“... to whomever was around or just people-watch. In this millennium, in cafés frequented by young white people, every customer seems to be silently staring at an Apple product, so that the places look and feel like offices. Even this phase may be on the way out. The next phase – of trying to keep customers from sticking around – has arrived. A food ...”

“... his trousers, along with England team manager Keith Fletcher, to a meeting with the match referee Peter Burge, reputedly a stickler for discipline. After a two-hour meeting Burge announced ‘there was nothing untoward’ about Atherton’s ‘unfamiliar action’. He said he accepted the England captain’s explanation, but would not say what it was. The ...”

“... within the meaning of this Bill.’ Perhaps it was because of this piece of logic that Mrs Mary White-house assailed me in the corridor as ‘a disgrace to the Scottish race’. It was not simple pornography or Page Three that worried the promoters of the Bill. Time after time the same example arose – the necessary copulation scene in The Singing ...”

“... in a uniform; what Henry Kissinger used to call (referring demurely to himself) ‘the man on the white horse’? For the Spencer girl, I carry an even sharper blade in my heart. All that rehearsal and all that pre-publicity, with the publicity getting publicity, and then – nada. She revealed that she had been miserable to the point of puking. She disclosed ...”

“... areas of flesh colour, buff and sandy brown are contrasted with neat patterns of black and white and golden-brown clothing, and with the red of wine or cherries and the fresh green of vine leaves – all contained originally (as early inventories invariably indicate) by black frames. But when commissioned to paint larger and more complex narratives he ...”

“... put into play. The story is narrated by a Paul Auster figure, a dedicated novelist called Peter Aaron whose c.v. includes a French apprenticeship, a novel called Luna, even (like his creator) a spell teaching at Princeton. He writes about Sachs, who has confided to him the secret of his final, fatal phase, from an admiring, quizzical standpoint not ...”

“... evolved ‘from ... pictures with titles like... Where the Thrushes Sing... to a Ben Nicholson white relief’. This was not the only drama to hit the 7&5, as it became, paring its name down to go with the work. As Wood left the scene Barbara Hep-worth made her entrance. She had come second in the competition for the Rome scholarship and married the man ...”

“... right enemies (and not find himself finessed so that he’s lined up with Sewell – or the late Peter Fuller) and stay out on the left flank; his fury is rather Victorian – Ruskin’s rage against the immoralism of the Baroque. Oddly enough, Matthew Collings – in the book of his Channel Four series – says many of the same things as Stallabrass; he ...”

“... a legend. The crowd wanted book-heroes.’ (It reminds me of the Beyond the Fringe sketch in which Peter Cook sends Jonathan Miller to his death: ‘We need a futile gesture at this stage. It will raise the whole tone of the war.’) Lawrence seems to have realised that he was most useful as a myth. But only temporarily. He is also interesting in the broader ...”

“... Bryant, in 1987, though other problems intervened and the volume is only now brought to harbour by Peter Marshall, the pre-eminent authority on the late 18th-century British Empire, who took on the task in 2011. The lengthy wait allows Marshall to pay sad tribute to the general editor of the series, Paul Langford, who died in 2015. Independently, Langford’s ...”

“... personal adventures and escapes’ – the very things which, for good or evil, Evelyn Waugh and Peter Fleming and Robert Byron, not to mention Redmond O’Hanlon, assume to be the heart of travel writing. This leads us to the reflection that travel writing, or anyway the best sort, only pretends to be informative. The author, out of self-respect, and by ...”

“... Lord Byron’), ‘Paul’s Tattoo’ (alluding to ‘Tattoos’ in James Merrill’s sequence ‘Peter’), ‘An Island Sheaf’ (alluding to Hart Crane’s Key West: An Island Sheaf), ‘Summer Landscape’, ‘Lily and Bronze’, ‘After the Fourth’, ‘American Sublime’ (alluding to Stevens’s ‘The American Sublime’). Even Doty’s cleverest ...”

“... may be one thing, but a writer like Pierre Guyotat is hardly in need of ‘appropriation’ by a white Jewish writer from New York. Too often, her novels were a barrage of attacks on writerly skills she lacked. Her extravagant self-presentation often worked against her too. Attacking capitalism while dressed in Valentino can look like absurdist theatre. But ...”

“... scandalous … He has made a will leaving them to me plus £500.’ In the end they were left to Peter Coats, Channon’s boyfriend of many years, who allowed the publication in 1967 of a drastically abbreviated and expurgated edition, incompetently edited by Robert Rhodes James, which was greeted with widespread ridicule and contemptuous comparison with ...”

“... Blakey is a better fit. B. is solicitous if not saintly around my mother. Helps her fold up her white metal cane from the Braille Institute and calls her ‘Mavis’ in a polite, Boston-bred, upper-middle-class-lesbian-daughter-in-law way – much as Mary Cheney’s lover, one imagines, addresses her in-laws as ‘Dick’ and ‘Lynne’. B. played squash ...”