Stanley and the Women

Tony Gould, 25 July 1991

Stanley: The Making of an African Explorer 
by Frank McLynn.
Constable, 411 pp., £17.95, October 1989, 0 09 462420 8
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Stanley: Sorcerer’s Apprentice 
by Frank McLynn.
Constable, 499 pp., £25, January 1991, 0 09 470220 9
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Dark Safari: The Life behind the Legend of Henry Morton Stanley 
by John Bierman.
Hodder, 401 pp., £17.95, January 1991, 0 340 50977 5
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... either scholarly – new material come to light – or critical: new slant on a known personality. John Bierman does have some fresh material. ‘New documentary sources,’ he writes, ‘include the hitherto unpublished expedition journals of William Grant Stairs and memoirs of Alice Pike Barney’; he also pays generous tribute to Richard Hall’s earlier ...

Diary

Frank Kermode: Being a critic, 27 May 1999

... got their first chance in that pub. A few of the celebrants are, or have been, English dons – John Fuller, Simon Gray, Dan Jacobson; but even they arrived by what might be called the bohemian route. There are of course other ways in; anybody can see how much space the dons occupy in the respectable papers and magazines. Many moved in by routes that did ...

Poetry to Thrill an Oyster

Gregory Woods: Fitz-Greene Halleck, 16 November 2000

The American Byron: Homosexuality and the Fall of Fitz-Greene Halleck 
by John W.M. Hallock.
Wisconsin, 226 pp., £14.95, April 2000, 0 299 16804 2
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... as a mere imitator. Richard Dana thought his ‘Marco Bozzaris’ was America’s best lyric poem. John Quincy Adams referred to one of his poems in a speech to the House of Representatives in 1836. Most inexplicable of all, on 15 May 1877, fifty thousand people gathered in Central Park to see President Hayes unveil a statue of Halleck in the so-called ...

Whose Body?

Charles Glass: ‘Operation Mincemeat’, 22 July 2010

Operation Mincemeat: The True Spy Story that Changed the Course of World War Two 
by Ben Macintyre.
Bloomsbury, 400 pp., £16.99, January 2010, 978 0 7475 9868 8
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... a stormy night with the discovery of a dead man in a barn, carrying papers that identify him as “John Whitaker”,’ Macintyre writes. ‘By dint of some distinctly plodding detective work, Inspector Richardson discovers that every document in the pockets of the dead man has been ingeniously forged: his visiting cards, his bills, and even his passport, on ...

Delightful to be Robbed

E.S. Turner: Stand and deliver, 9 May 2002

Outlaws and Highwaymen: The Cult of the Robber in England from the Middle Ages to the 19th century 
by Gillian Spraggs.
Pimlico, 372 pp., £12.50, November 2001, 0 7126 6479 3
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... were brothers, well-connected enough to buy pardons from the Crown, or to atone by serving in the King’s Army, but fatally drawn to highway robbery. The rector, Richard de Folville, was eventually dragged from his church by armed men and beheaded on the spot. ‘The records reveal so many thugs in holy orders,’ Spraggs writes, ‘that it has even been ...

Rub gently out with stale bread

Adam Smyth: The Print Craze, 2 November 2017

The Print Before Photography: An Introduction to European Printmaking 1550-1820 
by Antony Griffiths.
British Museum, 560 pp., £60, August 2016, 978 0 7141 2695 1
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... needed prints of their works to spread their fame and standing. From 1829 until his death in 1837, John Constable grew increasingly preoccupied with printmaking and collaborated with the young engraver David Lucas to translate his oil sketches and paintings into 22 mezzotints, part of what would become known as English Landscape Scenery. Proofs survive, and ...

And That Rug!

Michael Dobson: Images of Shakespeare, 6 November 2003

Shakespeare’s Face: The Story behind the Newly Discovered Portrait 
by Stephanie Nolen.
Piatkus, 365 pp., £18.99, March 2003, 0 7499 2391 1
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Imagining Shakespeare: A History of Texts and Visions 
by Stephen Orgel.
Palgrave, 172 pp., £25, August 2003, 1 4039 1177 0
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Shakespeare in Art 
by Jane Martineau et al.
Merrell, 256 pp., £29.95, September 2003, 1 85894 229 2
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In Search of Shakespeare 
by Michael Wood.
BBC, 352 pp., £20, May 2003, 9780563534778
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... exemplified in a more aristocratic and accomplished manner, complete with emblematic fruit, by John Michael Wright’s c.1668 painting of James Cecil, fourth Earl of Salisbury and his sister Lady Catherine, now at Hatfield. Unhelpfully, there is no indication on the canvas as to the pear-bearing girl’s identity, and no date either. However, a modern ...

