Diary
Karl Miller: Balance at the BBC, 9 October 1986
“... of the son’s avant-gardism. Having gone for a prevailing, historically appropriate black-and-white, Reitz himself is avant-garde enough to fleck the film with colour as a heightening for critical moments. In the context of the film at large, however, these dabs and flecks could be thought an alien feature – caviare to the general, Stockhausen to the ... ”