Princes and Poets

Niall Rudd, 4 August 1983

The Augustan Idea in English Literature 
by Howard Erskine-Hill.
Arnold, 379 pp., £33.50, May 1983, 0 7131 6373 9
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Catullus 
by G.P. Goold.
Duckworth, 266 pp., £24, January 1983, 0 7156 1435 5
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Three Classical Poets: Sappho, Catullus and Juvenal 
by Richard Jenkyns.
Duckworth, 242 pp., £24, May 1982, 0 7156 1636 6
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... any importance in society? We will then be able to say how near Pope came to Juvenal. Meanwhile it may be observed that the poems in question seem to contain no reference to such an approach; also, although Juvenal may well have annoyed some of his contemporaries, he did not employ the name of anyone who was both alive and ...

Mystery and Imagination

Stephen Bann, 17 November 1983

The Woman in Black 
by Susan Hill and John Lawrence.
Hamish Hamilton, 160 pp., £7.95, October 1983, 0 241 10987 6
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Legion 
by William Peter Blatty.
Collins, 252 pp., £8.95, October 1983, 0 00 222735 5
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The Lost Flying Boat 
by Alan Sillitoe.
Granada, 288 pp., £8.95, October 1983, 0 246 12236 6
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Snow, and Other Stories 
by Antony Lambton.
Quartet, 134 pp., £6.95, September 1983, 0 7043 2407 5
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New Islands, and Other Stories 
by Maria Luisa Bombal, translated by Richard Cunningham, Lucia Cunningham and Jorge Luis Borges.
Faber, 112 pp., £8.50, October 1983, 0 571 12052 0
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The Antarctica Cookbook 
by Crispin Kitto.
Duckworth, 190 pp., £7.95, October 1983, 0 7156 1762 1
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Sole Survivor 
by Maurice Gee.
Faber, 232 pp., £7.95, October 1983, 0 571 13017 8
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... looked down on them. Lord Lambton’s heroines are of the same flesh as us, though their blood may be bluer. Maria Luisa Bombal specialises in the portrayal of another kind of aristocratic heroine, commuting between the labyrinthine South American cities and dense, tropical landscapes which secrete occasional, decaying estates, taking refuge from the ...

Rug Time

Jonathan Steinberg, 20 October 1983

Kissinger: The Price of Power 
by Seymour Hersh.
Faber, 699 pp., £15, October 1983, 0 571 13175 1
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... are there to be drawn. The first, though Hersh never quite says it, is that the Presidency itself may have a flaw, a flaw made worse when the incumbent is a Nixon: its power is monarchical. The President of the United States is the executive. His power rests on a piece of parchment drawn up when Catherine the Great was Empress of All the Russias and George ...

Frank Kermode

Mary-Kay Wilmers: On Frank Kermode, 9 September 2010

... the first in October 1979, a review of J.F.C. Harrison’s book on millenarianism, the last, in May this year, a review of Philip Pullman’s The Good Man Jesus and the Scoundrel Christ. ‘Eloquently’: was that the right word? Not really. Frank’s writing was so much more exact, more stylish, more patient, more ironic, more playful, more attentive, more ...

Short Cuts

Andrew O’Hagan: Have you seen their sandals?, 3 July 2014

... young photographers from Japan were taking pictures of other young photographers from Japan. It may be pretty ordinary to most children now – who all have paparazzi for parents – but I was still taken aback to see the scrum around anybody wearing a coloured sock. One man came along the street wearing red braces under a nice grey suit and the Japanese ...

At the Fitzwilliam

Ian Patterson: A tidying-up and a sorting-out, 11 August 2016

... a time there, acting as nightwatchmen) and the (quite interesting) personal life of the founder. Richard, seventh Viscount Fitzwilliam of Merrion was a collector on a fairly grand scale. When he died early in 1816, he owned about ten thousand printed books, 130 illuminated manuscripts, musical scores (most famously the Fitzwilliam Virginal Book), paintings ...

Words washed clean

David Trotter, 5 December 1991

From Puritanism to Postmodernism: A History of American Literature 
by Richard Ruland and Malcolm Bradbury.
Routledge, 381 pp., £35, August 1991, 0 415 01341 0
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... was especially crucial to the natural experimentalism of the American arts.’ Pound’s poetry may be ‘flawed and idiosyncratic’, but ‘he knew all the time that he was fighting for a new poetry and a new interpretation of all the literature and culture of the past.’ Williams ‘believed in the power of distinctive American speech to give writing a ...

