The South
Colm Tóibín, 4 August 1994
“... sought a quiet perfection, which was remarkable at a time when her contemporaries like Lowell and Berryman were writing unending and imperfect sequences. But the tone of the third poem, in which Lowell had quoted from a letter, was strange, a dramatic, personal and highly-charged tone which had never entered into Bishop’s poetry; it suggested that Bishop ... ”