“... It’s one of the few pavilions to have remained unchanged. The only advantage given to it by Sarah Lucas, so insightful in interview, so frustrating in practice, is the marigold yellow interiors (she calls them ‘deep cream’) which set off the pale terracotta façade nicely. Inside the plaster casts of her female friends’ lower halves – some ...”

“... against a vast, inhospitable landscape; one aberrance in the form of a Hollywood thriller starring Sarah Michelle Gellar; and Senna (2010), a documentary about the Formula One driver pieced together from 15,000 hours of archival footage. As Kapadia told the New York Times, there are few people about whom you could make a film like Senna, because he was so ...”

“... feed, wash, soothe and scold an infant, and something like a history of mothering comes into view. Sarah Knott privileges anecdote in her account of mothering in Britain and North America over the past four centuries, partly because she wants to think about subjectivity and experience, but also because anecdote implies interruption, distraction and ...”

“... British stage since the mid-18th century; but despite a lineage that included her aunt, Sarah Siddons, her father, Charles, and her uncle, the great tragedian John Philip Kemble, Fanny herself was deeply ambivalent towards the theatre. She first aspired to be a writer rather than an actress; and it was only when the family faced bankruptcy that the ...”

“... oil’. The miserable effort needed to transport it across the trackless bush causes more than one death. Carey, like his two main characters, is a gambler: he has a bet on with the reader. He lays his plots in exuberantly meticulous detail, each segment carefully slotted into its proper place in the slowly emerging pattern, until we’re led to that ...”

“... narrative rhythms. Fictional climax is denoted by an opening of flesh, a skinning, or a horrible death. When stuck for Marlowe’s next move Chandler, famously, would have someone come through the door toting a gun. Benedict drops bodies out of the sky. It rains dogs, pigs, rabbits, cows and in one instance people. In ‘Rescuing Moon’ Grady goes to spring ...”

“... identified as the tragedian Elisa Rachel, whom Charlotte Brontë had seen in London in 1851. Sarah Bernhardt may be better known today, but it was Rachel who haunted the English literary imagination throughout the 19th century. In James’s The Tragic Muse, the Jewish Cockney actress Miriam Rooth claims to be in the same style as ‘that woman’, and ...”

“... the Parisian Renard had a wide sweep of artistic and political friendships, from Rodin and Sarah Bernhardt to Gide and Valéry to Jean Jaurès and Léon Blum. His politics were socialist and Dreyfusard; he also moved in the circle around the Revue blanche. The first three editions of Histoires naturelles were illustrated by Félix ...”

“... Sarah Hrdy is tough-minded about a tender subject. Motherhood, she says, is a minefield. Mothers love babies passionately – but not unconditionally. We have evolved as adept sociobiologists, able to calculate love. On the other side of the relationship, baby love is unconditional, indeed desperate. Babies want it all, every scrap of attention they can command, at least up to the point where the mother would be so exhausted that her failure would rebound on the baby itself ...”

“... this year. If he could apprehend his life, he remarked, he would also be obliged to apprehend his death as singular and absolute, without resurrection and without redemption. At this revealing moment, it is interesting that Derrida the philosopher should find in Socrates his proper precursor: that he should turn to Socrates to understand that, at the age of ...”

“... Sarah Perry​ was raised a Strict Baptist, with a number of exotic beliefs – in the literal existence of the devil, the creation of the earth in six days, the sinfulness of women wearing trousers – whose most visible legacy is her interest in ethical and existential questions. That makes her rare among her generation of British writers ...”

“... man of 99 when the angel told him he would have a son, a message which made him and his wife Sarah laugh, the one sympathetically, the other in mockery, if the commentators, all of them male, are to be believed. These two laughs, Screech says, bring about the association between Isaac and laughter. But there is another, nastier source of ...”

“... always so. ‘Pierre Bonnard. Is he a Great Painter?’ Cahiers d’art asked at the time of his death in 1947. They decided he wasn’t and that only those whose taste was confined to the facile and pleasing would say he was. Nor was he much regarded in America, where a definition of the Modern was being worked out that would exclude him. He was Picasso’s ...”

“... make lists. In favour of ‘contemporary art’: Nicholas Serota (at the Tate), Charles Saatchi, Sarah Kent (Time Out), Richard Dorment (Daily Telegraph, oddly enough). Against: Modern Painters, Brian Sewell (Evening Standard), Giles Auty (Spectator), Glynn Williams (at the RCA) and any number of Johnsonian or Waugh-like commentators who throw themselves ...”

“... them on his body until it wasn’t his body anymore. That’s how​ Matthew Dickman describes the death, in 2007, of his older half-brother, Darin Hull. His loss isn’t the only topic in Matthew’s poems, or in the poems of his twin brother, Michael, but it is one for which both poets are known – widely known, in the US, as poets go. They have now been ...”