“... mean agonised rather than lyricism. There are poems in what English readers might recognise as the Hughes holocaust-vein, stripped of all crow whimsy: you realise suddenly that holocausts are not for the pleasure of poets. His work comes as close to asserting what Hamburger calls the ‘commonplace’ about ‘the impossibility of writing poems after ...”

“... Even a truly vile and racist humiliator of women is ‘more sad than bad’. Wendy, meet Peter. One reason we can accept Kate’s disillusion with her work is the poignancy of her daughter’s need for her. (‘This is my mummy. Isn’t she lovely and tall?’ Emily says proudly when Kate comes with her to school.) Another is that her job is ...”

“... of nearly a hundred thousand people attending his funeral in Belfast. One week later, Francis Hughes died, and eight more men – Patsy O’Hara, Raymond McCreesh, Joe McDonnell, Martin Hurson, Kevin Lynch, Kieran Doherty, Thomas McElwee and Michael Devine – starved themselves to death in the months that followed. During that summer of 1981, the ...”

“... convenience: ‘restaurants, theatre tickets’. Larsen was born in Chicago in 1891. Her father, Peter Walker, was Black and came from the Danish West Indies; her mother, Marie, was a white Danish immigrant. Walker disappeared soon after Nella’s birth. Her mother then married a fellow Danish immigrant who never accepted his mixed-race stepdaughter. Nella ...”

“... up to the south door, only later realising it wasn’t lichen but chewing gum. 23 March. That Ted Hughes should have got into Poets’ Corner ahead of Larkin wouldn’t have surprised Larkin, though he must surely have a better claim. Two deans back, and not long after Larkin’s death, I remember Michael Mayne saying that Larkin had earned his place on the ...”

“... features none of the planetary collisions, the cheek-chewing grand guignol of the legend of Ted Hughes and Sylvia Plath. There are no treaties with dark gods to be unpacked into conspiracy files and no shamanic visitations from crows and reeking foxes. Two ambitious young or youngish American men operating out of the same city, San Francisco, forge an ...”

“... a slight resentment towards translations, and in his clever ‘Poem Waiting to be Translated’, Peter Porter asks: Why not remember the heroes of hard situations, those who answered inquisitors in fresh parables, whose lyrical rejoinders are assembled here in memorial Penguins? Porter is glancing at the work of Zbigniew Herbert and Tadeusz Rozewicz, and ...”

“... to the regular production of novels. She bought a car, took on a literary agent – Edmund Cork of Hughes Massie, who looked after her affairs for the rest of her life – and a secretary-governess. In 1926 she became famous. In the spring of that year she published The Murder of Roger Ackroyd, a book based on an idea suggested to her independently by her ...”

“... beautiful cover illustration for The Wise Wound, the study of menstruation by Penelope Shuttle and Peter Redgrove (translated into German in 1980), shows the Grail chalice within a womb. In Syberberg’s film Amfortas’s wound is both internal and external, as in dream-logic: his tunic is bloodied at groin-level, but the wound is also carried about on a ...”

“... about Ulster’s part in the Second World War. There was a line in it about a young guy, Ray Hughes, who’d joined the British Army – ‘amazing, and him a Catholic!’ one character chipped in. David had objected strongly, saying that the only VC awarded to an Ulsterman during the war had been won by a Catholic, James Magennis. One of the people on ...”

“... man: ‘Poor Ted.’ Over the years the name changed, ‘Poor Roger’ (my first husband), ‘Poor Peter’ (her son), ‘Poor Martin’ (or any other man who she thought had been treated badly by a woman). But as far as I was concerned the death of Sylvia was before my time, if only by weeks, in the same way that the end of the Second World War was before my ...”

“... and crystals, beard care and curated playlists. As with the Beatles album sleeves designed by Peter Blake and Richard Hamilton, this was where art and pop first locked eyes, before deciding to move in together.Ahalf-century​ on from the band’s messy divorce, you don’t have to go searching for Beatles bumpf: it’s everywhere. They’re as much a ...”

“... roamed a bit, both geographically and poetically; travelled in the realms not only of Kavanagh and Hughes, but of Olson and Williams, Snyder and Bly. I was freed up,’ he says, much as Donald Davie was freed up by his own move to California. (Heaney praises Essex Poems, begun before Davie left Britain, but published, and perhaps completed, afterwards.) To ...”

“... 55 readymades, a series of dioramas, followed by polyester mannequin heads they had bought at Peter Jones and then decorated. A box named ‘Aunt Eater’ contains a figure of a woman in sensible clothes standing before a dangerously large anteater, in a fantasy of animal revenge. One head, served up on a plate, is framed by herbs and cutlery, with ...”

“... unconscious imitation – can only sterilise.’ Seamus Heaney has recorded the importance of Ted Hughes to him as an example: ‘suddenly, the matter of contemporary poetry was the material of my own life.’ Athol Fugard has acknowledged a similar debt to Camus. After apprentice work which struggled to accommodate South African material in the dramatic ...”