At the Villa Medici
Peter Campbell: 17th-Century Religous Paintings, 30 November 2000
“... mort’ – stumble. Philippe de Champaigne’s altarpiece, Le Voeu de Louis XIII, which puts King, Christ, Mary and attendant putti in the same frame is too much like window-dressing; the moment for saint and donor pictures was past. Lesser works fail because they seem sentimental, improbable or frivolous. Some things, despite my best efforts, I find ... ”