“... lunatic. The writer believes that there are true words and false. His is an extreme case of what Anne Barton calls cratylism. The word comes from Plato’s dialogue, the Cratylus, which is all about the question of whether language is naturally rooted in reality or is merely arbitrary. Within the dialogue the character called Cratylus maintains the former ...”

“... Creon’s edict and bury the corpse. And so she does. When asked to deny the crime, she says, in Anne Carson’s 2012 translation of Sophocles: ‘I did the deed I do not deny it.’ She does not seek to justify her actions within the terms of Creon’s law: she negates the law by handing it back to him, intact – ‘If you call that law.’ Antigone later ...”

“... of cavalier things are done with portraits. Images of Charlotte are used to represent Emily and Anne. The surviving part of a group painting by Branwell that almost certainly depicts Anne is often claimed to show Emily. George Richmond’s drawing of Charlotte, taken from life, was later copied by printmakers: engraving ...”

“... deal with the major arrangements of a society in its (usually uneasy) dispositions of property and power, including control over reproduction. Elizabeth Bergen Brophy’s book is a response to the question which must have occurred to every reader of 18th-century novels: ‘Are the novels really at all like life at the time?’ Were there ‘real ...”

“... reinforcing his disbelief in the accusations: You enquire what the fugitive Lady has in her power. She has, I think, nothing in her power but to return home and mend her behaviour. To obtain a separate maintenance she must prove either cruelty to her person or infidelity to her bed, and I suppose neither charge can be ...”

“... an issue which Dally, most disappointingly, fudges. Her material bristles with examples of unequal power-relations, both within and without the consulting-room, which she almost ignores. Having documented many instances of ovariotomies taking place without the full knowledge of the patient, it is begging the question casually to suggest that ‘it may be that ...”

“... because he asks. It is reasonable to say, however, that until the Fianna Fail Government came to power in the spring of 1987, he didn’t really get what he asked for. Export credit insurance to Iraq was not something that any Western government would countenance. Then, it appears, George Bush persuaded Eximbank to provide $200m worth of cover ‘for ...”

“... Jayne Anne Phillips’s first novel of more than a decade ago, Machine Dreams, reconstructed the history of three generations of a single middle-class, small-town American family over the course of some fifty years. From the perspective, by turns, of parents and children, she contemplated the complexities and banalities of relations among family members against the political background of the time, focusing on the far-ranging effects that were brought to bear by the Second World War, the Korean War and the Vietnam War ...”

“... to Wyclif’s mind, and to Wyclif’s Oxford, has grown exponentially. As for the long view, Anne Hudson’s magisterial The Premature Reformation (1988) set new standards for the study of Wycliffite texts and their users. Wyclif divides into five parts: his origins and early life in north Yorkshire, of which precious little is known; the University of ...”

“... the powers of irritation. You do not have to work overtly as a satirist to take advantage of the power of poetic language to cause discomfiture, to break us out of the reality we usually wish to accept, or are resigned to accepting. Aphra Behn can be described as a late baroque poet. Unlike rococo artists, she really has some belief in the grand style ...”

“... fell the shadow of another woman of gifts and intelligence, who was a queen herself for a spell: Anne Boleyn, Elizabeth’s mother. In an age when Thomas More showed his radical mettle by according his daughters the same education as his sons, Anne had been allowed to cultivate her mind to an unusual degree; she had also ...”

“... impression that Mr Newby has raised a theme which he has not completely grasped and realised. For Anne Devlin there is no problem in seeking a theme. Her problem, by her own confession, is to escape from a theme – from Ireland, from the troubles, from Belfast, and indeed from haunting visions known to so many of us, whether we are Irish or not, of the ...”

“... with truly regal generosity to those many unfortunates huddled at the opposite end of the wealth, power and status spectrum. But there was more to this mangered and magical moment than supererogatory royal beneficence. Even in the cosy, impromptu confines of the Christmas stable, the gift relationship was more subtle, complex and ambiguous. For there was also ...”

“... legend itself, now that Romola and the others with the living memory are dead, has increased its power. It continues to permit imaginative leaps of all kinds, choreographic, cinematic and literary – that is, there is no end to further imaginative work about the Nijinsky legend embedded inside the Diaghilev legend, which in turn vibrates inside the ...”

“... about his business in a world of warm statues, suspended rain-drops and unmoving seas. He uses his power for personal gain, not of a financial sort (he is too scrupulous, and essentially uninterested), but for erotic profit. In the variable nights that are days for him alone he indulges in sexual larceny, stealing moments of women’s privacy, scrutinisinig ...”