Our Sort and Their Sort

Ralf Dahrendorf, 20 December 1979

Class 
by Jilly Cooper.
Eyre Methuen, 283 pp., £4.95
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... class is amusing, Jilly Cooper has not let her subject down. She quotes the Registrar General and Richard Hoggart and Michael Young, while writing in a manner that falls somewhere between Nancy Mitford and a Daily Mail column. Her characters are fun, her observations acute, and since she does not try her hand at analysis, it is hard to fault her. Yet the ...

Short Cuts

Jeremy Harding: Erratic Weather, 11 April 2013

... hellish’ onset of night as a black pall lowered without the reassuring interval of dusk. Richard Mabey stands admirably within this tradition, not only as a naturalist and writer on British flora and fauna, but as an expert on inner and outer weather: his Nature Cure (2005) records a bout of severe depression and a re-emergence two years ...

At the Brunei Gallery

Peter Campbell: Indian photography, 1 November 2001

... downtrodden poor, filthy rich, or just lovable child – and which led some photographers, Richard Avedon for example, to borrow the ethnographic mode to suggest that the person in a picture can speak for him or her self.Official portraiture offered its own opportunities. James Waterhouse, who was having a terrible struggle with the heat on an ...

Short Cuts

Jonathan Meades: This Thing Called the Future, 8 September 2016

... barons of parallel reality and fiscal mockery – Apple, Google, Amazon etc. Skinner’s bludgeon may be absent, his menu of reinforcements may be diluted but his intentions stretch from the grave. According to one of Norman Foster’s apparatchiks working on the Apple project, ‘We have a building that is pushing social ...

The Enabling Boundary

Tom Nairn: We’re All Petit Bourgeois Now, 18 October 2007

What Should the Left Propose? 
by Roberto Mangabeira Unger.
Verso, 179 pp., £15, January 2006, 1 84467 048 1
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The Self Awakened: Pragmatism Unbound 
by Roberto Mangabeira Unger.
Harvard, 277 pp., £19.95, February 2007, 978 0 674 02354 3
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Une brève histoire de l’avenir 
by Jacques Attali.
Fayard, 432 pp., €20, October 2006, 2 213 63130 1
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... Why … are people prepared to lay down their lives for their country?’ Some of the answers may lie in the enabling detachment of kinship emotion from its original sources. Such feelings can be strengthened, even as they are diffused or redeployed. Because this kind of siblinghood is ‘metaphorical’, it doesn’t follow that it’s weaker, or watered ...

The Colour of His Eyes

Michael Hofmann: Hugo von Hofmannsthal, 12 March 2009

The Whole Difference: Selected Writings of Hugo von Hofmannsthal 
edited by J.D. McClatchy.
Princeton, 502 pp., £24.95, October 2008, 978 0 691 12909 9
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... a swansong of passivity in the drawing-room; and, above all, the opera libretti he wrote for Richard Strauss: Elektra, Der Rosenkavalier, Ariadne auf Naxos, Die Frau ohne Schatten and Arabella. These, I would say, constitute half a safety-net, half a ball and chain, meaning that Hugo von Hofmannsthal (1874-1929) won’t ever go away. All the same, when ...

The Paranoid Elite

Michael Wood: DeLillo, 22 April 2010

Point Omega 
by Don DeLillo.
Picador, 117 pp., £14.99, March 2010, 978 0 330 51238 1
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... to paranoia. Not the paranoid style in American politics, to quote the title of a famous essay by Richard Hofstadter (how could anyone say farewell to a mode so lavishly on the rise?), but to the paranoid fictions that animated DeLillo’s own novels The Names (1982) and Libra (1988), and went all the way back to Pynchon’s V (1963) and The Crying of Lot 49 ...

Perfect Light

Jenny Diski, 9 July 1992

Diana: Her True Story 
by Andrew Morton.
Michael O’Mara, 165 pp., £14.99, June 1992, 1 85479 191 5
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Shared Lives 
by Lyndall Gordon.
Bloomsbury, 285 pp., £16.99, April 1992, 0 7475 1164 0
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Antonia White: Diaries 1958-1979 
edited by Susan Chitty.
Constable, 352 pp., £19.95, May 1992, 0 09 470660 3
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... and I recognised the not-quite-extraterrestrial, dumpy, middle-aged forms of Elizabeth Taylor and Richard Burton panting their way up the hill. The glow was not, of course, from their outward perfection, nor their inner beauty and wisdom, but the result of years and years of attention from precision-ground lenses and high-wattage lights being focused and ...