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From the National Gallery to the Royal Academy

Peter Campbell: The Divisionists and Vilhelm Hammershoi, 17 July 2008

... painted that picture in Milan, Vilhelm Hammershøi, in Copenhagen, painted a picture called Woman Reading in Sunlight, Strandgade 30. The room where she sits, with her back to you, was in Hammershøi’s apartment. The sun shines through the fabric of looped-back curtains. The bright patches of light on the floor are shaped by the window she faces. These more ...

At the British Museum

Peter Campbell: Moctezuma, 5 November 2009

... the ghouls in a horror movie, are now less a real fear than a safe thrill. Contrast those with a reading of Moctezuma’s coronation stone. It is a rectangular slab of basalt, carved in low relief on all six sides. In the exhibition it stands on its side; originally it was probably laid flat on the ground, so the rabbit with improbably large Bugs Bunny teeth ...

At the British Museum

Peter Campbell: London 1753, 25 September 2003

... which shows poor boys being charitably fitted out for the Navy – encourages you to find your own reading and to think about street children then and now. Stand Coachman, or the Haughty Lady Well Fitted shows what is said to be a true incident. A lady refused to move her coach which was blocking the path, so a man opened the door, climbed in and made his way ...

Hochjuden

Peter Gay, 5 January 1989

Jewish High Society in Old Regime Berlin 
by Deborah Hertz.
Yale, 299 pp., £22.50, June 1988, 0 300 03775 9
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... anything but traditional contours. Consistent with her brains and her aspirations, she founded a reading society that was the prototype of her later salon. Then, at the age of 34, she met Friedrich Schlegel and promptly fell in love with the brilliant young critic. Only one road seemed open to this free spirit: she deserted and soon divorced her husband. For ...
From Author to Reader: A Social Study of Books 
by Peter Mann.
Routledge, 189 pp., £8.95, October 1982, 0 7100 9089 7
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David Copperfield 
by Charles Dickens, edited by Nina Burgis.
Oxford, 781 pp., £40, March 1981, 0 19 812492 9
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Martin Chuzzlewit 
by Charles Dickens, edited by Margaret Cardwell.
Oxford, 923 pp., £45, December 1982, 0 19 812488 0
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Books and their Readers in 18th-Century England 
edited by Isabel Rivers.
Leicester University Press, 267 pp., £15, July 1982, 0 7185 1189 1
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Mumby’s Publishing and Bookselling in the 20th Century 
by Ian Norrie.
Bell and Hyman, 253 pp., £12.95, October 1982, 0 7135 1341 1
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Reading Relations 
by Bernard Sharratt.
Harvester, 350 pp., £18.95, February 1982, 0 7108 0059 2
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... whole sets of publishers’ records. Meanwhile libraries – notably that of the University of Reading – systematically acquired and sorted publishers’ archives. But we still lack anything comparable to the German Archiv für Geschichte des Buchwesens. Nor does Britain have an equivalent to John Tebbel’s multivolume history of American ...

Writing it down

Peter Parsons, 31 August 1989

Oral Tradition and Written Record in Classical Athens 
by Rosalind Thomas.
Cambridge, 321 pp., £27.50, March 1989, 0 521 35025 5
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... values of the ear (the book, he remarks in the Phaedrus, is not interactive) – the culture of reading can be seen, even in the fifth century, as a fad of the avant-garde. This did not stop the IT revolution consolidating itself; books, as well as beds, were soon being exported as far as the remote and isolated colonies of the Black Sea. And yet the book ...

Anglicana

Peter Campbell, 31 August 1989

A Particular Place 
by Mary Hocking.
Chatto, 216 pp., £12.95, June 1989, 0 7011 3454 2
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The House of Fear, Notes from Down Below 
by Leonora Carrington.
Virago, 216 pp., £10.99, July 1989, 1 85381 048 7
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Painted Lives 
by Max Egremont.
Hamish Hamilton, 205 pp., £11.95, May 1989, 0 241 12706 8
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The Ultimate Good Luck 
by Richard Ford.
Collins Harvill, 201 pp., £11.95, July 1989, 0 00 271853 7
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... Marina Warner mentions W.W. Jacobs, James Stephens, Lewis Carroll, Edward Lear and Harry Graham: a reading-list which suggests a mix of the commonsensical and the fantastical which consorts easily with the insect-headed humans and other macabre juxtapositions of Max Ernst’s collage illustrations – much of what is here was written while Carrington and Ernst ...

