In Praise of Lolly

Linda Colley, 3 February 1983

The Birth of a Consumer Society: The Commercialisation of 18th-Century England 
by Neil McKendrick, John Brewer and J.H. Plumb.
Europa, 355 pp., £18.50, July 1982, 0 905118 00 6
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... necessarily operated independently of substantial industrial change. Limited industrialisation may have caused a uniquely wide dissemination of consumer goods and attitudes in England, but again one needs to be careful. Too much of the evidence for lower-class consumerism cited by McKendrick is literary and too much is drawn from London. In many Northern ...

Yugoslavia’s Past

Robert Kee, 5 June 1980

Moscow Diary 
by Veljko Micunovic, translated by David Floyd.
Chatto, 474 pp., £12.95, April 1980, 0 7011 2469 5
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... point in these diaries that the continuously intimate conversations Khrushchev had with Micunovic may have been part of a design to convince the West that relations between the Soviet Union and Yugoslavia were much better than they really were. Refuting this, Khrushchev himself insists that they are simply part of his design to put things between the two ...

Labour’s Lost Leader

A.J. Ayer, 22 November 1979

Hugh Gaitskell 
by Philip Williams.
Cape, 1007 pp., £15
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... An enormous amount of reading has been done, a vast number of persons interviewed. The reader may sometimes find himself wishing for a little less detail, but the writing is lucid, and a clear picture emerges both of the man and of the problems that he faced at different times in his short but highly charged career. On nearly all the issues Mr Williams ...

Jogging in the woods at Bellagio

Frank Kermode, 19 April 1984

Small World 
by David Lodge.
Secker, 339 pp., £8.95, March 1984, 0 436 25663 0
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... calling it ‘an academic romance’, and an epigraph from Hawthorne adds that authors of romances may ‘claim a certain latitude, both as to ... fashion and material’, which would not be permitted to anyone professing to write a novel. And, with a touch of the professor, Lodge also directs our attention to Patricia Parker’s admirable book Inescapable ...

At the Gay Bar

Andrew Durbin, 6 January 2022

... I was always late to the party,’ Lin (who is Asian American) writes about Axis, ‘but in fact I may not have been invited.’But then we should never assume that the gay bar is a safe space by nature. In his chapter on The Apprentice in London’s East End, Lin discusses the gay skinheads and white nationalists who used to frequent the local pubs: violence ...

Consider the Hedgehog

Katherine Rundell, 24 October 2019

... Prospero threatens Caliban in The Tempest: ‘Urchins shall, for that vast of night that they may work, all exercise on thee.’ The sea urchin, then, takes its name from the hedgehog. Throughout history we have turned to the hedgehog: we have used them in our fables, and demanded that they cure us of our pains. In 1693 the physician William Salmon ...

At the Movies

Michael Wood: ‘Illusions perdues’, 21 July 2022

... when it gets boring.’ But most of the film’s dialogue isn’t his; nor did he invent what may be its finest new technology, the so-called fame machine (machine à gloire), where the seats of a theatre are made to produce a persistent clapping sound as though filled by an enthusiastic audience. The film’s key themes are manipulation and ...

At Tate Britain

Brian Dillon: Queer British Art, 7 September 2017

... are in some ways predictable: there is a room at Tate Britain given over to theatre, in which one may view Noël Coward’s monogrammed scarlet dressing gown and Oliver Messel’s designs for the 1959 film of Suddenly Last Summer. Style, poise, extravagance: these we might expect. (Consider Glyn Philpot’s 1935 painting of Glen Byam Shaw, who is playing ...

At Tate Britain

James Cahill: Frank Bowling, 15 August 2019

... This ‘abstract turn’ didn’t signal an abandonment of the personal. The geographic shapes may seem little more than formalist ciphers – Bowling has at times encouraged this reading – but they are images that linger like after-traces on the retina. Africa morphs into South America; Guyana lurks in a sea of colour. In Bartica ...

At the Movies

Michael Wood: ‘Bullet Train’, 8 September 2022

... complete with smart skirt and tie, and has an air of innocence that convinces us at once that she may be the most dangerous figure on the train. We don’t know what her mission is until late in the film but we are not surprised to learn she is the daughter of the arch-capo of this world, a Russian known as White Death, played by Michael Shannon.So what ...

At the Movies

Michael Wood: ‘The Tragedy of Macbeth’, 27 January 2022

... right. Language itself seems to be grinning at the truism that if you want to be the king you may have to kill the king. One of the most haunting features of the Macbeth story, very well caught in this version, is the failure of its main characters to be who they think they are. Macbeth is not the tough guy his kingship plan requires, and this makes him ...

At the Movies

Michael Wood: ‘Nightmare Alley’, 24 February 2022

... complacent cruelty are bad enough, but the pride and pleasure the owner takes in his method may be even worse. Perhaps he has seen The Great Dictator after ...

At the Soane Museum

Peter Campbell: Joseph Gandy, 11 May 2006

... scale, no matter how unlikely the assemblage of monuments, ruins and speculative reconstructions may be, they have, in his drawings, a cogency unavailable to less grounded fantasies. His heirs in this work are the designers of science fiction films. His illustration to Milton, Pandemonium, or Part of the High Capital of Satan and His Peers of 1805, gives ...

At the Courtauld

Peter Campbell: Giambattista Tiepolo, 23 March 2006

... and drawings (many from the V&A) can be seen at the Courtauld Institute of Art until 29 May. Space, even after the geometrical basis of perspective is mastered, comes in flavours which mirror changes of tone and feeling. When the arena established by the recession of marble paving, and arcades and walls at right angles to the picture plane becomes ...

At the Guggenheim

Hal Foster: David Smith, 9 March 2006

... settled views, and this centennial survey by the Spanish curator Carmen Giménez (on until 14 May) does so beautifully. As befits an exhibition that will travel to Tate Modern and the Pompidou, its perspective is European, which freshens the work dramatically. American accounts of Smith tend to race through his long apprenticeship to European masters ...