What a Lot of Parties

Christopher Hitchens: Diana Mosley, 30 September 1999

Diana Mosley: A Biography 
by Jan Dalley.
Faber, 297 pp., £20, October 1997, 0 571 14448 9
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... done, in the jargon of the day, so as to ‘avoid scandal’. But then, how minuscule appear the self-evidently scandalous doings of any of this ‘set’, compared to what we have since learned and understood.The book opens and closes in Holloway Prison, where in a princess-and-the-pea setting that by no means denies sympathy to its subject, a society ...

A Simpler, More Physical Kind of Empathy

Lorna Sage: Haruki Murakami, 30 September 1999

South of the Border, West of the Sun 
by Haruki Murakami, translated by Philip Gabriel.
Harvill, 187 pp., £9.99, July 1999, 1 86046 594 3
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The Wind-Up Bird Chronicle 
by Haruki Murakami, translated by Jay Rubin.
Harvill, 609 pp., £12, May 1998, 9781860464706
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... stomach’, and intensify to the point where they start to resemble skinnings and stabbings of the self. Like Marguerite Duras in La Douleur, which she claimed was a wartime journal she found in a drawer, but had no memory of writing, Murakami lays claim to a share in others’ crimes against humanity. His character Okada becomes a kind of clairvoyant ...

In New York

Hal Foster: Plans for Ground Zero, 20 March 2003

... Such is the contract signed by most people who come here to live, work and play – to go for it, self-invent, hang on – and, paradoxically perhaps, this contract is also a kind of bond, a form of connection to people who came earlier to attempt these same things.The victims must be honoured, of course, and the families have insisted from the start that a ...

How’s the Empress?

James Wood: Graham Swift, 17 April 2003

The Light of Day 
by Graham Swift.
Hamish Hamilton, 244 pp., £16.99, February 2003, 0 241 14204 0
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... knows all about such effects, and knows – as Pinter does – that they will probably now be self-conscious, deliberate dives into the sublime banal. Nowadays a novelist’s characters may themselves be knowingly aware of the effects of place. Swift’s new novel returns to the South-West London of his first two books. It is set in Wimbledon, but ...

It happened on TV

Jon Beasley-Murray: In Caracas, 9 May 2002

... replied, despite these same channels’ allegations of censorship under the previous regime. Now self-censorship in the form of soap operas stopped them showing what was slowly emerging as a pro-Chávez multitude. Then one channel suddenly switched to the scene in the street outside its own headquarters. A group of young demonstrators, on motorcycles and ...

The other side have got one

Ian Gilmour: Lady Thatcher’s Latest, 6 June 2002

Ideologies of Conservatism: Conservative Political Ideas in the 20th Century 
by E.H.H. Green.
Oxford, 309 pp., £25, February 2002, 0 19 820593 7
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Statecraft: Strategies for a Changing World 
by Margaret Thatcher.
HarperCollins, 486 pp., £25, April 2002, 0 00 710752 8
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... or a doctrine’. He complains that my objection to Thatcherism could have been that ‘its self-consciously “ideological” approach to politics was in itself what made it un-Conservative,’ but my ‘critique was targeted at the kind of ideology Thatcherism embodied.’ That is a fair point, but well before Thatcherism had emerged I had expressed ...

Venus in Blue Jeans

Charles Nicholl: The Mona Lisa, 4 April 2002

Mona Lisa: The History of the World’s Most Famous Painting 
by Donald Sassoon.
HarperCollins, 350 pp., £16.99, September 2001, 0 00 710614 9
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... doubt the mysteries of her identity are an essential part of the appeal. The various solutions are self-cancelling: in a sense she has less identity now than she did a hundred years ago, when everyone cheerfully accepted the Vasari version. The face in the portrait is ‘indeterminate’, Sassoon observes, and so becomes a ‘terrain for infinite ...

Successive Applications of Sticking-Plaster

Andrew Saint: The urban history of Britain, 1 November 2001

The Cambridge Urban History of Britain. Vol. III: 1840-1950 
edited by Martin Daunton.
Cambridge, 944 pp., £90, January 2001, 0 521 41707 4
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... 1950, the notion that cities such as London, Manchester, Glasgow and Cardiff were not in principle self-governing, or that local authorities existed to administer nationally determined policy, would hardly have surfaced. And yet by the 1920s, where costly services such as public education were concerned, the balance between money raised on the rates and grants ...

