“... Hughes with an eidophone (an instrument of her own invention) look like underwater vegetation. Robert Johnson’s extraordinarily long, extraordinarily gifted fingers (perhaps indicating Marfan syndrome) seem to span half of his blues guitar. The only omission is a picture of the creature that in 1650 Kircher announced sang in perfect hexachords: the ...”

“... public reaction to the book has centred too narrowly on its slighting references to ex-colleagues. Robert Harris’s furious depiction of it (in the Independent on Sunday) as spluttering with ‘rage, malice, contempt and hatred’ is probably the extreme case. The memoirs of other premiers, Harris notes, have shown saintly restraint towards erstwhile ...”

“... Sisman is not usually taken in, least of all by unsubstantiated assertions from Taylor himself. Robert Cole’s book, The Traitor within the Gates, forms an instructive contrast. In his treatment of several episodes, Cole has placed his reliance on the authority of the autobiography. For example, he simply reiterates its hard-luck tale of how Taylor’s ...”

“... He was the great man who was interested in great men. This could also be said of the modern poet Robert Lowell, a man of ‘tumbles and leaps’ and ‘manic crushes’ who was interested in the ‘great Boswell’ (so called by a Lady Lemon in 1792). At one point in the history of his elations and depressions Lowell was heard to speak of a trip to Scotland ...”

“... Extracts, or pericopes – to borrow his typically ornate term – from Robert Craft’s diary of his years with Stravinsky first appeared in the famous series of their conversation books issued throughout the Sixties. In 1972, after the composer’s death, a far bigger selection was published as Stravinsky: Chronicle of a Friendship, 1948-1971 ...”

“... version, but its colloquialism sometimes lapses jarringly, occasionally amusingly, into cliché. Robert Fagles’s new version of the Odyssey, on the other hand, is a classic modern Homer: elegant, natural and smooth. His solutions to the difficulties of rendition are always so neat that it is easy to forget there has been any effort made. Such easiness is a ...”

“... to re-impose the formal structures left behind them in their travels through space and time. Robert Lawson-Peebles’s word for this dialectic is ‘redcoatism’, after the practice of British regiments in the French and Indian War of lining up in bright scarlet uniforms only to get picked off by their assailants hiding behind trees. But the American ...”

“... for ‘nine-tenths of the reading of the reading public’. When, in 1928, Laura Riding and Robert Graves’s Pamphlet against Anthologies charged the genre with reducing poetry to a ‘packet-commodity’, the only alternative that they proposed revealed just how inescapable the anthology had become. The ‘full Corpus’ that could drive anthologies ...”

“... Jan Morris, for the Oxford edition. ‘His influence may be traced down the generations from Robert Curzon’s Monasteries of the Levant (1849) to Robert Byron’s Road to Oxiana (1937) or Paul Theroux’s Great Railway Bazaar (1975).’ For the Century edition, Jonathan Raban likewise sees a link with Theroux and ...”

“... than others, however much we may protest that they are merely different? For instance, does Robert Lowell’s Life Studies intrigue us more than, say, Tony Harrison’s family reminiscences in Continuous? If so, is it because Lowell’s technique is more sophisticated and fluid than Harrison’s vigorously clanking sonnet sequence in which the rhymes ...”

“... Putting on again joyously the hateful harness’. That is how Robert Pinget’s diffident and slightly dotty narrator, Monsieur Songe, describes the process of taking up his pen yet again, and adding one more to an already considerable cavalcade of novels.* Then he crosses out the word ‘hateful’. And then he crosses out the word ‘harness ...”

“... and those unwilling to look fools, widens. Lawrence Weschler’s life of the Californian artist Robert Irwin is the best description I know of why spending months deciding how to put two orange lines on an orange square, or why offering a strip of black tape round the skirting of a gallery as your contribution to an exhibition, could be ...”

“... suggests both the magical power of Hollywood, and its less than democratic creative constitution. Robert Ray’s A Certain Tendency of the Hollywood Cinema: 1930-1980 (its title playing on a controversial 1954 piece about the French cinema by François Truffaut in Cahiers du Cinéma) is the work of an intelligent American lover of American films engaging ...”

“... Duhem, the historian can never suppress his astonishment. But the sociologist could and did. Robert Merton argued that independent simultaneous discoveries should be pereceived as the rule, not the exception. It was the singletons, not the ultiples, that required explanation. Among the more plausible arguments in defence of his inversion, Merton observed ...”

“... of panoptic logocrats? ‘Who whom?’ is famously a political as well as a linguistic question. Robert Burchfield in his deft and delightful book still hopes that it is possible to be a true liberal (that is, only wishy and not washy), so he says that ‘the formal distinction ... is breaking up but should be maintained where possible.’ (Would it really ...”