“... which in fact contradicts it, because late Picasso surely begins in 1964 (the starting-point of Christian Geelhaar’s pioneering show at Basle in 1981 of ‘Pablo Picasso. Das Spaetwerk’). And the exhibition is essentially one of paintings, drawings and prints of 1964-1972, prefaced by a selection of paintings and sculptures with a starting-point at the ...”

“... him, rush to fill the vacuum that Disraeli’s half-self leaves open. Jewish without being Jewish; Christian and yet of the East, not the West; Conservative and yet not of the blood; a man, but with dark ringlets and foppish, half-formed male friends. These are the inversions, the gaps, that Disraeli exhibits and inhabits: a way of expressing the ...”

“... had a crush on. She throws herself on the mercy of a mad, obsessive fan. The minor story concerns John, an evil Coke-monster Hollywood film producer of huge-budget action movies. After a near-death experience with the flu – ‘His heart leapt with the knowledge that it wasn’t drugs or excessive living that had his jaws chattering like a tree full of ...”

“... Increasingly, policing in Xinjiang has an algorithmic basis. A superb piece of reporting by Christian Shepherd in the Financial Times recently told the story of Yalqun Rozi, who has ended up in a re-education camp for publishing Uighur textbooks in an attempt to preserve the language. One of his crimes was using too high a percentage of Uighur ...”

“... than Swift, in fact – to justify hatred, he went back to the early church. In ‘Ribh Considers Christian Love Insufficient’ (1934), the ‘old hermit’ of the title shuns love as an incomprehensible gift from God and declares: ‘I study hatred.’ Because it scours the soul, hatred now has entirely the opposite properties of those associated with it in ...”

“... to fill in the details of his life, written with affection, humour and perspicacity by the pianist John Tilbury. Tilbury was Cardew’s friend and colleague, and a one-time (and part-time) fellow-traveller on the Maoist road; he has spent a quarter of a century writing this book. Aficionados will love his account; others might have preferred a more succinct ...”

“... Muggletonians was, notably, Christopher Hill, who found significant links between these people and John Milton, as they drank and argued in the London pubs of the 1650s. For Hill and Thompson these were ‘radicals’, political as well as religious activists, part of Hill’s World Turned Upside Down. A vertical history of the subject could not at that time ...”

“... ends with the monster fatally stabbing Frankenstein before leaping into the crater of Mount Etna; John Atkinson Kerr’s The Monster and Magician; or, the Fate of Frankenstein (1826) has Frankenstein and the monster grappling in a boat which is struck by a thunderbolt: ‘the waves vomit forth a mass of fire and the Magician and his unhallowed abortion are ...”

“... in Action. Entirely absent, or mentioned only in passing, are Paul Wolfowitz, Richard Perle, John Yoo, Elliott Abrams, Ahmed Chalabi, Ayad Allawi, Rick Santorum, Trent Lott, Tom DeLay, Richard Armitage, Katherine Harris, Ken Mehlman, Paul O’Neill, Rush Limbaugh. Barely appearing at all are John Ashcroft, Samuel ...”

“... disloyalty, ambition, greed, insecurity and all the British hypocrisies that he crashed into. John Preston has made the most of it, providing not only a very readable and amusing book but also the fullest account yet of what actually happened. Some of his sourcing could be clearer – there are rather vague appendices and no footnotes – but he is ...”

“... and debased by the hollow consumerist ethic such criticism reflects, to appreciate the beauty of John Ford’s Westerns; he is pained by ‘the increasingly indignant audiences who consistently show that the future belongs to the very worst Z-movies, to the pictures that block off your vision and to the sounds that clout you across the ear’. Fourteen years ...”

“... packaging. He appeared to be watching himself as he enacted a series of roles: Conservative Christian Anarchist, éminence grise, Cosmopolite, Licensed Scoffer. One of them pretty much superseded the others by the mid-stage of his life: that of the bored and languid philosopher-worldling, quick to discern the signs of universal rot. He has learned to ...”

“... reserves some of his ammunition for the alternative, liberal determinists, Arnold Toynbee, Sir John Plumb, J.H. Hexter, while not forgetting that morally admirable but woefully misled and misleading Christian Socialist R.H. Tawney, who was first denounced in Elton’s inaugural of 1968 as ‘a very good man’ whose work ...”

“... to evoke, in unforgettable detail, a moment of seismic historical change. Like the German painter, John Hale has produced a vast and enthralling mosaic. In his new cultural history of Renaissance Europe a sprawling mass of individual scenes, deftly drawn and coloured, capture the pain and the beauty of massive social and cultural change. As with ...”

“... and ambition’. His idealism, however, is threatened by disillusionment. He longs for a purer Christian commonwealth, but doubts ‘faith and charity would be enough to settle religious differences between men,’ and soon admits not only that ‘Reform was being built on an edifice of lies and monstrous brutality,’ but that as Cromwell’s man he is ...”