“... The face we’re bound to recognise in this portrait is that of Byron’s great literary enemy, Robert Southey, the former Jacobin radical, now the Tories’ Poet Laureate, a man to whom Byron once declared: ‘With you I have nought in common, nor would have –/Nor fame, nor feelings, nor the very Earth.’ Behind Southey’s, though, as Cronin and McGann ...”

“... For God’s sake leave me alone!’ ‘Why the hell should I?’ ‘What’s it to me anyway?’ That sort of unilateral declaration of indifference must be the starting point of nearly all family quarrels, and plenty of political catastrophes as well. ‘Why should I always give way to other people? Am I my brother’s keeper?’ But eventually the question will be turned sarcastically back on you ...”

“... and wrote good verse, wrote some good Christian verse. And in fact his elegy ‘On the death of Mr Robert Levet’ (which is included neither in Davie’s anthology nor in Cecil’s) seems to me a very good Christian poem, not merely because it emerges from a culture professedly Christian, but because – on Davie’s own grounds – it illustrates the parable ...”

“... it bored her. She had headaches and back pain, probably because of her scoliosis. Her first son, Michael, was born in 1943, and seemed always to be sick. She took mothering classes and subscribed to Parents magazine. She had another baby, Robert, took guitar lessons and saw a psychoanalyst, Saul Miller, three times a ...”

“... lift each other in a tentative balance, was advanced both in Heaney’s contribution to Homage to Robert Frost (which he published in 1997 with Joseph Brodsky and Derek Walcott) and in such poems as ‘Weighing In’ and ‘The Swing’ (an Ulster version of Frost’s ‘Birches’) in The Spirit Level (1996), the most recent book of his excerpted for Opened ...”

“... Well, I could never write a verse, ­– could you?Let’s to the Prado and make the most of time.Robert Browning, ‘How It Strikes a Contemporary’The world has an established place for poems about paintings – sometimes you wonder if there was ever a poet who didn’t write one – but, oddly, the poem-painting relationship doesn’t seem to be reversible ...”

“... because they assumed he was a semi-Fascist ultra like themselves. But, as the Cambridge historian Michael Postan put it, ‘They are such fools: they thought they were electing a Tory and never realised that they were electing a Whig.’ Mrs Thatcher imagined that the scholar who had written The Last Days of Hitler would share her hostility to a reunified ...”

“... open. Steve Silberman, the author of NeuroTribes, describes DSM-IV as the diagnostic equivalent of Michael Jackson’s Thriller: an unprecedented international hit. The manual and its many tie-ins – including study guides, casebooks, videotapes and software – earned $100 million for the American Psychiatric Association. This once obscure 42-year-old ...”

“... Gown (1987), which describes his introduction to counterintelligence in London during the war, and Michael Holzman’s James Jesus Angleton: The CIA and the Craft of Counterintelligence (2008). But Angleton laid out on the page is nothing like Angleton in the room. When he wanted someone to understand the Monster Plot – someone like David Blee, for ...”

“... the chairman of the Senate Judiciary Committee, where he tried to grill the Supreme Court nominee Robert Bork on his voluminous writings on constitutional law. Biden offered to resign, but Thurmond and Kennedy told him not to. Bork’s nomination was thwarted, but Biden was still chairman four years later when George H.W. Bush nominated Clarence Thomas. The ...”

“... the classical view from above comes near the end of the poem, after the fall, when the archangel Michael shows Adam a series of mostly grim prophetic visions of what lies in store for his descendants. In Milton’s brief epic Paradise Regained Satan shows Jesus the kingdoms of the world as a series of visions from above. Here, unusually, the guide is ...”

“... years’.The government was determined to extract an apology from the men. The attorney general, Michael Havers, was sent to Walton to persuade them. Havers went from cell to cell, trying to talk to each man separately, promising early release. He then addressed them in the prison chapel. All they had to do was say sorry. If they did, they could leave that ...”

“... very centre of its inside; what seemed circumstantial has been redefined as constitutive.’ As Robert Scholes put it, we must ‘make the object of study the whole intertextual system of relations that connects one text to others ... the matrix or master code that the literary text both depends upon and modifies’. That is, he continues, ‘in order to ...”

“... for the Isle of Dogs, that unlucky swamp, were shredded for the construction of a shelf of towers. Michael Heseltine, a wild-haired, mad-eyed visionary (Klaus Kinski to Margaret Thatcher’s Werner Herzog), pushed Docklands across the Thames to the East Greenwich Peninsula, Bugsby’s Marshes. The obsessive, neurotic and delusional Millennium Dome concept was ...”

“... could be married and a film born.The back office deity of that era was the seven-times-married Robert Evans, who ran production at Paramount for a decade from 1966, when the studio made The Godfather and The Godfather Part II, Chinatown and Rosemary’s Baby. The ghost of Evans haunts Pandora’s Box, which covers the time some perhaps premature ...”