogarty to sue for libel. (Kavanagh had written: ‘I mistook Gogarty’s white-robed maid for his wife – or his mistress. I expected every poet to have a spare wife.’) In 1939, having decided to leave Inniskeen for good, he moved to Dublin, and for the rest of his life earned a shaky living as a journalist. He published the ...”

“... Patrick Creagh in his Picture of Tristan (1965), Val Wamer in The Centenary Corbière (1974) and Peter Dale in Narrow Straits (1985). All these versions add something to our knowledge of Corbière’s genius, though the best are the imitations by Patrick Creagh. ‘Le Poète contumace’ is a colloquial-ironic self-portrait, written against the grain of ...”

“... Waugh, as his last stories reveal, could not do without his Ambrose Silks and Agatha Runcibles and Peter Pastmasters. But one must not press the analogy too far. Waugh did become interested in himself as a literary model – very much so – and The Ordeal of Gilbert Pinfold is a masterpiece of self-portraiture, one of the very best in English fiction. Even so ...”

“... ago: we wouldn’t even have been able to distinguish a modern digital signal from background white noise. SETI is maintained, nevertheless, in the hope that we will receive transmissions we can recognise as such. The account of SETI in XTL (a zippy acronym for Extra-Terrestrial Life) is more technically detailed, and lacks Jack&Ian’s scepticism. But ...”

“... language at the cost of its variety. Before this new translation by Ciaran Carson, perhaps only Peter Whigham, whose version was left unfinished at his death, managed to re-create in English the full orchestra of Dante’s tongues, his ‘strange locust-like phonetics’ (to borrow the extraordinary vocabulary of Osip Mandelstam’s ‘Conversation about ...”