This is the day!

Ferdinand Mount: The Great Siege of Malta, 3 April 2025

The Great Siege of Malta 
by Marcus Bull.
Allen Lane, 324 pp., £30, January, 978 0 241 52365 0
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... desperate hours on Malta, describes the moment when the veteran grand master of the Knights of St John, Jean de La Valette, leapt into the gash the Turks had made in the bastion of Castile, after the other fort on the island, St Elmo, had already fallen.‘Come, my knights,’ he cried. ‘Let us all go and die there! This is the day!’ When his staff urged ...

What’s next?

James Wood: Afterlives, 14 April 2011

After Lives: A Guide to Heaven, Hell and Purgatory 
by John Casey.
Oxford, 468 pp., £22.50, January 2010, 978 0 19 509295 0
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... of God, as well as a history of our self-conceptions, of our utopias and terrors, and this is what John Casey provides. Casey is in many ways an ideal guide. He is bracingly conservative about the writing of cultural history, meaning that he likes texts, and chronology, and evidence. He has taught English at Cambridge for many years, and his book has about it ...

Old Dad dead?

Michael Neill: Thomas Middleton, 4 December 2008

Thomas Middleton: The Collected Works 
edited by Gary Taylor and John Lavagnino.
Oxford, 2016 pp., £85, November 2007, 978 0 19 818569 7
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Thomas Middleton and Early Modern Textual Culture: A Companion to the Collected Works 
edited by Gary Taylor and John Lavagnino.
Oxford, 1183 pp., £100, November 2007, 978 0 19 818570 3
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... from the appearance of the new Oxford Middleton. Even as the blurb declares that Gary Taylor and John Lavagnino’s monumental collection is ‘based on the award-winning design of the Oxford Shakespeare’, the binding and dust jacket defiantly proclaim its difference from that distinguished model. The Shakespeare was bound in the press’s traditional ...

Poet Squab

Claude Rawson, 3 March 1988

John Dryden and His World 
by James Anderson Winn..
Yale, 651 pp., £19.95, November 1987, 0 300 02994 2
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John Dryden 
edited by Keith Walker.
Oxford, 967 pp., £22.50, January 1987, 0 19 254192 7
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... The play was, as Dryden’s dedication says, corrected by Rochester, who commended it to the King, and some of its polished repartee, as Winn and others have said, may owe something to Rochester. But the song, though as good as Rochester, isn’t like Rochester. If Rochester in the ‘Allusion’, and Shadwell in The Medal of ...

Diary

Alan Bennett: Fresh Revelations, 20 October 1994

... of The Madness of George III to be printed. Nick Hytner has the good idea of fetching the King back from Kew to Westminster to prove to the MPs that he has recovered from his madness. Of course, it never happened, and had he suggested this departure from the facts at the outset, I’d probably have demurred on grounds of historical accuracy. But the ...

The Queen and I

William Empson and John Haffenden, 26 November 1987

... Jubilee Session. No other reigning sovereign had visited the principal university buildings since King Edward VII opened them in 1905. Six months before the Queen’s visit, the Vice-Chancellor, Professor J.M. Whittaker, put to his recently-appointed Professor of English Literature a ‘general idea’ – to celebrate the Queen’s visit by reviving the ...

Fetch the Chopping Knife

Charles Nicholl: Murder on Bankside, 4 November 2021

... home grown. British true crime tends to be about British killers – Ian Brady (See No Evil), John Christie (Rillington Place), the Wests (Fred and Rose), Dennis Nilsen (Des), Jeremy Bamber (White House Farm), Harold Shipman (Doctor Death) – while American true crime favours American atrocities. I don’t see my preference for the British product as ...

Diary

Francis Wyndham: At the Theatre, 10 November 1988

... being physically part of an audience, the more essential distances are decently maintained). Mad King Ludwig of Bavaria built a private playhouse so that he could watch Wagner’s operas quite alone; today, every owner of a television set enjoys a similar privilege. Indeed, one’s privilege is greater, for though the paranoid Ludwig could isolate himself ...