“... When Elizabeth David’s A Book of Mediterranean Food appeared in 1950, many of the ingredients it called for were unobtainable. But even after meat came off the ration, few people can have had much practical need for a traditional Turkish recipe for stuffing a whole sheep. That was not the point. Saturated with description, of figs and aubergines, of fishing boats at anchor in Marseille and paella pans left out to dry in Spanish courtyards, Mediterranean Food brought a beakerful of the warm South to chilly, postwar England ...”

“... For nearly three generations, from the high-water mark of the Victorian age to the eve of the Second World War, the Stracheys were prominent in English life. Noted for their intellect and their boisterousness in argument, and characterised, in most cases, by long limbs and large spectacles, they struck Leonard Woolf as ‘much the most remarkable family I have ever known ...”

“... The second child of Maria-Luisa and Celestino Schiaparelli would, it was hoped, be a boy. When, instead, another daughter was born in September 1890, they were at a loss as to what to call her. At the last minute they christened her after her German nurse, Elsa. This ‘Wagnerian’ name displeased the little girl. It was, she recalled, her ‘first disappointment’ and she was not prepared to accept it: ‘The struggle had begun ...”

“... companions in their mock monastic order of St Francis looked, as Walpole was doing at Strawberry Hill, to Gothic and Roman Catholic history as a setting for behaviour that self-consciously flouted prevailing mores. Although Dashwood had his own house improved in the Greek taste, he held his Rabelaisian revels at Medmenham Abbey, originally a Cistercian house ...”

“... interest. Bakewell interviewed Landemare for an episode of Times Remembered on BBC Two. Kathleen Hill, one of Churchill’s secretaries, urged her to write her memoir. In it she made a small stand against her son-in-law and his insistence that hers were ‘the bad old days’. ‘Driving in a car you see … no beauty. Their only concern is petrol and if ...”

“... As house prices fall and mortgage rates rise, there is a sense of unease, bordering on panic, that goes beyond economics. An idea of home that is dear to the English middle class is, it seems, under threat. Hermann Muthesius, whose Das englische Haus first appeared just over a century ago and has now been translated in full for the first time, would have sympathised ...”

“... War was looming when Alexander Korda’s film Fire over England was released in 1937. It stars Flora Robson as Elizabeth I, and as the opening titles roll the voiceover sets the scene: ‘the free people of a small island’ defy the tyranny of a Continental power and ‘a woman guides and inspires them.’ Robson, firm of jaw and bristling with double-decker ruffs and farthingales, outwits the dastardly Spanish and the Armada is defeated ...”

“... Bohemia​ was never a safe country for women. If they didn’t all die of consumption in a garret, many of them might as well have done. In the 1890s, when the ‘new woman’ sprang, as Max Beerbohm put it, ‘fully armed from Ibsen’s brain’, their cases tended to follow a pattern. Attracted by the idea of freedom from social and sexual convention and the chance to live among artists, even to be artists, they found themselves not in a new world but in a mirror image of the old, with as many constraints and fewer comforts ...”

“... No one ever failed more completely to be the hero of his own life than the painter Benjamin Robert Haydon, for whom heroism was an obsession. He used his own head as a model for Christ, Solomon, Alexander and Marcus Curtius and believed that heroic history painting was the highest form of art. Today his only generally remembered work is a portrait of Wordsworth ...”

“... The woods around London offered some curious sights in the 1840s. To the north in Epping Forest the infant William Morris could be seen riding out in a toy suit of armour, while down in Surrey, in the Tillingbourne Valley, little Gertrude Jekyll was learning to make gunpowder. In the event it was Morris who became the political revolutionary and Gertrude Jekyll who withdrew into a secluded world of romance in the house and garden she created at Munstead Wood ...”

“... Angela Carter didn’t enjoy much of what she called ‘the pleasantest but most evanescent kind of fame, which is that during your own lifetime’. She was known and admired, but on nothing like the scale that has caused her to be described since her death in 1992 at the age of 51 as ‘one of the 20th century’s best writers’ and inspired Lambeth Council to name a street in Brixton after her ...”

“... Every generation gets the queen mother it desires, or deserves (to adapt Jacquetta Hawkes’s remark about Stonehenge). Seemingly impassive as any megalith, she waved and smiled through a century. From blushing bride to reluctant queen to the good old queen mum, she was respected, fawned on, laughed at or detested largely according to the prejudices of the beholder ...”

“... Rosamond Lehmann was born the day after Queen Victoria’s funeral. When the First World War broke out she was 13, on holiday with her family on the Isle of Wight. The imminence of hostilities had put an end to a plan, much dreaded by Rosamond, to send her and her sister to stay with relatives in Germany. From her own point of view the war was ‘a personal and miraculous reprieve’: ‘of the world crisis, I remember only that sudden emptiness of the beach and the expression on my father’s face as he sat reading the papers all day ...”

“... Most people know two things about Harriette Wilson, one of which is untrue. She is rightly famous for that most tantalising of opening sentences: ‘I shall not say why and how I became, at the age of 15, the mistress of the Earl of Craven.’ With it she ushered in her Memoirs, published in 1825 as a frankly commercial venture. As well as making money in the usual way from the sales of what she wrote, she was willing and indeed anxious to take it from former friends and lovers in exchange for what she left out ...”

“... On​ 23 May 2014, a fire broke out in the Mackintosh Building of the Glasgow School of Art, destroying its library. The loss to the Mack, as it’s generally known, Glasgow’s most famous building and possibly the greatest creation of its principal designer, Charles Rennie Mackintosh, elicited tributes and sympathy from around the world. Le Monde called it ‘a masterpiece’, ‘one of the most emblematic buildings of the emerging 20th century ...”