“... been faced, with such a choice? In 1917 or thereabouts, Siegfried Sassoon confided to his friend Robert Graves that he was planning to ‘go public’, as a decorated front-line officer, with what he knew about real conditions on the Western Front. Graves had him put away for ‘shell-shock’, for his own good. That was certainly a betrayal of a friend ...”

“... accustomed to imploding on their microspecialisations than to lifting their eyes to worlds that may, as J.B.S. Haldane famously said, be queerer than we can ever imagine. Nor was much enlightenment to be drawn from a recent TV documentary on genetic engineering (typical of its genre), inevitably beginning with the Nazi eugenics movement and ending with ...”

“... but rather with the alleged critical assassins: Carl Weber (‘a boorish vulgarian’), Robert Gittings (‘unscrupulous’), Richard Purdy (‘incapable of psychological insight into sexual matters’) and Michael Millgate (‘prim’), the devoted Hardy scholars who have given us studies of the work, an edition of the letters and several ...”

“... One afternoon in May 1995, I rang Ken Loach to try to persuade him to play Fantasy Filmmaking. In fact I had to call a number of British directors, and ask each one to imagine the kind of movie he or she would make given a bottomless budget. ‘An unlimited budget would be a liability,’ Loach said. ‘The more you spend, the more restricted you are because the more money you’ve got, the bigger the investment, the more nervous the investor and the more they dictate what the ending should be ...”

“... We should be even more cautious about an unwritten constitution, in which the meaning of a phrase may be more fluid because it lacks such a rigid context. It is futile to debate whether Victoria was more or less constitutional than George III, or whether Edward VII was the first really constitutional king, because no British monarch since 1688 has had power ...”

“... and is immediately carried headlong downstream. The context for humans’ experience of the world may be presented in this unillusioned way, but the poem is not unrelievedly bleak. Farmers may not be living in the Garden of Eden, but they are not living in the moral corruption of the city either, and Virgil conveys an ...”

“... in the interpretation of Duchamp, away from The Large Glass as the centre of his oeuvre (though it may shift back at the PMA where The Large Glass is a fixture). Indeed, both the exhibition and the catalogue are preoccupied with ‘his direct and deep engagement … with the inherently conservative institution of the museum’, above all MoMA and the ...”

“... the Royal Academy until 8 February (after which it will travel, first to Iowa, then to Toronto), may sound like safe family entertainment designed to appease the Friends and Academicians dismayed by Sensation in the rooms below. It is in fact an original and valuable exhibition devoted to a curious and often daring development in British painting in the ...”

“... It’s not that we doubt the truth of any of these statements, or even that we feel Eliot may be oversharing, as some say these days – many of the recipients of these letters really wanted to know how he was. And to be fair, the cumulative effect is available only to readers of this volume, since the letters went out to separate persons one by ...”

“... he staged his paintings. ‘We were surprised to learn that his suicide was so ritualistic,’ Robert Motherwell said. For me, and I imagine for many others then as now, Rothko just was his paintings – paintings that seemed, when we stood before them spellbound, to be our shifting moods themselves. It is with some trepidation that one opens a new ...”

“... Ian Hamilton came to biography late and triumphantly with his life of the dead but still warm Robert Lowell. Riding high, he went on to attempt an unauthorised life of the aged but very much alive J.D. Salinger and was comprehensively outfoxed by the second most reclusive man in American letters. Hamilton wrote up his experience as a rueful memoir, In ...”

“... with systems designed to suit other people. Install a man in an ill-fitting system, and you may witness that discrepancy between the organic and the mechanical which Bergson regarded as the provocation of comedy. Kenner probably got the hint from Wyndham Lewis: if so, it is explicable that his account of Gulliver’s Travels and Robinson Crusoe makes ...”

“... forty recent poems and prose-poems, and ends with the title-poem, a long meditation which readers may want to compare with Ashbery’s ‘Self-Portrait in an Convex Mirror’ and ‘Fantasia on “The Nut-Brown Maid” ’. The origin of ‘A Wave’ may be the passage about dreams in ‘Self-Portrait’: ‘They seemed ...”

“... a new world: it answers some questions that have hitherto been asked in vain and others which we may not have thought of asking at all. What sort of people collected paintings in the 19th century? How far did they specialise, or were their tastes catholic? What were their motives? Did they buy from artists or dealers, or did they commission works to their ...”

“... of James’s philosophical practice are caught in this swift picture. I take these quotations from Robert Richardson’s William James, the most recent in a long run of biographies. Its predecessors were by Ralph Barton Perry (1935), Gay Wilson Allen (1967) and Linda Simon (1998). There are also fine portraits in Jean Strouse’s biography of Alice James ...”