“... and a love story’. Opening Roland Barthes par Roland Barthes we read, inside the front cover, white on black in Barthes’s handwriting: Tout ceci doit être considéré comme dit par un personnage de roman. What follows is text and pictures, a fractured autobiography, a dictionary of personal themes, arranged alphabetically. A fiction? Not ...”

“... about its deliberate obscurity. It is the equivalent of shutting a door in its reader’s face. As Richard Sewall, her biographer, noted, ‘She enjoyed riddles, apparently enjoyed being one.’ But was she a riddle that wanted to be solved? Did she want readerly guests? Helen Vendler’s Dickinson: Selected Poems and Commentaries and Lyndall Gordon’s Lives ...”

“... more American. He sees a picture of Fanon on the back jacket of his father’s Black Skin, White Masks. Black face, tweed jacket, striped tie. On the family bookshelves Fanon keeps company with The Autobiography of Malcolm X. Some years later he reviews Macey’s biography for the New York Times. In 2002 he goes to Algeria, trying to understand the ...”

“... following asserts that it is and Prynne’s second and fifth books, Kitchen Poems and The White Stones, from which a representative selection was made by Tim Longville and Andrew Crozier in their 1987 anthology, A Various Art, have a less implacable aspect than the later work – there are over a dozen books, of which For the Monogram is the most ...”

“... retrospectively – to condition his or her subject’s story by reading in from the work itself. Richard Bradford’s recent life of Larkin, First Boredom, Then Fear, seems to illustrate the belief that the man who wrote ‘Mr Bleaney’ and ‘High Windows’ must have lived like Mr Bleaney but with higher windows: Bradford describes him, during 1955, as a ...”

“... written for medical journals in a subsequent attempt to figure out her condition. In 1978, Richard Altick put together the pieces of her story in The Shows of London. Until very recently (as far as I could tell), Altick was the only person outside the medical profession who had written about her this century. Now Jan Bondeson, whose paper on her ...”

“... he looked down at the staff in the huge newsroom, clearly visible from the lobby. ‘They’re all white!’ he said. Someone suggested they could bung the Arabic Service down there to make it look more diverse. As the World Service was folded into the rest of the BBC, more managers were appointed to the World Service, to match the top-heavy ratio in other ...”

“... on race’, when he attacked the manipulation of racial hostilities to divide the black and white working class. No one running for high office in America had done that since the 1890s. But once in power, Obama soon abandoned any pretence of promoting social democracy. After pushing through a stimulus package, he quickly (and illogically) embraced the ...”

“... powerboat racing career. He entered the 1963 Daily Express race in his top of the range boat The White Migrant and his schoolfriend, who was at Lord’s for the day, recalls the story unfolding in headlines in the Evening Standard. At lunchtime it was ‘Surprise Leader in Powerboat Race’; by close of play it was ‘Powerboat Sinks’. ‘Well,’ his ...”

“... in public schools, which ordered states to allow women some access to abortion, which directed Richard Nixon to release incriminating tapes, which ordered states to permit same-sex marriage, and which rejected Donald Trump’s last-ditch pleas for a judicial coup d’état. It is also the court which ruled that African Americans, no matter their ...”

“... to insist on his greatness? Because Coleridge isn’t in this book, in the way that he isin Richard Holmes’s recent, sensitive profile in the Oxford ‘Past Masters’ series. Does a study like Levere’s miss some point, or is one merely making an obvious remark about the difference between ‘biography’ and ‘intellectual history’? Authors and ...”

“... like fish and rutted like goats. Once, at the New Yorker, Joseph Mitchell came across Katharine White and Sayre’s mother, Gertrude Lynahan Sayre, snickering over a passage from Edmund Wilson’s Memoirs of Hecate County (1946) in which the narrator referred to his penis as a ‘club’. ‘His club!’ one of them exclaimed. ‘Bunny’s club,’ said the ...”

“... of illness or deficiency, a ‘pestilential handicap’. Welles’s rich but ineffectual father, Richard, an alcoholic and ‘natural citizen of the demi-monde’, loved his son, but was mostly legless in his last years, so that the son (himself capable of drinking ‘as much as two bottles of spirits a day’) became ‘parent to the parent’. Throughout ...”

“... and so never lived to know what I have known – the Beatles, black power, the Administration of Richard Nixon – all this has taken place in a trivial after-time and has nothing to do with anything that really mattered, with summer and someone hardly remembered, a youth so abruptly translated from vivid, well-loved (if briefly) flesh to a few scraps of ...”

“... the cable was a joke of some sort. It might just as well have been an invitation from Cosima and Richard Wagner to come to Bayreuth, or from T.S. Eliot and Virginia Woolf to spend an afternoon at the offices of the Dial. It took me about two days to ascertain from various friends in New York and Paris that it was indeed genuine, and far less time than that ...”