American Manscapes

Richard Poirier, 12 October 1989

Manhood and the American Renaissance 
by David Leverenz.
Cornell, 372 pp., $35.75, April 1989, 0 8014 2281 7
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... that this fear was disguised, even from those who felt it, by publically-accredited rhetorics of self-reliance. Like the new historicists he admires, Leverenz has decided that self-fashioning is animated by forces outside the individual, that these are only superficially situated in specific historical events (Like the ...

Sweeno’s Beano

Nigel Wheale: MacSweeney, Kinsella and Harrison, 1 October 1998

The Book of Demons 
by Barry MacSweeney.
Bloodaxe, 109 pp., £7.95, September 1997, 1 85224 414 3
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Poems 1980-94 
by John Kinsella.
Bloodaxe, 352 pp., £9.95, April 1999, 1 85224 453 4
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The Silo: A Pastoral Symphony 
by John Kinsella.
Arc, 108 pp., £7.95, January 1997, 1 900072 12 2
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The Kangaroo Farm 
by Martin Harrison.
Paper Bark, 79 pp., £8.95, May 1998, 0 9586482 4 7
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... a rosy reflection of all whom we care for enough, the Other rendered perfect in a paradise of our self-love. If MacSweeney’s poem takes its measure from The Infant and the Pearl, it’s nonetheless a more desperate work, cutting away to contemporary horrors with intent to shock. In ‘Cavalry at Calvary’, written to the Guardian journalist Maggie ...

Pen Men

Elaine Showalter, 20 March 1986

Men and Feminism in Modern Literature 
by Declan Kiberd.
Macmillan, 250 pp., £13.95, September 1985, 0 333 38353 2
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Women Writing about Men 
by Jane Miller.
Virago, 256 pp., £10.95, January 1986, 0 86068 473 3
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Phallic Critiques: Masculinity and 20th-century Literature 
by Peter Schwenger.
Routledge, 172 pp., £29.50, September 1985, 0 7102 0164 8
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... unself-conscious or natural. Even when male literary theorists (such as Wayne Booth, Robert Scholes and Terry Eagleton) have taken an interest in feminist criticism, they have seen problems of sexual difference as women’s problems, addressing – to use Jonathan Culler’s terms – the issue of ‘reading as a woman’ but assuming that ...

Hallo Dad

Christopher Ricks, 2 October 1980

Mr Nicholas Sir Henry and Sons Daymare 
by Thomas Hinde.
Macmillan, 271 pp., £6.95, August 1980, 0 333 29539 0
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... just to accept but to respect – comes back from the brink of death to be his old death-dealing self. Within the delicate predatory network of the book we are to tremble back along the lines to an earlier exchange of curbed hostilities, no less banal and no less desolately oppressive but the other way round, when Peter earlier went upstairs to his father ...

Visions

Charles Townshend, 19 April 1984

Theobald Wolfe Tone: Colonial Outsider 
by Tom Dunne.
Tower Books, 77 pp., $1.90, December 1982, 0 902568 07 8
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Partners in Revolution: The United Irishmen and France 
by Marianne Elliott.
Yale, 411 pp., £15, November 1982, 0 03 000270 2
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De Valera and the Ulster Question 1917-1973 
by John Bowman.
Oxford, 369 pp., £17.50, November 1982, 0 19 822681 0
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Sean Lemass and the Making of Modern Ireland 
by Paul Bew and Henry Patterson.
Gill, 224 pp., £15, November 1982, 0 7171 1260 8
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... serious interest in Ireland. In the meantime, however, the United Irishmen were pushed back into self-reliance, manifested in Robert Emmet’s attempted insurrection of 1803. Elliott gives this as much space as Hoche’s expedition, though it had no concrete connection with France. Like the rest of her book, apart from ...

Varrrroooom!

Aaron Matz: Céline, 25 March 2010

Normance 
by Louis-Ferdinand Céline, translated by Marlon Jones.
Dalkey Archive, 371 pp., £9.99, June 2009, 978 1 56478 525 1
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... insignificant bombing of Montmartre. But it’s in Normance that Céline first hits on this self-image: ‘I’m just a chronicler, that’s all! … all I have is a little talent for chronicling … it’s nothing but a mishmash? fine! but since it’s direct experience, what counts most is the chronicler’s integrity!’ And yet it isn’t clear what ...