Smorgasbits

Ian Sansom: Jim Crace, 15 November 2001

The Devil's Larder 
by Jim Crace.
Viking, 194 pp., £12.99, September 2001, 0 670 88145 7
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... in The Devil’s Larder – there are, after all, 64 squares on a chessboard. Such compositional self-consciousness would certainly suit Crace’s constitution of mind. The various parts in his books always add up correctly. Which is no surprise, since each of his novels asks essentially the same question: given a particular set of circumstances, what ...

Not so Clever Hans

Jerry Fodor, 4 February 1999

If a Lion Could Talk: How Animals Think 
by Stephen Budiansky.
Weidenfeld, 219 pp., £20, December 1998, 0 297 81932 1
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... focus; it’s forever getting mixed up with whether animals’ thinking is ‘conscious’, or ‘self-conscious’, or whether it’s ‘symbolic’, or ‘semantic’, or whether it’s ‘like ours’. Such conflations are practically irresistible, and Budiansky commits them regularly. Budiansky is inclined to think that being conscious has something to do ...

The man who would put to sea on a bathmat

Elizabeth Lowry: Anne Carson, 5 October 2000

Economy of the Unlost (Reading Simonides of Keos with Paul Celan) 
by Anne Carson.
Princeton, 147 pp., £18.95, July 1999, 0 691 03677 2
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Autobiography of Red: A Novel in Verse 
by Anne Carson.
Cape, 149 pp., £10, July 1999, 0 224 05973 4
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... in which Carson apologises (entirely unnecessarily) for the fact that ‘there is too much self in my writing,’ assuring us: ‘I do not want to be a windowless monad … I have struggled since the beginning to drive my thought out into the landscape of science and fact where other people converse logically and exchange judgments – but I go blind ...

Termagant

Ian Gilmour: The Cliveden Set, 19 October 2000

The Cliveden Set: Portrait of an Exclusive Fraternity 
by Norman Rose.
Cape, 277 pp., £20, August 2000, 0 224 06093 7
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... he has written a thoroughly entertaining, absorbing account of their mostly misguided and often self-important activities. Whether or not Waldorf Astor’s father, William Waldorf, the first Lord Astor, approved of his son’s marriage to Nancy Shaw – he did not go to the wedding on the grounds of ‘poor health’ – he was not niggardly with his ...

Pink Elephants

Alex Oliver, 2 November 2000

Articulating Reasons: An Introduction to Inferentialism 
by Robert Brandom.
Harvard, 230 pp., £21.95, June 2000, 0 674 00158 3
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... characteristic of scientific revolutions. These twin associations illustrate Brandom’s schizoid self-image as the revolutionary – ‘opposed to many (if not most) of the large theoretical, explanatory and strategic commitments that have shaped and motivated Anglo-American philosophy in the 20th century’ – but also as the spokesman and latest member of ...

Motoring

Frank Kermode: James Lees-Milne, 30 November 2000

Deep Romantic Chasm: Diaries 1979-81 
by James Lees-Milne, edited by Michael Bloch.
Murray, 276 pp., £22.50, October 2000, 0 7195 5608 2
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A Mingled Measure: Diaries 1953-72 
by James Lees-Milne.
Murray, 325 pp., £12.99, October 2000, 0 7195 5609 0
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Ancient as the Hills: Diaries 1973-74 
by James Lees-Milne.
Murray, 228 pp., £12.99, October 2000, 0 7195 6200 7
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... the rank of gentleman to stay in their stations. Admittedly they are sometimes very nice, but ‘self-motivated’. ‘All they want is less work and more money. They have no decent regard for the truth. They are spoilt and rotten. I hope unemployment leaps to astronomical proportions, and that they will be humiliated and come begging cap in hand for ...

Mayhem at Millbank

David Sylvester: The new hang at the Tate Britain (2000), 18 May 2000

... to make us think again about the individual pieces. Certainly, the art of display has been self-conscious at Millbank ever since Nick Serota’s arrival there. However, the manifest care and attention with which the paintings have hitherto been hung and spaced and the sculptures placed has not for the most part been designed to create provocative ...