Virginia Weepers

Judith Shklar, 17 May 1984

The Pursuit of Happiness 
by Jan Lewis.
Cambridge, 290 pp., £20, November 1983, 0 521 25306 3
Show More
Jefferson’s Extracts from the Gospels: ‘The Philosophy of Jesus’ and ‘The Life and Morals of Jesus’ 
edited by Dickinson Adams.
Princeton, 438 pp., £28.50, September 1983, 0 691 04699 9
Show More
Show More
... When Thomas Jefferson left the Presidency he wrote to Dupont de Nemours: ‘Never did a prisoner released from his chains, feel such relief as I shall on shaking off the shackles of power. Nature intended me for the tranquil pursuits of science, by rendering them my supreme delight. But the enormities of the time in which I have lived, have forced me to take a part in resisting them, and to commit myself to the boisterous ocean of political passion ...

Cradles in the Portego

Nicholas Penny: Renaissance Venice, 5 January 2006

The New Palaces of Medieval Venice 
by Juergen Schulz.
Pennsylvania State, 368 pp., £61.50, July 2004, 0 271 02351 1
Show More
Private Lives in Renaissance Venice 
by Patricia Fortini Brown.
Yale, 312 pp., £35, October 2004, 0 300 10236 4
Show More
Show More
... of living space would have been affected by thinking of this kind. He is also aware – perhaps more aware than anyone – of the extent to which the Venetians used capitals plundered from Byzantium on their façades, and of how they then imitated and varied them and also delighted in fabricating decorative reliefs in a Byzantine style. But these were ...

We Are All Victims Now

Thomas Laqueur: Trauma, 8 July 2010

The Empire of Trauma: An Inquiry into the Condition of Victimhood 
by Didier Fassin and Richard Rechtman, translated by Rachel Gomme.
Princeton, 305 pp., £44.95, July 2009, 978 0 691 13752 0
Show More
Show More
... or otherwise. Governance, Foucault argues and Fassin and Rechtman agree, works as much, if not more, through the ‘production of truth’ as through the imposition of laws. The question is not whether someone actually is a victim of trauma but how the criteria for deciding who is a victim come into being and who manages them. ‘Governmentality’, as ...

A Degenerate Assemblage

Anthony Grafton: Bibliomania, 13 April 2023

Book Madness: A Story of Book Collectors in America 
by Denise Gigante.
Yale, 378 pp., £25, January 2023, 978 0 300 24848 7
Show More
Show More
... Library, the New York Academy of Medicine and Columbia’s rare book collections served those with more specialised needs.New York couldn’t compete with London or Paris: it had no bouquinistes, no Farringdon Road, no British Library or Bibliothèque nationale de France. It lacked the quaint bookshops of Boston, where the staff seemed to know not only the ...

A Mile or Two outside Worthing

Richard Jenkyns: Edward Trelawny, 26 November 1998

Lord Byron’s Jackal: A Life of Trelawny 
by David Crane.
HarperCollins, 398 pp., £19.99, July 1998, 0 00 255631 6
Show More
Show More
... to become, for a while, so genuinely romantic and melodramatic, his fabrications seem to add yet more brio to the larger-than-life swagger; the shaggy-dog stories become part of a more general shagginess. He may not have cremated his dusky bride by the shore of a tropic sea, but he was to cremate Shelley on an Italian ...

Discord and Fuss

Clare Bucknell: Robert Frost’s Ugly Feelings, 4 December 2025

Love and Need: The Life of Robert Frost’s Poetry 
by Adam Plunkett.
Farrar, Straus, 500 pp., £30, March 2025, 978 0 374 28208 0
Show More
Show More
... worst thing you could call Robert Frost was ‘literary’. ‘If I’m somewhat academic (I’m more agricultural) and you are somewhat executive, so much the better,’ he wrote to Wallace Stevens teasingly in 1935. ‘It is so we are saved from being literary … Our poetry comes choppy, in well-separated poems, well interrupted by time, sleep and ...

Apocalypse Now and Then

Frank Kermode, 25 October 1979

The Second Coming: Popular Millenarianism 1780-1850 
by J.F.C. Harrison.
Routledge, 277 pp., £9.95
Show More
Show More
... Thanks to​ the work of Norman Cohn, Christopher Hill, Eric Hobsbawm, Keith Thomas and others, we have, over the past few years, acquired a lot of information about millenarianism as a social and historical force. The belief that the end is nigh, or that a new series of times is about to begin, is very ancient, but it is also modern ...