Slick Chick

Elaine Showalter, 11 July 1991

The Haunting of Sylvia Plath 
by Jacqueline Rose.
Virago, 288 pp., £14.99, June 1991, 1 85381 307 9
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Passions of the Mind 
by A.S. Byatt.
Chatto, 340 pp., £17, August 1991, 0 7011 3260 4
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... truth’. Rose is also compellingly readable on the Stevenson biography, and its bizarre trio of self-exculpating and condemnatory appendixes by three Plath ‘friends’. There was obviously something about Plath that stung people who knew her into frantic self-justification. Rose asks: ‘What it is on Plath’s part ...

Chancer

Paul Driver, 7 January 1993

The Roaring Silence: John Cage, A Life 
by David Revill.
Bloomsbury, 375 pp., £22.50, September 1992, 0 7475 1215 9
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... nothing of real and permanent value. Cage was America’s best Dadaist, best Surrealist, best self-publicist, self-archivist, and its worst composer. He was a deeply playful and deluded man, whose project (he felt he had achieved it) was to ‘show the practicality of making works of art non-intentionally’, who ...

‘I was there, I saw it’

Ian Sansom: Ted Hughes, 19 February 1998

Birthday Letters 
by Ted Hughes.
Faber, 198 pp., £14.99, January 1998, 0 571 19472 9
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... not, in fact, own the ‘facts’ of his life, or of Plath’s: some of us might be said to be self-possessed, but none of us is in full possession of facts about ourselves beyond our reported date of birth, and – if we’re lucky – our parentage. In an essay in 1967 Hughes stated that ‘the struggle truly to possess his own experience, in other words ...

Uncle Wiz

Stefan Collini: Auden, 16 July 2015

Complete Works of W.H. Auden: Prose, Vol. V: 1963-68 
edited by Edward Mendelson.
Princeton, 561 pp., £44.95, June 2015, 978 0 691 15171 7
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Complete Works of W.H. Auden: Prose, Vol. VI: 1969-73 
edited by Edward Mendelson.
Princeton, 790 pp., £44.95, June 2015, 978 0 691 15171 7
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... writing poetry in Europe – but he evidently took pride in his facility and his craftsmanship. Robert Lowell responded with a fellow craftsman’s appreciativeness when he observed of Auden’s multifarious prose: ‘Much hard, ingenious, correct toil has gone into inconspicuous things: introductions, anthologies and translations. When one looks at them ...

Makeshiftness

Barry Schwabsky: Who is Menzel?, 17 April 2003

Menzel’s Realism: Art and Embodiment in 19th-Century Berlin 
by Michael Fried.
Yale, 313 pp., £35, September 2002, 0 300 09219 9
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... Michael Fried, who is also a poet, has a dense, self-questioning, fervent prose style. Somewhat perversely he has, over the last three decades – that is, since his doctoral dissertation on Manet was printed as a special issue of Artforum in 1969 – put this prose to the service of art-historical scholarship. It might have been otherwise ...

At Tate Britain

Peter Campbell: Van Dyck’s Portraits, 12 March 2009

... painted in Rome in 1622. The daughter of a Christian Circassian chieftain, she had married Robert Shirley in Persia and is shown draped in a kind of tent of gold fabric – the effect of her clothes is splendidly exotic. Her thin-lipped, quizzical half-smile is less contrived than those of many of the court beauties. Clothes like hers offer a break ...

In Letchworth

Gillian Darley: Pevsner's Hertfordshire, 2 January 2020

... come with three acres and a pile of manure, but the first garden city had its own version of civic self-sufficiency. Construction began in 1903 after a competition to design a town that demonstrated the ideas of Ebenezer Howard. Howard’s book Tomorrow: A Peaceful Path to Real Reform was loosely based on the work of Henry George and, following George’s ...

At Saint-Germain-des-Prés

Nicholas Penny: Flandrin’s Murals, 10 September 2020

... reducing the action to minimal but memorable formulae, often concealing faces, as when the self-loathing of Judas is concentrated into a hunched back and a clenched fist, or when the Magi prostrate themselves like subject rulers in an Assyrian relief, or when Mary Magdalene is made to seem part of the rock on which the cross is raised. ‘Christ ...

At the Royal Academy

Peter Campbell: Philip Guston fouls the nest, 5 February 2004

... in their New York lofts, surrounded by big, painterly abstract pictures suggest lives in which self-reference has become burdensome. As time passed both Guston and Rothko started to paint darker pictures. In photographs of Monet at work on the Nymphéas in his vast studio at Giverny the nearby reality which is the source of what he is painting is ...