The Rack, the Rapier, the Ruff and the Fainting Nun

Nicholas Penny: Manet/Velázquez, 10 July 2003

Manet/Velázquez: The French Taste for Spanish Painting 
by Gary Tinterow and Geneviève Lacambre et al.
Yale, 592 pp., £50, March 2003, 0 300 09880 4
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... explore the relationships that other major French painters enjoyed with Spain. Delacroix’s small self-portrait of 1821 and a study for the old women in the foreground of his Massacre at Chios were hung on either side of Goya’s portrait dedicated to Ascensio Juliá. This is a brilliant combination of images which remains suggestive even after we have ...

It wasn’t him, it was her

Jenny Diski: Nietzsche’s Bad Sister, 25 September 2003

Nietzsche’s Sister and the Will to Power: A Biography of Elisabeth Förster-Nietzsche 
by Carol Diethe.
Illinois, 214 pp., £26, July 2003, 0 252 02826 0
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... loss. ‘For a year now,’ he wrote of her interference, ‘she has cheated me out of my greatest self-conquest by talking at the wrong time and being silent at the wrong time, so that in the end I am the victim of her merciless desire for vengeance.’ But if Nietzsche was capable of seeing himself as a pitiful victim, he was also able to see the ...

Do you Floss?

Lawrence Lessig: The sharing economy, 18 August 2005

The Success of Open Source 
by Steven Weber.
Harvard, 312 pp., £19.95, August 2004, 0 674 01292 5
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Democratising Innovation 
by Eric von Hippel.
MIT, 208 pp., £19.95, May 2005, 0 262 00274 4
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... skateboarders to building engineers, this is not just carelessness on the part of insufficiently self-interested users; it is a critical part of the innovation economy. Why do they do it? Von Hippel identifies a number of motives. As with FLOSS, the innovator may benefit personally from the diffusion of an innovation because it increases the value of the ...

Before and After Said

Maya Jasanoff: A Reappraisal of Orientalism, 8 June 2006

For Lust of Knowing: The Orientalists and their Enemies 
by Robert Irwin.
Allen Lane, 416 pp., £25, January 2006, 0 7139 9415 0
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... invasion of Egypt. He effectively contests the portrayal of Orientalism ‘as a unified, self-confirmatory discourse’ by emphasising internecine disagreements. He provides an impressive list of Arab academics to challenge the suggestion that Orientalism has prevented Arabs from writing about themselves. Some readers will enjoy Irwin’s ad hominem ...

Nuclear Blindness

Brian Jones: The Case for Nuclear Proliferation, 22 June 2006

... are complex structures, containing some very delicate mechanisms. They have the potential to self-destruct. It might take a cascade of 1000 centrifuges operating continuously for a year to produce enough highly enriched uranium for a single weapon. On the other hand, Iran’s claim could be designed to divert attention from an attempt to develop other ...

Stony Ground

Peter D. McDonald: J.M. Coetzee, 20 October 2005

J.M. Coetzee and the Ethics of Reading: Literature in the Event 
by Derek Attridge.
Chicago, 225 pp., £13.50, May 2005, 0 226 03117 9
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Slow Man 
by J.M. Coetzee.
Secker, 265 pp., £16.99, September 2005, 0 436 20611 0
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... order to affirm the truculent, dignified singularity of things, which, like Paul’s ‘labile’ self or Robbe-Grillet’s ‘awkward residue’, by definition exceeds the machinations of ...

Extraordinarily Graceful Exits from Power

Nicholas Guyatt: George Washington’s Reticence, 17 November 2005

His Excellency George Washington 
by Joseph J. Ellis.
Faber, 320 pp., £20, March 2005, 0 571 21212 3
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... guru derives from his Farewell Address, with its Kissinger-like cadences about the primacy of self-interest in international affairs; yet it was an act of almost sublime disinterest – Adams’s decision to send negotiators to France – that ranks as the most visionary act of foreign policy of the 1790s. Adams knew that he would divide the Federalist ...

When Men Started Doing It

Steven Shapin: At the Grill Station, 17 August 2006

Heat: An Amateur’s Adventures as Kitchen Slave, Line Cook, Pasta-Maker and Apprentice to a Butcher in Tuscany 
by Bill Buford.
Cape, 318 pp., £17.99, July 2006, 9780224071840
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... him, from art that fed people’s imaginations to ‘art’ that fed people. Buford got good. The self-deprecating jokiness of earlier sections of the book probably hides just how good he got. He cooks at home now, but he was good enough to pass at the grill station at Babbo, which has been called Manhattan’s top restaurant. Some restaurant skills are ...