Post-Bourgeois Man

Peter Jenkins, 1 October 1981

Arguments for Democracy 
by Tony Benn, edited by Chris Mullin.
Cape, 257 pp., £6.95, September 1981, 0 224 01878 7
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Manifesto 
by Francis Cripps, John Griffith, Frances Morrell, Jimmy Reid and Peter Townsend.
Pan, 224 pp., £1.95, September 1981, 0 330 26402 8
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... He later produced a little series of Fabian tracts which incorporated his wide if ill-digested reading. The early years of the Seventies saw the flowering of the year ’68 in England – behind the times as usual. That was the period of Benn’s conversion, a conversion finalised by the crisis of conscience experienced with the collapse of Upper Clyde ...

Medieval Dreams

Peter Burke, 4 June 1981

Time, Work and Culture in the Middle Ages 
by Jacques Le Goff, translated by Arthur Goldhammer.
Chicago, 384 pp., £13.50, January 1981, 0 226 47080 6
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... did not fit into traditional pigeon-holes must be up to no good. The same idea seems to underlie Peter Abelard’s bold attempt, discussed by Le Goff in another essay, to assimilate university teachers to knights, describing arguments as weapons and disputations as battles or tournaments. He was trying to legitimate his own profession and incidentally to ...

I hear, I see, I learn

Nicholas Spice, 4 November 1993

The Green Knight 
by Iris Murdoch.
Chatto, 472 pp., £15.99, September 1993, 0 7011 6030 6
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... at Clifton is a charming charade. When the girls are not quietly occupied in their rooms – Aleph reading Scott, Sefton deep in Thucydides, and Moy painting fey pictures or shifting her stones around by telekinesis or shepherding an insect to the safety of the outdoors – they are mostly to be found in the Aviary singing madrigals or old-fashioned ...

What We Know

Peter Green: Sappho, 19 November 2015

Sappho: A New Translation of the Complete Works 
by Diane Rayor.
Cambridge, 173 pp., £40, July 2014, 978 1 107 02359 8
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... and very difficult to interpret’. A new translation can offer no more than one scholar’s reading (to a great extent arbitrary) of other scholars’ editions. Sappho’s Aeolic Greek is extraordinarily difficult, and establishing the texts of her poems – especially those reconstructed from lacuna-ridden and often near illegible scraps of papyrus ...

Calves

Peter Godman, 17 November 1983

Andreas Capellanus on Love 
translated by P.G. Walsh.
Duckworth, 329 pp., £28, November 1982, 0 7156 1436 3
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... the man, his work and his audience. The dim figure of Walsh’s Introduction, with his limited reading and borrowed quotations, is no more plausible than the splendid author of the source-book read by troubadours in the moonlight and by aristocrats in the bath. Andreas was writing neither for the lay aristocracy, whose interest in his work has never been ...

Better than literature

Peter Campbell, 23 April 1992

Native Tongue 
by Carl Hiaasen.
Macmillan, 325 pp., £14.99, February 1992, 9780333568293
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... Hiaasen writes a twice-weekly newspaper column. This may explain the unliterary speed of his quick-reading prose, and the smart repartee. It may also explain the production-line quality of Hiaasen plots. Among the regular components are a major villain to scale up the action. In Native Tongue it is Francis X. Kingsbury, aka Frankie King, mobster, property ...

At the V&A

Peter Campbell: Among the Artefacts, 13 December 2001

... the specialist and reserve collections they need, or to those who would rather their additional reading came on a page not on a label.* The explanatory mode comes into its own when curiosity overtakes you on the hoof – as it often does. How did the bedding on the Great Bed of Ware feel? Here are some samples of kapok etc to handle. How do you tell a ...

At Tate Modern and Modern Art Oxford

Peter Campbell: Joseph Beuys and Jannis Kounellis, 17 March 2005

... just the enlightening information you want. I have never before seen people spend so much time reading about what they are looking at. Kounellis has made things that invite attention in a way that would make commentary an intrusion. His room of steel plates, resting on chairs, with regular arrays of lumps of coal fastened onto them with wires; the column ...

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