“... he killed himself, Berryman was still seeking grant-support for the heavily academic book on Shakespeare that he had intermittently toiled on since the Thirties – and this in spite of being told by Mark Van Doren, his one-time professor and lifelong mentor in these matters, that ‘you will never finish the Sh. book ... you have this illusion you are a ...”

“... from rugby occurred to him so readily that I assume his mind strayed to Lansdowne Road: ‘Virgil, Shakespeare, Dickens and countless others were thrust into touch in their time.’ Many of his sentences are lazy. Of Auden: ‘What cannot be repeated too often is that he is a poet who has something to write about.’ (That can easily be repeated too ...”

“... cartoons. Others took more time, however. The exhibition devotes a section to three of these: Shakespeare Sacrificed, Lieut Goverr Gall-Stone and Titianus Redivivus. These large, discursive prints are directed at targets which you now need notes to identify: Boydell’s Shakespeare Gallery, a print-publishing venture to ...”

“... Introducing​ his text of Hamlet in The Riverside Shakespeare, Frank Kermode calls it ‘the first great tragedy Europe had produced for two thousand years’, and adds, as if conceding to the long academic stress on its highly ‘problematic’ character: ‘how Shakespeare came to write it is, of course, a mystery on which it is useless to speculate ...”

“... did not publish the De Nymphis during his lifetime. But it was printed at Basle while Marlowe and Shakespeare were boys, first in German as the author had demanded, and two years later in Latin; and, though he had defied the doctors’ organisations, his writing had continued to be searched for secret cures. A huge complete edition of them was published in ...”

“... dark, atrabilious, conspiratorial.’ What does that sentence of Stanley Jones remind one of? Shakespeare of course, for Shakespeare has penetrated his mode of presentation because of his omnipresence in Hazlitt’s own outlook and essays. ‘The Example of Hazlitt’ occupies the second part of Jonathan Bate’s ...”

“... finest writer. Even until the mid-18th century he was conventionally regarded as at least Shakespeare’s equal. It was he more than anyone who won a new status for authorship, to befit the moral and educative role he claimed for it. Under James I the former bricklayer and soldier and brawler and convict, the one-time mediocre actor and hack adapter ...”

“... to be preserving. One of the major charges levelled by the Puritans against the playhouses of Shakespeare’s day was that they were involved in and encouraged idolatory: the worship of graven images. The appalling spectacle of famous actors and actresses praying over heaps of bricks and mortar, lighting candles, and tying paper flowers to the wire ...”

“... your early self now played an insurmountably glorious Milton to your later romantic phases? Did Shakespeare say to himself: ‘No way I can beat Hamlet, so why write again?’ Jon Elster wrote two gems in the 1970s and 1980s, Ulysses and the Sirens and Sour Grapes. Not that they have deterred him from publishing at a stupendous rate since, though he has ...”

“... and decided to nurture it, and who left his large library to her; the archbishop of Canterbury, William Sancroft, who acceded to her request for charity and put her in touch with the publisher Richard Wilkin, who printed almost all of her works; and the one-time Oxford philosopher and theologian John Norris, who encouraged her thinking and who in 1695 ...”

“... Birthplace’ (1903), a tale inspired by the case of a couple who had served as custodians of the Shakespeare house in Stratford, Henry James constructed a marvellously ironic narrative about the ‘stupid’ avidity of a public who care nothing for the artist’s work and everything for his legend, flocking to the shrine to see ‘where He hung up His hat ...”

“... When, in the summer of 1898, at the age of 56, William James went to Berkeley, California to deliver a series of lectures on pragmatism, he could have used his own life to illustrate the immensely difficult but successful application of one of its tenets: that truth is best seen as ‘what it is better for us to believe’, not as ‘as an accurate representation of reality’, and that what is better for us to believe is what can be ascertained only in and through our actions, not by consultation with fixed ideas or traditions or, notably in his case, by family example ...”

“... out the sun. A thing.’ An earlier Byatt novel, Still Life, invoked the well-worn line from William Carlos Williams’s Paterson: ‘Say it, no ideas but in things.’ Still Life is the second in a trilogy of predominantly realist novels about the extended Potter family. It details the cerebral and romantic struggles of the clever middle-class sisters ...”

“... sinister than alluring, I came only belatedly to an interest in grottoes. So too, it seems, did Shakespeare, who never used the word ‘grotto’, not even after the arrival of the French hydraulic engineer and garden designer Salomon de Caus at the Jacobean court encouraged the fashion for fancifully ornamented damp underground chambers that had been ...”

“... many writers, most of them major, a few comparatively obscure, Nuttall relies almost entirely upon Shakespeare, and then upon only a handful of plays: Julius Caesar, Coriolanus, The Merchant of Venice, Othello and Henry IV. This Shakespeare criticism, moreover, is concentrated in the third of the book’s four ...”