Diary

Stephen W. Smith: Sankarism, 30 August 2018

... Thomas Sankara​ , the revolutionary leader of Burkina Faso, was shot dead in the presidential buildings in Ouagadougou on 15 October 1987. I was the West Africa correspondent at the time for Radio France International and Libération, based in neighbouring Ivory Coast. The day before the assassination I got a call from Sankara ...

Making up

Julian Symons, 15 August 1991

Lipstick, Sex and Poetry 
by Jeremy Reed.
Peter Owen, 119 pp., £14.95, June 1991, 0 7206 0817 1
Show More
A poet could not but be gay 
by James Kirkup.
Peter Owen, 240 pp., £16.95, June 1991, 0 7206 0823 6
Show More
There was a young man from Cardiff 
by Dannie Abse.
Hutchinson, 211 pp., £12.99, April 1991, 0 09 174757 0
Show More
String of Beginners 
by Michael Hamburger.
Skoob Books, 338 pp., £10.99, May 1991, 1 871438 66 7
Show More
Show More
... Both writers are concerned to stress their fine sensibilities, Reed in a surrealist mode, Kirkup more in the manner of a Nineties aesthete. Reed claims that at the age of 19 he was already living in ‘a blaze of heightened perception’ prompted by drink and drugs. He believes poems are prompted by withheld orgasms, ‘the work on the page ... like the line ...

Self-Hatred

Gabriele Annan, 5 November 1992

Death in Rome 
by Wolfgang Koeppen, translated by Michael Hofmann.
Hamish Hamilton, 192 pp., £9.99, November 1992, 9780241132388
Show More
Show More
... is an act of love, the novel itself is an expression of hatred – German self-hatred, which, Thomas Mann said, ‘goes to the point of self-disgust and self-abomination.’ The blurb tells us that the four chief characters in the novel represent the four elements of the German soul : ‘music, bureaucracy, arms and religion’. The story is set in Rome ...

Advice for the New Nineties

Julian Symons, 12 March 1992

HMS Glasshouse 
by Sean O’Brien.
Oxford, 56 pp., £5.99, November 1991, 0 19 282835 5
Show More
The Hogweed Lass 
by Alan Dixon.
Poet and Printer, 33 pp., £3, September 1991, 0 900597 39 9
Show More
Collected Poems 
by Les Murray.
Carcanet, 319 pp., £18.95, November 1991, 0 85635 923 8
Show More
Show More
... killed off by the war the vacuum was filled by the extravagant romanticism associated with Dylan Thomas, George Barker and Edith Sitwell. Less than a decade later, with those roses seen as over-blown, Robert Conquest was deploring ‘the omission of the necessary intellectual component from poetry’, gathering several disparate writers under one ...

On Nicholas Moore

Peter Howarth: Nicholas Moore, 24 September 2015

... looked like he could manage very well on his own. He edited Seven, an early venue for Dylan Thomas and the New Apocalypse poets, but his real coup had been to get several Wallace Stevens poems published in Britain, much to Stevens’s pleasure. Meanwhile, his own poems kept coming, and by 1944 a Selected, The Glass Tower, came out, expensively ...

At the V&A

Gazelle Mba: Africa Fashion, 1 December 2022

... is convincing. Fashion wasn’t considered superficial or thought of as a lesser art. As Shade Thomas-Fahm, a Nigerian designer whose work is displayed in the ‘Vanguard’ section of the exhibition, writes: ‘It was the time of Fela, and Wole Soyinka’s plays … It was a time of Nigeria evolving. We were bringing in new ideas … Arts and culture were ...

So Ordinary, So Glamorous

Thomas Jones: Eternal Bowie, 5 April 2012

Starman: David Bowie, the Definitive Biography 
by Paul Trynka.
Sphere, 440 pp., £9.99, March 2012, 978 0 7515 4293 6
Show More
The Man Who Sold the World: David Bowie and the 1970s 
by Peter Doggett.
Bodley Head, 424 pp., £20, September 2011, 978 1 84792 144 4
Show More
Show More
... Kate Moss done up as Ziggy Stardust. The picture is a monument to improbable staying power. It’s more than two decades since Moss was photographed by Corinne Day for the Face, those instantly iconic black and white images of a skinny 16-year-old on Camber Sands, wearing no make-up and very few clothes, grinning through her freckles and pointy teeth, all at ...