“... wait to get to know you.’And take you for every penny we can.7 July. Run into Philip and Kersti French in M&S with Philip bent tight over his trolley and using it as a walker. I ask him how he is. ‘Dreadful’. ‘Anything specific?’ ‘Knees. Legs. Lungs. Kidneys … Shall I go on?’ The recital so fluent it’s partly a joke, but looking at him ...”

“... knew.His upbringing didn’t dispose him to fit in. He was born in May 1866 in Honfleur, to a French father and an English mother who insisted that he was baptised into the Anglican Church. This turned out to be a false start. His father, Alfred, when he came home from the Franco-Prussian War, got a job as a government translator and moved his family to ...”

“... as its collective abbot: together, they were the governors of a sacred commonwealth as King David had been in Israel. Had Zwingli’s relationship with most members of the city council been other than excellent he might have been less enthusiastic, but fortunately convenience marched with spiritual logic. When the citizens of Zurich gathered at the ...”

“... kind of archetypal surrealism, for instance, seems to derive equally from Slavic folklore and from French Absurdism of the Fifties, but, as also happens in the work of his Eastern Bloc contemporaries, Vasko Popa and Ivan Lalic, Holub’s manipulations of the surreal are rarely without a political point. His whimsical puppet theatre is also a microcosm of the ...”

“... York cannot allow Morris’s Manhattan incident to be judged as the literary sequel to the canny French aristocrat’s 1830 discourse on the tyranny of the majority, the price of a just society, and the contradictions between political equality and economic inequality. Morris quotes one of his colleagues from the days of colour, generation and credibility ...”

“... the beginning of the century, and Dora Carrington might have had the good luck to stay ordinary. David Garnett, introducing his selection of letters, felt that the reader might ask: ‘Who was this woman Carrington?’ She derived her importance from the fact that she lived with Lytton Strachey. Hostesses, he went on, like the Asquiths and Lady Colefax, who ...”

“... routinely accused, and the hallucinations which gave the accusers their ‘evidence’. Maybe the French Revolution itself was triggered (not caused) by the ‘Great Fear’ of the peasants in 1789, a mass panic which came on after a cold, wet spring among a population largely too poor to afford wheat. Matossian’s work benefits very much (pace ...”

“... not enough to confirm the greatness of greatness; we want to know our business with the dead. David Marr unfolds it, steadily, over seven hundred pages. The first vindication of his huge and wonderful book is that it offers ways into all of White’s work, uncovering materials which were taken up and transformed in the making of the novels, the stories ...”

“... of material are – as in my case – not always Professor Middlemas’s), while Michael Artis and David Cobham have edited a detailed and careful examination of the 1974-1979 governments which replaces all previous accounts. What conclusions might the reader draw from all this kind of evidence? Negatively, the historical record suggests that, as against the ...”

“... Just under forty years ago David Erdman provided for William Blake historical contexts in abundance in Blake: Prophet against Empire (1954). It was a remarkable work of literary detection, which still dominates the field. Some Blake readers have felt that his attribution of correspondence between text and contemporaneous events was over-literal (as well as hazardous), and Jon Mee is one of these ...”

“... bequeathing it to his estranged fourth wife, Lynne Frederick, who kept it all to herself, married David Frost with indecent haste and recently died in California of a drug overdose. So much for the facts. One of Roger Lewis’s main achievements in his new and frankly enormous biography – at least four times longer than any of the others – is to have ...”

“... life are tellingly invoked. Then there is an amazingly learned search for the sources of David’s Oath of the Horatii. The trail leads through Gluck, Garrick, the ballet-master Noverre, Lavoisier, Beaumarchais and (less of a displaced person now, than when Wind was writing in 1941) Salieri. It is nard to imagine a reader with any developed interest ...”

“... with aberration and divergence. In his brave and inventive reconstruction, Wild Diversions (1972), David Thomson found a good image for it: ‘He did not live in the conventional order from day to day, but grew strong or weak like the wind.’ Obviously this has something to do with the vacillations of his physical health – Arthur Cash brings this out ...”

“... incantation, pure sound. This is something it can never achieve; but it can play with the idea. David Means’s first collection of stories, Assorted Fire Events, teeters on the edge of incantation in long, mesmeric, many sub-claused sentences that threaten to lose you as they go on. I admire his sense of rhythm. At the same time, his writing possesses a ...”

“... Sussex from Paris, where he has made a name for himself with his critical appreciations of modern French writers. The first man he meets is a young painter, Robert Canyot, a traditionalist who thinks Richard far too modern. Richard wins Robert’s girlfriend, Nelly Moreton, although Richard fears she is too young for him: they have much in common, Richard and ...”