“... of The Madness of George III to be printed. Nick Hytner has the good idea of fetching the King back from Kew to Westminster to prove to the MPs that he has recovered from his madness. Of course, it never happened, and had he suggested this departure from the facts at the outset, I’d probably have demurred on grounds of historical accuracy. But the ...”

“... The play was, as Dryden’s dedication says, corrected by Rochester, who commended it to the King, and some of its polished repartee, as Winn and others have said, may owe something to Rochester. But the song, though as good as Rochester, isn’t like Rochester. If Rochester in the ‘Allusion’, and Shadwell in The Medal of ...”

“... home grown. British true crime tends to be about British killers – Ian Brady (See No Evil), John Christie (Rillington Place), the Wests (Fred and Rose), Dennis Nilsen (Des), Jeremy Bamber (White House Farm), Harold Shipman (Doctor Death) – while American true crime favours American atrocities. I don’t see my preference for the British product as ...”

“... Jubilee Session. No other reigning sovereign had visited the principal university buildings since King Edward VII opened them in 1905. Six months before the Queen’s visit, the Vice-Chancellor, Professor J.M. Whittaker, put to his recently-appointed Professor of English Literature a ‘general idea’ – to celebrate the Queen’s visit by reviving the ...”

“... and interests ran in close parallel from their first meeting, around 1930. Duchamp’s ‘The King and Queen Surrounded by Swift Nudes’ (1912). If Duchamp was ‘Dada’s Daddy’, as the critic Winthrop Sargeant proposed in Life magazine in 1952, then Dalí (17 years his junior) was Dada’s deranged and errant offspring. Both artists played up to ...”

“... followed his lead, so Lilith is ‘the lamia’ in the Geneva Bible and a ‘screech owl’ in the King James Version. The New International Version has ‘night creature’, which is a pretty bland way to describe a murderous demon. Nowhere is she described as a flatfish, however.The verse from Isaiah indicates that Lilith belongs to a wild place. To banish ...”

“... being physically part of an audience, the more essential distances are decently maintained). Mad King Ludwig of Bavaria built a private playhouse so that he could watch Wagner’s operas quite alone; today, every owner of a television set enjoys a similar privilege. Indeed, one’s privilege is greater, for though the paranoid Ludwig could isolate himself ...”

“... counter to the slow march of figures, taking the form of silent communication between Christ and John, their contact barred by a stern Roman officer, as the Virgin Mary faints. Some of the later narratives in the nave (scenes from the New Testament twinned with the Old) achieve a similar intensity, reducing the action to minimal but memorable formulae, often ...”

“... and glorious’. He leapt like Marcus Curtius into the gulf, taking with him, according to John Barrell, the whole moribund tradition of High Art. Haydon’s status as one of the few literal martyrs to critical theory makes him an appropriate, if somewhat ominous subject for Painting and the Politics of Culture. Here the questions raised implicitly in ...”

“... He is a real person. I met him once and talked with him. He was amiable and decent, or distant.John Bleasdale’s The Magic Hours is both a monument to unstoppable research and, in the end, an admission that even such a thorough inquiry can remain inconclusive. Bleasdale hasn’t been able to talk to Malick, or to his family. But he has interviewed some of ...”

“... natural-history keeper staged annual cremations of Sloane’s decaying entomological specimens. John Cannon, an eminent plant taxonomist, reveals that after contemplating Sloane’s herbarium ‘one is left with a slight nagging feeling of anti-climax’ because the collector had the misfortune to live just before taxonomy became a proper science with ...”

“... from our heads/But when we first agreed to put them on’). As well as translating War Primer, John Willett, co-editor of the new Collected Works, has revised his volume of essays, Brecht in Context. Although hostile to John Fuegi’s argument, set out in The Life and Lies of Bertolt Brecht (1994), that Brecht’s ...”

“... detail, of diaries or intimate correspondence. There is no easy opportunity of the kind offered by John Evelyn or Samuel Pepys, his contemporaries, to explore details of Wren’s domestic affairs or private reflections. Tinniswood’s Wren is a thoroughly public figure: Tory MP, wealthy knight and brilliant don, agile at winning backing from hostile ...”

“... As anyone who has directed a remake of King Kong knows, revisiting classics is a perilous business. However much you claim to stand on the shoulders of the mighty beast, you still risk ending up, like Fay Wray, squeezed in its paw. A.M. Gibbs spends most of the introduction to Bernard Shaw: A Life justifying his decision to return to a very well-ploughed furrow ...”

“... There’s a revealing slip near the start of John Banville’s new novel. Ursula Godley, whose husband lies dying upstairs, reflects on her son and daughter: ‘These are the creatures she carried inside her and gave birth to and fed from her own breast, phoenix-like.’ A phoenix can never feed its young because there is only ever one of it at a time ...”