Someone Else’s

Matthew Reynolds: Translating Cesare Pavese, 6 October 2005

Disaffections: Complete Poems 1930-50 
by Cesare Pavese, translated by Geoffrey Brock.
Carcanet, 370 pp., £14.95, April 2004, 1 85754 738 1
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The Faber Book of 20th-Century Italian Poems 
edited by Jamie McKendrick.
Faber, 167 pp., £12.99, June 2004, 0 571 19700 0
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... cuore, ‘heart’. But the word that most makes Montale look like a co-translator, rather than a self-sufficient original, is filtrando (‘filtering’), rendered as ‘straining’. For a moment, the English has an intensity which the Italian lacks: the eel strains in two senses, and it is hard to feel that if a word with the same ambiguity had been ...

C is for Colonies

Anthony Pagden: A New History of Empire, 11 May 2006

Edge of Empire: Conquest and Collecting in the East 1750-1850 
by Maya Jasanoff.
Fourth Estate, 405 pp., £25, August 2005, 0 00 718009 8
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... is beginning to be written. It assumes that the metropolis and the colonies were not self-contained realms (as the older ‘imperial history’ often assumed); it recognises that empires were made and ruled by individuals with often very different, even conflicting aspirations. Above all it recognises that all empires were ...

The Destruction of the Public Sphere

Ross McKibbin: Brown v. Cameron, 5 January 2006

... something that has eluded all British governments. He has repeated, and appears to believe, the self-serving conviction of British businessmen that they would be world-beaters were it not for over-regulation, red tape, high taxes and Brussels. Although he concedes there is ‘society’, a ‘we’ as well as a ‘me’, his is to be a highly privatised ...

Form-Compelling

David Matthews: How to Write a Fugue, 21 September 2006

The Art of Fugue: Bach Fugues for Keyboard 1715-50 
by Joseph Kerman.
California, 173 pp., £15.95, August 2005, 0 520 24358 7
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... originally conceived as the finale of the B flat Quartet, Op. 130, but later detached to form a self-sufficient piece. As the opening Allegro charges along with manic exuberance, there is a feeling of exploring uncharted territory: huge vistas are glimpsed but are tantalisingly out of reach. The pace is relentless, the dynamics always forte. Then suddenly ...

Memories of Lindsay Anderson

Alan Bennett, 20 July 2000

... Lambert’s Mainly about Lindsay Anderson* that Lindsay harboured similar thoughts about such self-imposed menialities. On the eve of filming O Lucky Man Lindsay has his ailing mother to stay in his flat in Swiss Cottage. Before she arrives he cleans up the kitchen and bathroom and is just tackling the fireplace in his mother’s room when the doorbell ...

Keep me

Alison Jolly: Natural selection and females, 10 August 2000

Mother Nature: Natural Selection and the Female of the Species 
by Sarah Blaffer Hrdy.
Chatto, 697 pp., £20, November 1999, 0 7011 6625 8
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... feed or cling or even manage its own temperature control. Most of its repertoire, instead, is self-advertisement. That is where, according to Hrdy, infant fat comes in. The baby is saying, not just ‘love me’ but ‘keep me.’ Unlike any other primate, it is born with a dimpled roundness which proclaims: ‘I am a healthy baby, a big, bonny baby ...

A Little Electronic Dawn

James Francken: Perlman, Anderson and Heller, 24 August 2000

The Reasons I Won't Be Coming 
by Elliot Perlman.
Faber, 314 pp., £9.99, July 2000, 0 571 19699 3
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Turn of the Century 
by Kurt Anderson.
Headline, 819 pp., £7.99, February 2000, 0 7472 6800 2
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Slab Rat 
by Ted Heller.
Abacus, 332 pp., £10.99, March 2000, 0 349 11264 9
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... through a gap in the curtains.’ There is too much on show in Three Dollars, too many details self-consciously disclosed. And in The Reasons I Won’t Be Coming, important scenes are frequently written in awkward, clotted prose. ‘We were at each other’s throats,’ says a young Jewish woman in one of the stories, an assistant working in a Moscow ...