“... in themselves. The show is visually disjunctive but intellectually suggestive.For example, both Walker Evans’s 1938-41 photographs of subway riders and Käthe Kollwitz’s Prisoners, an etching made thirty years earlier, have their place in an iconography of suppressed individuality. In both cases the faces seem to look inward – painfully (in the case ...”

“... On a trip to New York in 1969, Killip was diverted for a second time, by the work of Bill Brandt, Walker Evans, August Sander and Paul Strand.He returned home, worked in his parents’ pub and began documenting a place that was still, via Dublin and Liverpool, a popular holiday destination. There are no tourists in Killip’s early images, no sign of the ...”

“... In the early 1950s I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath where the poor ‘Okies’ go to California with mattresses on their cars rather than stay in Oklahoma and starve. I faced a sort of black-and-white cinematic identity crisis myself in this respect … a little like trading dust for oranges ...”

“... went on to found Art Monthly in 1976 with Jack and Nell Wendler. Under Townsend, James Faure-Walker had been a contributor to Studio International. Cork made his copy less welcome and Faure-Walker and others set up Artscribe. Eventually Peter and I began to meet at Bertorelli’s for wine, talk, food and more wine. At ...”

“... Hone had also just written and published three parodies of the Book of Common Prayer: The Late John Wilkes’s Catechism of a Ministerial Member, The Political Litany and The Sinecurists’ Creed, which satirised the venality of Tory MPs willing to say, vote for and even believe whatever their ministers told them to in exchange for the sinecures and ...”

“... Could he find any of these people, we asked? Yes, he would try. The following week Jo Mennel and John Morgan, the reporter, went back to interview the Rhyl witnesses on camera. Over a cup of tea in a café, Terry Evans gave them the disappointing news that he could not find the main man he was looking for, a newspaper-seller called Charlie Jones. As the ...”

“... is problematical. This book packs some of the nastiest shocks since Richard Walker in The Savile Row Story (1988) disinterred a Lloyd’s Weekly News headline on a sweatshop exposure of 1892: ‘The Duke of York’s Trowsers Made in a Fever Room.’ Chenoune is a French fashion journalist whose book was supported by the Fédération des ...”

“... of architecture is replete with figures whose careers were tied to the fortunes of great cities. John Nash’s genius for town-planning could only have flourished in London during the post-Waterloo boom years. Stanford White’s feeling for opulence fits the New York scene of the 1890s like an evening glove. So, too, did mid-Victorian Glasgow define the ...”

“... not? And if she is, who knows what the reasons may be for not publicly announcing the fact? Frank Walker’s path-breaking The Man Verdi (written with help from Sant’Agata) did bring out the seriousness of the Teresa Stolz affair, a triangular emotional crisis among mature artists that probably didn’t amount to technical adultery but none the less left ...”

“... suddenly stumbles into his father’s bedroom, and finds him there in bed with a ‘friend’, Mrs Walker. The end is precipitously hurried, with James ill in hospital with a mysterious, and apparently island-caught, sickness: ‘a white bird whirling in the blood ... James lay in the flowing heat. Later, that evening, his system burst like a bore-tide, and he ...”

“... the moving vehicle at the foot of the Gallery steps. Up to the age of 95 he remained a tireless walker, maintaining correctly that there was no law of trespass in the English judicial system, and always furnished with the prescriptive sixpence to tender to some indignant landed proprietor in full satisfaction of damage if any. In this alert longevity the ...”

“... transformed. From Elizabethan London, which could be covered on foot from east to west by a steady walker in about half an hour, the city swelled and spilled beyond its walls, turning what had been semi-rural areas and villages into bustling suburbs. The streets, often filthy, gradually became better lit, though not free of danger. Some kind of artificial ...”

“... like the Loshes who took ideas seriously and were inclined towards radicalism. Sarah’s father John, born in 1757, was the eldest of four remarkable brothers. Their wealth came partly from land and later from the alkali works the family developed at the Walker colliery. The extended network of cousins and relatives by ...”

“... Expressionists, Herbert Huncke plus any given Beat, all of the New York School, Bob Dylan, Nico, John Cale, Lou Reed, Malcolm McLaren, Patti Smith and Mapplethorpe, William Eggleston, and … hang on, here’s Walker Evans. And there, not exactly flitting past, goes the bulky shadow of Henry James. Tippins has embarked on ...”

“... articulate. Biographers don’t forget the history of himself that Dryden was to have given John Aubrey, but that he never gave. Dryden adapted Shakespeare, out of confidence and from a sense of necessity. I have chosen Hamlet as a point of comparison between them – a comparison, after all, provoked by Dryden himself – for a reason best given by ...”