“... of Major Ltd by Blair & Co. Nor did I expect to be reproved, however gently, for indiscretion by Simon Jenkins on the op-ed page of the Times – as if I hadn’t cleared what I proposed to print with anyone quoted directly who might have suffered in consequence, or would have dreamed of disclosing to LRB readers without ...”

“... if sales are a measure – is Pico Iyer’s The Art of Stillness: Adventures in Going Nowhere (Simon and Schuster, £7.99), the book version of his 15-minute TED talk on, well, how to do nothing at all. The book has more than seventy pages, though some of them are pictures of sunsets and dawns over water. Iyer’s guru was Leonard Cohen, now a ...”

“... In​ Footprints: In Search of Future Fossils, David Farrier reaches into the past in order to envisage the deep future. This can only ever be an extrapolation of the present – our knowledge, experience, language and ideas – but Farrier is relaxed about this. His focus is on the way life has been recorded in the substance of the world, the ways we can trace human impact and the ways we, in turn, might be traced in time to come ...”

“... outstripped anyone’s claim to possess their own story. Here he is writing to his oldest friend, David Peltz, who is thinly fictionalised as Woody Selbst in the story ‘A Silver Dish’ and as George Swiebel in Humboldt’s Gift. ‘What matters,’ Bellow wrote to Peltz when he complained of being used, is that good things get written … We’ve known ...”

“... its revenue, the company was vested in trustees. But the press as a whole had no such luck. As Simon Jenkins has reminded us, the great proprietors bought and sold their newspapers for power, prestige and, they hoped, money. The brothers Harmsworth launched the Daily Mail and Daily Mirror while Scott was wrestling with Home Rule for Ireland and the Boer ...”

“... pausing on the way to take in Boswell’s An Account of Corsica, Kundera’s Immortality, Simon Leys’s La Mort de Napoléon, the invention of the semaphore telegraph and various other tangential matters. At times, his light touch carries him up into a stratosphere of pure nonsense, as when he writes that since Napoleon did not permanently expand ...”

“... is often hard to discern without the benefit of hindsight. In this tradition, Steven Shapin and Simon Schaffer have defended the first critics of Boyle’s famous air-pump experiments, which are supposed to have established the vacuum as a laboratory entity, on the grounds that their arguments were as good as any Boyle produced. So, if good science is hard ...”

“... Kilito on Hamadhānī through Perry Anderson on Montesquieu and A.S. Byatt on Balzac to Simon Gikandi on Chinua Achebe. Moretti and his contributors have succeeded in making the study of the novel – if not the entire ‘literary field’ – ‘longer, larger and deeper’ than it was before, or than any single scholar could ever make ...”

“... Choderlos de Laclos​ ’s Liaisons dangereuses is remembered for its salacious intrigues, but it’s also about the condition of women. Addressing the Vicomte de Valmont, her partner in games of intimate deception, the Marquise de Merteuil declares that all aspects of social life are more fraught with danger for women: ‘As for you men, your defeats are only a success the less ...”

“... yes!’ came the enthusiastic chorus. You might say that the Jerusalem Syndrome began with King David. Once he had escorted Israel’s sacred Ark of the Covenant into the city, having conquered its Jebusite inhabitants and proclaimed it his capital, he danced in his exaltation ‘before the Lord with all his might … girded with a linen ephod’ – the ...”

“... beneficence and humanity … or whatever proceeds from a tender sympathy with others’ (David Hume). Fashionable poems deplored slavery and child labour, and wrung tears from the public on behalf of the distressed. Sterne assured his readers that his purpose in A Sentimental Journey (1768) ‘was to teach us to love the world and our fellow ...”

“... who wrote wistfully of seeing Len Hutton in his prime, captained a team called the Gaieties XI. Simon Gray, David Hare and Ronald Harwood are or were known to be keen on the game, too. And Tom Stoppard, another follower, has a striking set-piece in The Real Thing in which a playwright, explaining dramatic ...”

“... her own research. Think how knee-capped biographers of Stoppard’s contemporaries Alan Bennett or Simon Gray might feel, faced with the life told in the dazzling diaries. Which is not to say that Stoppard has been costive about discussing his work. His speaking voice is familiar – so familiar that you hear the snag of his blurred ‘R’ while reading the ...”

“... undermine enthusiasm for any political or social virtues the Revolution might possess. The result, David Bindman writes in his excellent catalogue of the exhibition, was ‘to establish in British consciousness, in place of the myriad complexities of the real French Revolution, a series of simple pictures and stereotypes which have proved virtually ...”

“... not rude over here,’ Tom says, tentatively.) Lambert Le Roux, the Murdochian press tycoon in David Hare and Howard Brenton’s Pravda, was, like Logan, a sweary, hard-charging thug. Murdoch himself isn’t like that: he’s much more feline. The actor who catches this side of him is Simon McBurney in The Loudest Voice ...”