At Tate Britain
Julian Bell: John Everett Millais, 15 November 2007
“... virtually cloisonniste patchwork colouring to jagged, insistently awkward linear designs. In 1851 Ruskin started to champion him; in 1853 he fell in with Effie, Ruskin’s bride in a mariage blanc. After Effie became legally his in 1855, following a messy divorce, Millais switched to a distinctly post-Raphaelite tonal ... ”